By Margarita Sophia Cortes
It was back in 1991, when Catherine Gund heard a song on a record player outside Mexico City that would lead her to this day. “My girlfriends played songs from Chavela and told me tales of her womanizing, her irresistible allure, her deep voice, her audacity” said Gund.
Through the power of friends and an old video camera in her backpack, she was able to record a once in a lifetime meeting with then 71 year old Chavela Vargas. There in Vargas’ home, Gund and a group of women had an intimate conversation about life, love, music and passion.
That vintage interview would become the centerpiece of the critically acclaimed documentary Chavela produced and directed by Catherine Gund and Kyi. Alongside that fascinating interview and vintage clips, the documentary features rare performances and together, they present an evocative portrait of one of the Latin world’s most charismatic and trailblazing artists.
Born in Costa Rica in 1919, Chavela Vargas ran away to Mexico City as a teenager to sing in the streets. By the 1950s, she gained a name for herself in Mexico, and later worldwide, chiefly for her unique and passionate interpretation of “rancheras,” traditional Mexican songs that speak frequently about love. Just as influential were her cultural contributions—Chavela was a bold and rebellious sexual pioneer who was known for having many female lovers at a time when being outwardly gay in Mexico was dangerous.

CHAVELA Directors Catherine Gund and Daresha Kyi. © Brigitte Dummer/Berlinale 2017
The film draws in audiences immediately as it begins with the Chavela Vargas saying “Ask me where I’m going, not where I’ve been.” Just as Chavela herself was a feminist muse for women, this documentary, made by women filmmakers also mirror the importance of women’s voices.
In the documentary, you hear Chavela proudly state “It is a blessing to be born a woman” and Gund echoes that message as she explains why it’s vital for women to keep producing more films. “We have experiences we see in a certain way. We have ways of processing them that men don’t necessarily begin with, or end with.”
We sat down with director Catherine Gund to discuss her personal connection with the artist, how Chavela is still relevant today, and of course, the music. You can see the full conversation with Catherine Gund below
Chavela is available now on iTunes, Amazon Instant, or GooglePlay and on DVD with special bonus features.
(produced by Nimo Productions)
Related Posts
What’s in Your Toolkit: Maeve McGrath
From Limerick, Ireland, Maeve studied Theatre Studies at Trinity College. A Licentiate of the Guildhall School of Music and Drama, she graduated from GMIT where she studied Television Production and Development. Maeve has a Master’s in Media Studies from Mary I/UL and was Joint Winner of the Irish Times Theatre Award Judges’ Special Award in 2015. Currently Director of Programming at the Galway Film Fleadh, Maeve is an arts producer and festival programmer working in all aspects of film, TV, and theatre for over 25 years. Maeve is a professional actress with recent roles including Conveyance, Bad Sisters, Valley of the Squinting Windows, WAVE, and Brooklyn. As one half of award-winning film production company, Dromglen Productions, she co-produces narrative and documentary films, including award-winning PADDY, Medjugorje Man, and Being Put Back Together. The company is currently in development with two feature films. Maeve sat down with me to discuss her advice for creatives and her path in the industry in the latest edition of “What’s in Your Toolkit?”
READ MOREMeet the New NYWIFT Member: Olivia Fouser
Welcome to NYWIFT, Olivia Fouser! Olivia Fouser is an award-winning queer writer and director. She's been featured in multiple LGBTQ film festivals such as the LGBTQ+ Toronto & Los Angeles Film Festival and the Seattle Queer Film Festival with her short film The Last Gay In Indiana, and has won numerous awards for her queer Western screenplay Blood On The Saddle. With her work, Olivia aspires to bring diversity both to the screen and behind the camera, and to make viewers laugh, cry, and, in seeing a story or character that's rarely seen on screen, hopefully widen their worldview.
READ MOREMeet the New NYWIFT Member: Courtney DeStefano
Welcome to NYWIFT, Courtney DeStefano! Courtney grew up in a small town, where she spent hours devouring old movies and pouring through every indie-film magazine she could get her hands on. She graduated with a BFA in Film & Television from NYU Tisch School of the Arts before embarking on her editing career where she worked with clients like CBS, Bravo, Showtime, BET, NatGeo, Discovery & TLC. She’s spent the last several years dividing her time between chasing after her three young sons and hiding in her home office to write. Her work has been recognized by the Los Angeles International Screenplay Awards, PANO Network, Hollyshorts and the PAGE Awards, among others. In our interview, Courtney discussed her small-town inspirations, how editing informs her writing and directing, and her latest short film.
READ MOREMeet the New NYWIFT Member: Alex Kokenis
Welcome to NYWIFT, Alex Kokenis! Alex Kokenis (she/her) is a queer filmmaker and editor living in Brooklyn, NY. Her last short film, A Pickle and a Coke, is currently in its festival run, recently winning Best Script at Chicago Film Frenzy. Through her production company, It’s a Long Story Productions, Alex has co-written and co-directed two short films, Wednesday, and The Root, as well as directed and edited music videos. When she is not creating her own work, she is a passionate editor and loves to bring others’ stories to life. Alex is currently an Assistant Editor for narrative features and a proud member of IATSE Local 700. She cites Steven Soderbergh and the Duplass Brothers as her main inspirations for storytelling. She loves a good vest and to go bowling.
READ MORE