NYWIFT Blog

She Said She Said: Director Lauren Anders Brown and Composer Daisy Coole

By Lauren Anders Brown

NYWIFT member and director Lauren Anders Brown met composer Daisy Coole at a networking event for Women in Film & TV UK, our sister chapter across the pond. They soon began collaborating on Six Year Old Fears, a short documentary from the perspective of a six year old Syrian Refugee as she becomes an older sister.

 

Lauren Anders Brown and Daisy Coole

Director of #6YearOldFears Lauren Anders Brown (left) with composer Daisy Coole (right) meeting at WFTV Networking Event

 

Here is an excerpt of an interview with Coole that Brown published on LinkedIn:

Lauren Anders Brown: Can you recall the one of the first times you heard a melody and you knew you were meant to be a musician?

Daisy Coole: When I was ten, a classmate played Misty on the saxophone in a school assembly. I had played the flute for three years by then but suddenly knew the saxophone was my instrument. My parents bought me a cheap alto saxophone and I taught myself enough notes to be able to play Misty. I must have driven my family insane playing the original Erroll Garner recording over and over.

LAB: How often are you asked to do unpaid work (whether it be a full project pro-bono or client revisions that are forcibly unpaid)? How does it make you and your [business] partner feel and how does it affect your work?

DC: Far too often. Filmmakers seem to forget to raise money for post-production. Of course we have invested in projects that we feel are important or where there has been an ‘in-kind’ agreement with the director or producer. It’s not an ego thing, it’s being practical: if you want someone to be on call and invest huge amounts of time in your project, you have to pay them, otherwise how do you expect them to prioritize you over paid work? Fast, good and free do not operate in the same universe.

Read the full conversation on LinkedIn.

 


Lauren Anders Brown is an award winning documentary filmmaker who focuses on global health, women’s empowerment and humanitarian issues. You can follow her on twitter & Instagram @LABCollaborate and view more of her work on www.collaborateideasimages.com.

PUBLISHED BY

nywift

nywift New York Women in Film & Television supports women calling the shots in film, television and digital media.

View all posts by nywift

Leave a Reply

Your email address will not be published. Required fields are marked *

*

*

*

Related Posts

NYWIFT at Tribeca 2025: In Conversation with Chantel Simpson

Congratulations are in order for multi-hyphenate filmmaker Chantel Simpson, whose compelling short film A Drastic Tale will make its world premiere at the 2025 Tribeca Festival. As a proud member of New York Women in Film & Television (NYWIFT), Simpson brings a unique perspective to the screen, having served as the director, producer, screenwriter, and editor of the film. Centered around the Drastic Auto Club — one of the oldest lowrider groups in New York City — A Drastic Tale offers a raw and moving exploration of brotherhood, identity, and the soul of car culture in the urban Northeast. In this exclusive interview, Simpson shares her journey, creative process, and hopes for how her story will resonate with audiences everywhere.

READ MORE

NYWIFT at Tribeca 2025: In Conversation with Veronica Reyes-How

Award-winning writer, actor, and producer Veronica Reyes-How is making a bold mark on the indie television landscape with the world premiere of her new episodic series, Mother, May I Have a Kidney?, at the 2025 Tribeca Festival. As a proud NYWIFT member and first-generation Filipino-American, Reyes-How brings heart, humor, and authenticity to her storytelling. Her latest project, which she created, wrote, and executive produced, explores themes of family estrangement, empathy, and kidney health through a unique dramedy lens. With a rich background that spans from tech consulting to national tours, hit TV appearances, and more, Veronica continues to champion diverse voices and underrepresented narratives in media.

READ MORE

Meet the New NYWIFT Member: Anna Koukouli Born

Welcome to our new NYWIFT member, Anna Koukouli Born! Anna Koukouli Born is a bicoastal writer-director splitting her time between NY and LA.  She explores women's stories, dysfunctional families, unbearable workplaces filled with Succession-like egos, social inequality, and climate-caused disasters set in the near future. Drawing from her Greek history and heritage, Anna loves allegorical cautionary tales about strong, tragic characters trying to overcome adversity. She’s also obsessed with women's rights and gender parity. Her humor is darker than yours. She bets on it. Anna studied Story Analysis and TV Development at UCLA Extension and holds a BA (Hons) Marketing and an MBA from the UK Universities of Lincoln and Liverpool, respectively. Anna talks about her journey into the film industry, her experiences working on various films, and how she overcomes challenges within these fields!

READ MORE

NYWIFT at Tribeca 2025: In Conversation with Melanie Armer

NYWIFT member Melanie Armer is celebrating a major milestone in her multifaceted career with the official selection of Last Resort at the 2025 Tribeca Festival. As the Director and Co-Producer of the gripping new audio drama — described as The White Lotus meets Black Mirror — Armer brings her decades of experience in independent theater, multimedia production, and storytelling to a bold and timely project that explores cancel culture, identity, and the blurred lines between technology and transformation. With a creative legacy that includes collaborations on Broadway and groundbreaking work through her company Nerve Tank Media, Armer continues to redefine the boundaries of narrative art and sonic immersion. In our interview, she discusses Last Resort – written and created by her partner Chance Muehleck – and its exciting Tribeca debut.

READ MORE
JOIN OUR NEWSLETTER
css.php