Reel Equity: Tell the entertainment industry that you support members of historically female crafts in their demand for Pay Equity by signing your name to this Open Letter to the Entertainment Industry.
Film Registry: The Library of Congress accepts 2019 recommendations from the general public for its National Film Registry via their online form through September 15th. To date, over 700 films have been selected to the Registry. Only approximately 40 of these films on the list are women directed works (seven of which were preserved by our Women’s Film Preservation Fund). Public recommendations play a key role in the their final selection, so every vote counts. Please consider nominating a film by a woman – our Women’s Film Preservation Fund has some suggestions, including Deborah Shaffer’s The Wobblies (1979)!
Good News: A new DGA study has found that the pool of first-time episodic TV directors “is more inclusive than ever,” with women and minorities seeing dramatic employment gains and setting record highs for the second year in a row. This is good news, but not perfect – women need a representation of more than 50% to get true equality.
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NYWIFT Member Spotlight: Kelcey Edwards
NYWIFT Member Kelcey Edwards found her way into documentary filmmaking through Iron Gate Studios, a nonprofit gallery and artist workspace she cofounded in her early twenties in Austin, Texas. At the time, she was making small narrative films alongside many other Austin-based filmmakers involved in the “mumblecore” scene; her first film, Letter, screened at SXSW in 2006. Since cameras and equipment were always present in the gallery, she began interviewing many of the artists who visited the space. Over time, the habit of recording conversations and documenting artists’ lives became a steady part of her practice. That interest eventually led her to pursue an MFA in Documentary Film at Stanford and later to move to New York, where she continued developing their work. About a decade later, she directed The Art of Making It, a feature documentary about the art world, which won the Audience Award at SXSW in 2022. It’s currently available on most streaming platforms. Kelcey’s films have received support from the MacArthur Foundation, Sundance, and Tribeca Film Institute, among others, have been broadcast internationally, and have screened at top-tier festivals including SXSW, Berlinale, and Hamptons International. In our interview, Kelcey discussed her teaching philosophy, approach to filmmaking, and upcoming projects.
READ MOREMeet the New NYWIFT Member: Therese Cayaba-Jones
Welcome, Therese Cayaba-Jones, to NYWIFT. Therese is a filmmaker with over 15 years of experience with films, documentaries, and series across the Philippines, Singapore, and the U.S. She just finished the feature screenplay for UnMarry, which was recently announced as one of the entries for the Metro Manila Film Festival 2025. Currently, Therese is producing the film Tales My Father Told, and raising money through NYWIFT fiscal sponsorship. Read on to see Therese’s story of moving to New York, her role in the 48 Hour Film Project, and her take on the state of independent filmmaking in the Big Apple.
READ MOREMeet the New NYWIFT Member: Farah Otero-Amad
Welcome to NYWIFT, Farah Otero-Amad! Farah Otero-Amad is a trilingual video producer and host for The Wall Street Journal, where she writes, shoots, and edits short-form vertical videos that reach millions across platforms. She recently directed and produced her first award-winning short documentary, Breaking the Cycle, which follows a hip-hop school in Medellin, Colombia, where students compete for the title of the city’s top breakdancer. Previously, Farah worked for The New York Times, Apple TV’s The Problem with Jon Stewart, and NBC News. She is a graduate of Columbia’s Journalism School, a Fulbright Scholar, and a former Division I athlete.
READ MOREMeet the New NYWIFT Member: Veanne Cao
Welcome to NYWIFT, Veanne Cao! We had the opportunity to interview Veanne Cao, a Vietnamese-Chinese writer and director whose work spans both the personal and the playful. Her short films—ranging from intimate dramas that explore memory, identity, and the Asian diaspora to comedies inspired by life’s absurdities—have screened at festivals around the world. Beyond the indie film space, she brings her storytelling sensibilities to the commercial and editorial world, producing content for global brands and publications. Veanne currently lives in Brooklyn with her partner and two shih-tzus.
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