NYWIFT Blog

NYWIFT’s “Women’s Media Workshop” Comes to Staten Island

On Saturday, June 15th, 2019, Special Projects Associate Easmanie Michel brought NYWIFT’s Women’s Media Workshop, a full-day training, collaboration, and production workshop to Staten Island for the very first time.

Supported and encouraged by the office of Councilmember Joseph Borelli, the mission of the workshop was to ignite and engage young and emerging filmmakers with the art of filmmaking – encouraging them to share their voices and stories via film, and training them on all the technical elements of creating a story for the screen from beginning to end.

Instructed by Filmmaker and Theatre Artist Abigail Zealey Bess (a current professor at NYU, and award-winning film director), the group of nine women, ranging in ages from 15 to 50, gathered at the HH Biddle House in Staten Island at 10am and worked collaboratively and tirelessly until one complete short film was developed and all the scenes were captured. The girls were released at 5pm, and now the film is being edited and prepared for a screening later this month.

To start the creative process, Bess asked the group to meditate on the ideas of family, childhood and anniversaries. Together the group participated in exercises and games to develop characters and stories for their film. The group learned the important elements of script development and ways to collaborate to find a common point of view. After lunch, the group then came together to finalize a shot list and begin shooting. With two cameras, the group assembled themselves into an on-set crew and shot all the scenes they developed together. Through this process, the women learned new and unique ways to frame scenes, use cameras and shots to propel their story forward.

The resulting film, Runaway, will be screened for the group, their friends and family, and the general public on Saturday, June 29th at 12pm.

Participant XiRen Wang shared more* about her experiences with the NYWIFT Media Workshop.

Q: What did you learn at the workshop that you didn’t know before?

A: “I’ve never been a part of an all-female crew and cast, so for me, this was a really enriching experience that showcased just how supportive we can all be to one another. Also, I learned to work with what we had – both in terms of locations, people, and all the resources immediately around us. I’ve always been a great improviser, but this really challenged us in many ways… I learned to maximize our work, within the limitations that we had, and learning to capture and lean on the strengths of each woman was a new and rewarding experience for me.”

Q: What do you plan to do with the knowledge you learned at the workshop moving forward?

 A:  “I learned that I much prefer being the one sculpting the story, bringing visuals to life, than the one on camera acting. As an Asian American, there are very few roles that exist for a face like mine, in story, even though things are changing for the better – there still aren’t enough roles that are really raw and multi-dimensional… but my experience in directing and writing has taught me the power of universal commonalities we all share, as women, as adults, as human beings.

Q: What was the most memorable part of your experience at the workshop?

A: “It was right after we did the “exquisite corpse” exercise, led by Abigail, and it was discovered that we wrote very much similar stories – everything was poetically painful, and the regrets and the themes and the wishes were really, the same. This made the storytelling that followed, much more unified, and strong, because it’s shaped by six women, who are really, all trying to tell the same story. I’ve never experienced a unison this strong before.”

Q: What was your favorite part of the workshop:

A: “There were two cameras, I believe meant to be designated for two teams. However, we all worked together as one team, and we were able to have a second machine to make our visuals more multi-dimensional. It wasn’t easy for us to capture everything we set out to film – and it would have been impossible if we only had one camera doing the work. So, to actually be on time, and on target, and having captured everything we planned to get, was nothing short of amazing. I’m under no illusion of what it would have cost for us to produce something like this (having also worked as a producer before), so I’m deeply, deeply, grateful for everyone who made this day possible.” 

*These responses have been edited and abridged for space and clarity.

NYWIFT thanks Abigail Zealey Bess for her time and expertise, and a special thank you to the Council Member Joseph Borelli for his support and encouragement of this program. Special thank you to the HH Biddle House for the use of their beautiful space.

The final film Runaway will be posted on NYWIFT’s YouTube channel later this month.

PUBLISHED BY

Ashley Jacobson

Ashley Jacobson Ashley Jacobson is a staff member for NYWIFT, joining as the Development Associate in October 2017. She oversees NYWIFT’s Corporate Partners programs and specializes in corporate philanthropy and nonprofit business development.

View all posts by Ashley Jacobson

1 Comment

Related Posts

The Dilemma of Desire Empowers Women through a Greater Understanding of Their Sexuality

Maria Finitzo's film "The Dilemma of Desire," a documentary about female sexual desire, was difficult to pitch and sell because, according to Finitzo, “People were afraid of it, they think it's about porn or are worried they're going to see people having sex." Instead, the film delves into the essential, surprising, and often sad truth about most women’s understanding of their own sexual desires and their own bodies.

READ MORE

S. Casper Wong on Her Filmmaking Journey: Global Peace Film Festival

NYWIFT Board Member S. Casper Wong is an award-winning New York-based filmmaker, technology lawyer, social entrepreneur, activist, and Founder of OO Media. She is also the founding chair of Asian American Women Media Makers and is on the board of directors at NYWIFT, leading the innovation initiative. She recently spoke to Global Peace Film Festival about her 20-year journey in filmmaking.

READ MORE

Opinion: Hank Azaria apologized for playing Apu on ‘The Simpsons.’ I accept.

"As an Indian American actress, for me the shadow of Apu loomed larger in my life than I realized." NYWIFT Member Mellini Kantayya offers her take on the controversial "Simpsons" character - and subsequent fallout - in an insightful op-ed published in The Washington Post.

READ MORE

The Mole Agent: Highlights from the NYWIFT Goes to the Oscars Q&A with Maite Alberdi, Marcela Santibañez, Julie Goldman

The team behind The Mole Agent, Oscar-nominated for Best Documentary, discusses its powerful impact, and how they created a film both so visually stunning and rich with character that The New York Times review believed the film to be partly dramatized. It wasn’t!

READ MORE
JOIN OUR NEWSLETTER
css.php