NYWIFT Blog

Trailblazing Through the Decades: Jessie Maple (1980s)

In honor of Women’s History Month, NYWIFT looks back at some of the remarkable women who have shaped the film, television and digital media industries through the decades.


By Kathryn O’Kane

Jessie Maple is a filmmaker. She’s also a director, editor, producer, writer, cinematographer, and pioneer.

Maple is the first black woman to join the union of International Photographers of Motion Picture & Television (IATSE) in New York. Her book, How to Become a Union Camerawoman, is an instructional guide illustrating the obstacles that she endured to get into the union. It details the court case she initiated to fight discrimination after she became a member.

jessie-maple.jpg

It’s also insight into Maple’s MO. When she wanted to make films to counter negative representation of African Americans in movies, she left her job as a lab bacteriologist and took filmmaking classes at WNET and Third World Cinema. She and her husband started a production company. Her film Will (1981) about a basketball coach trying to kick a drug habit was one of the first feature-length films by a black woman in the post-civil rights era. Needing a venue to premiere the film, she founded 20 West, Home of Black Cinema in Harlem as a venue to show films by independent and black filmmakers to the public.

In a recent interview with The New York Times, Maple said, “You can’t stop progress. You can hold it up for a minute, but you can’t stop it. Some people have asked, aren’t you angry that you had to go through all that? And I said no, I made money, and I had fun. So why would I be angry? You don’t get anything unless you pay a price for it.”

Will was restored and preserved by NYWIFT’s Women’s Film Preservation Fund.

PUBLISHED BY

busyk

busyk Kathryn O’Kane is a director and producer with over 20 years of experience in television and advertising. She directed season 2 of the Emmy nominated series The World According to Jeff Goldblum for Disney+. She was the showrunner of the James Beard award-winning Netflix series Salt, Fat, Acid, Heat, and she produced six seasons of the Emmy award-winning series Friday Night Tykes. Her episodes of Iconoclasts for Sundance and Oprah Presents Masterclass for OWN have won NAACP Imagine awards. Kathryn has crafted short form narratives as diverse as Mission Juno for NASA, segments of AMC’s Talking Dead, and commercial assignments for Apple, Meta, United Airlines, and SAP. Kathryn served two terms on the board of New York Women in Film and Television, championing equal pay, diversity and inclusion, and safety in the workplace. She is a member of the Directors Guild of America and Television Academy. Learn more at www.busyk.com.

View all posts by busyk

2 Comments

Oswaldo Jimenez

Greetings… Newsday Media Group on Long Island would like to know if you have a photograph of Jessie Maple you could license or share to accompany her obituary. We have a daily deadline of 7 pm EST. IF possible please send a photo to Oswaldo.Jimenez@newsday.com Regards, Oswaldo Jimenes / Newsday Photo editor. 631-843-2833

Leave a Reply

Your email address will not be published. Required fields are marked *

*

*

*

Related Posts

NYWIFT at Tribeca 2025: In Conversation with Chantel Simpson

Congratulations are in order for multi-hyphenate filmmaker Chantel Simpson, whose compelling short film A Drastic Tale will make its world premiere at the 2025 Tribeca Festival. As a proud member of New York Women in Film & Television (NYWIFT), Simpson brings a unique perspective to the screen, having served as the director, producer, screenwriter, and editor of the film. Centered around the Drastic Auto Club — one of the oldest lowrider groups in New York City — A Drastic Tale offers a raw and moving exploration of brotherhood, identity, and the soul of car culture in the urban Northeast. In this exclusive interview, Simpson shares her journey, creative process, and hopes for how her story will resonate with audiences everywhere.

READ MORE

NYWIFT at Tribeca 2025: In Conversation with Veronica Reyes-How

Award-winning writer, actor, and producer Veronica Reyes-How is making a bold mark on the indie television landscape with the world premiere of her new episodic series, Mother, May I Have a Kidney?, at the 2025 Tribeca Festival. As a proud NYWIFT member and first-generation Filipino-American, Reyes-How brings heart, humor, and authenticity to her storytelling. Her latest project, which she created, wrote, and executive produced, explores themes of family estrangement, empathy, and kidney health through a unique dramedy lens. With a rich background that spans from tech consulting to national tours, hit TV appearances, and more, Veronica continues to champion diverse voices and underrepresented narratives in media.

READ MORE

Meet the New NYWIFT Member: Anna Koukouli Born

Welcome to our new NYWIFT member, Anna Koukouli Born! Anna Koukouli Born is a bicoastal writer-director splitting her time between NY and LA.  She explores women's stories, dysfunctional families, unbearable workplaces filled with Succession-like egos, social inequality, and climate-caused disasters set in the near future. Drawing from her Greek history and heritage, Anna loves allegorical cautionary tales about strong, tragic characters trying to overcome adversity. She’s also obsessed with women's rights and gender parity. Her humor is darker than yours. She bets on it. Anna studied Story Analysis and TV Development at UCLA Extension and holds a BA (Hons) Marketing and an MBA from the UK Universities of Lincoln and Liverpool, respectively. Anna talks about her journey into the film industry, her experiences working on various films, and how she overcomes challenges within these fields!

READ MORE

NYWIFT at Tribeca 2025: In Conversation with Mattie Akers

NYWIFT member and seasoned archival producer Mattie Akers is making a powerful mark at the 2025 Tribeca Festival, where the documentary For Venida, For Kalief will have its world premiere as part of the Documentary Competition lineup. Directed by Sisa Bueno, the film explores the enduring impact of Kalief Browder and his mother Venida Browder, whose lives were tragically shaped by systemic injustice. Told through poetry, activism, and powerful archival material, the film is a deeply moving reflection on loss, resilience, and legacy. With over two decades in the documentary field, Akers brings her passion for social issues, historical research, and storytelling to the forefront in this timely and emotional project.

READ MORE
JOIN OUR NEWSLETTER
css.php