NYWIFT Blog

The Women’s Film Preservation Fund 2016 Grants are awarded to five groundbreaking works from the 1920s and 1970s

By Ann Deborah Levy

The NYWIFT Women’s Film Preservation Fund’s (WFPF’s) 2016 grants have now been awarded. The films include three shorts from the 1920’s by pioneering filmmaker Angela Murray Gibson and two important films from the 1970’s, SISTERS! by Barbara Hammer and Women’s Happy Time Commune by Sheila Paige. The preserved film elements of the films, all shot on 16mm, will be stored under optimal climatic conditions in archives and digital scans will also be made to provide more projection options for public screenings. When preservation is completed, we will announce preservation premiere screenings.

AngelaMurrayGibson_zpse4de13fa

Angela Murray Gibson behind the camera

Angela Murray Gibson was one of the early “camerawomen” during the silent era. She provided film for Kinograms, and then launched her own Gibson Studios in Casselton, North Dakota. Her studio produced educational, industrial and entertainment films in which she was featured as an actress, in addition to serving as writer, director, producer and camerawoman. Her films were mostly shot in the North Dakota area, and she recruited local townspeople to act in her films. The three Gibson films awarded a WFPF 2016 grant are:

That Ice Ticket: To entice potential suitors, a woman posts a sign offering “Free Ice.” Her young brother, in order to weed out unsuitable potential suitors, replaces it with a “SMALLPOX” sign. (1923) b/w,16mm, silent, running time: 10 minutes.

The Adams’s Boys: The film is based on the poem of the same name by local North Dakota Poet James Foley, which describes the joyful escapades of the young Adams brothers. (1923) b/w,16mm, silent, running time: 12 minutes.

Arrested For Life: Nora Johnson arrives in town to look for work and approaches a local policeman who directs her to prospective employers. She has trouble at work and loses her job. In a case of mistaken identity, a marriage proposal is given to the wrong person, a small chase ensues, and finally all is straightened out. Nora ends up in the employ of the policeman. (1923) b/w,16mm, silent, running time: 21 minutes.

The three films are in the permanent collection of the State Historical Society of North Dakota, the grantee.

The WFPF acknowledges Kino Lorber as a preservation partner in bringing awareness to filmmaker Angela Murray Gibson, some of whose films will be included in their forthcoming First Women Filmmakers DVD collection, funded through their successful Kickstarter campaign last fall.

Still_Sisters_LesbianWomenConference2

A still from SISTERS!

Barbara Hammer, Producer, Director, Editor, is considered a pioneer of queer cinema. A visual artist working primarily in film, she has made over 80 moving image works in a career that spans 40 years, many of which have won awards and screened in prestigious film festivals and film venues internationally. She has been honored in retrospectives at The Museum of Modern Art in New York, The Tate Modern in London, the Jeu de Paume in Paris, and the Toronto International Film Festival. A recipient of a number grants, she has received a Guggenheim Fellowship and a Marie Walsh Sharpe artist studio grant. She writes on film and authored the book, Hammer! Making Movies Out of Sex and Life published by The Feminist Press at the City University of New York, 2010.

SISTERS! This experimental documentary is a celebration and film collage of lesbians, which features footage of the Women’s International Day march in San Francisco and joyous dancing from the last night of the second Lesbian Conference where Family of Woman played as well as images of women doing all types of traditional “men’s” work. The film begins with the following narration: “I had a dream of women where men used to be: building, working, growing strong, building their bodies into strength for self-defense.” (1973) 16mm, b/w and color, sound. Running time: 8 minutes. The film will be archived at the Academy Film Archive, Los Angeles. Barbara Hammer is the grant recipient.

5. WHTC 16mmStrip

Frames from Women’s Happy Time Commune

Sheila Paige, Director. In partnership with Ariel Dougherty, she was co-founder of Women Make Movies, Inc., and co-director from 1972-1975. In addition to Women’s Happy Time Commune, she has produced and directed films and videos and also interactive online theater productions for the Upstage Festivals 2008 and 2009. As a script supervisor, she has worked in the film industry on many major motion pictures, including the notable features King of Comedy and Good Fellas, and on TV movies and series such as Orange is the New Black and Gossip Girl. Currently, she is pursuing a new video project and writing and illustrating children’s books.

Women’s Happy Time Commune: is an improvised comedy/western, in which the Old West becomes the stomping ground for a motley crew of young and middle-aged women who are considering banding together to form a commune. During the course of the film, women discuss a number of subjects, their fantasies, and the idea of a future “happy time” without men. Women’s Happy Time Commune offers a lively immersion into the feminist ferment of the early 1970’s. (1972) 16mm, color, with sound. Running time: 42 minutes. The film will be archived at Anthology Film Archives, New York City. Sheila Paige is the grantee.

2. WHTC_Belle_KEY_Credits copy

A promo for Women’s Happy Time Commune

The WFPF regrets that there were not enough funds available to award grants to all of the important films we would have liked to preserve. Costs of preservation continue to climb and the resources for funding do not keep pace with the increasing and vast number of films needing to be saved.

This is an especially important time for women’s voices to be heard and to create greater awareness of their legacy in film by giving these films even greater visibility. Please consider making a contribution of any amount to support our work so that we can preserve more of these unique and significant films and get them out in the world once again.

To make a contribution online or by check, please click here.

See more information on the WFPF. Email us at wfpf@nywift.org, and follow us on Facebook.

Ann Deborah Levy is Co-Chair of the Women’s Film Preservation Fund Steering Committee and makes experimental films. For more information on her films and videos, please visit: www.resonantimages.com

PUBLISHED BY

womens film preservation fund

womens film preservation fund The Women's Film Preservation Fund (WFPF) is the only program in the world dedicated to preserving the cultural legacy of women in the industry through preserving American-made films by women. Founded in 1995 by New York Women in Film & Television (NYWIFT) in conjunction with the Museum of Modern Art (MoMA), WFPF has preserved nearly 150 American films in which women have played key creative roles.

View all posts by womens film preservation fund

1 Comment

christinakotlar317764428

Love to see the latest happening and upcoming events that the preservation fund had such a hand in saving! Brava.

Leave a Reply

Your email address will not be published. Required fields are marked *

*

*

*

Related Posts

NYWIFT Member Susan Margolin Brings “Time Warp” to Tribeca’s 25th Anniversary Documentary Competition

For more than three decades, NYWIFT member Susan Margolin has championed independent storytelling that sparks conversation, challenges perspectives, and amplifies voices that deserve to be heard. As an award-winning producer and trailblazer in documentary distribution, she has helped bring hundreds of impactful films to audiences worldwide. Now, she returns to the festival circuit as one of the producers of Time Warp, a powerful new documentary making its world premiere in the Documentary Competition at the 25th anniversary of the Tribeca Festival. Directed by Allison Berg and produced alongside an accomplished creative team, Time Warp follows a drag theater company in Rock Springs, Wyoming, as they stage a shadow cast of The Rocky Horror Picture Show 50 years after the cult classic first captivated audiences. For Susan, whose career has been defined by elevating meaningful stories and underrepresented voices, the film arrives at a pivotal cultural moment.

READ MORE

Meet the New NYWIFT Member: Seohee Lee

Welcome to NYWIFT, Seohee Lee! Seohee is a filmmaker, content curator, and marketer working at the intersection of storytelling, cultural exchange, and audience engagement. Based in New York, she works at the Korea Creative Content Agency New York Center, where she leads international marketing strategies and content-driven programs connecting Korean creative industries with global audiences. Her work spans promotional video direction, film program curation, and large-scale cultural collaborations with institutions such as the Korean Cultural Center New York and the Consulate General of the Republic of Korea. Seohee holds an M.F.A. in Film Directing and an M.A. in Arts Management from Carnegie Mellon University. Drawing on both creative and strategic experience, she focuses on enhancing the global reach of cultural storytelling and fostering cross-border dialogue through media and programming. In our interview, Seohee Lee discusses her journey as a filmmaker and content curator, her work in international cultural programming, and the projects she hopes to explore next.

READ MORE

NYWIFT Member Violet Du Feng Brings Two Powerful Projects to the 25th Anniversary of the Tribeca Festival

As the 25th anniversary of the Tribeca Festival shines a spotlight on bold storytelling and groundbreaking filmmakers, Violet Du Feng is arriving with not one, but two standout projects that are already generating conversation. The Emmy® Award-winning filmmaker and NYWIFT member serves as producer on TikTok Never Dies, featured in the festival’s Spotlight Documentary category, while Only the Lonely has been selected for the prestigious New York Times Op-Docs Showcase. For Violet, whose work consistently explores the intersection of personal identity and larger societal shifts, the moment represents both creative growth and artistic alignment. Known for acclaimed projects including The Dating Game and the Oscar®-shortlisted Hidden Letters, Violet has built a reputation for crafting emotionally layered documentaries that connect intimate human experiences to broader cultural conversations.

READ MORE

NYWIFT Member Juleyka Lantigua Brings The Lorraine to Tribeca Festival’s 25th Anniversary Celebration

For filmmaker, writer, and producer Juleyka Lantigua, storytelling has always been rooted in truth, history, and the voices too often left out of the conversation. Now, the award-winning creative and proud member of New York Women in Film & Television is bringing one of those powerful stories to the forefront as an Executive Producer and Co-Writer of The Lorraine, which will have its World Premiere during the 25th anniversary of the Tribeca Festival. Through the lens of The Lorraine, Juleyka helps illuminate the legacy of the Lorraine Motel and the Bailey family, whose impact stretched far beyond the historic events forever tied to the Memphis landmark. The documentary explores Black excellence, resilience, entrepreneurship, music history, and the enduring fight for justice during one of America’s most turbulent eras.

READ MORE
JOIN OUR NEWSLETTER
css.php