NYWIFT Blog

Taxes for TV & Film Professionals: Q&A with CPA Nancy L. Adams

By Mellini Kantayya

Alfred, Lord Tennyson wrote, “In the Spring a young man’s fancy lightly turns to thoughts of love.” However, in the Spring this freelance woman’s fancy lightly turns to thoughts of taxes…well, not “lightly”…and not “fancy” as much as dread.

Lucky for me, in January, NYWIFT presented “Can I Deduct it on my Taxes” with CPA Nancy L. Adams. Nancy, a principal at Adelman, Katz & Mond LLP with 30 years of public accounting experience, has a significant number of clients across the film and television industry spectrum.

The program was both thorough and engaging, dispersing my tax-time anxieties. I followed up with Nancy for a Q & A.

nancyadams-jpg

Nancy L. Adams

When filing taxes, what is different or special for those of us that work in television and film?

Expenses must be “ordinary and necessary” to your profession to be deductible. Some expenses that make sense for you would not make sense for those in other professions. For example, an accountant could never get away with deducting a portion of their home cable or most movie and theater tickets. Television and film personnel are also likely to want to work on their own projects (in addition to their day jobs) and are often subjected to the “hobby loss” rules by taxing authorities. Proper planning can minimize the risk of negative outcomes.

 

What records should I keep?

Individuals must adequately substantiate business expenses to deduct them. Generally, that requires an invoice or receipt and proof of payment (check, credit card receipt, etc.). More specific substantiation requirements apply with respect to the following, which are deemed more susceptible to “abuse:” travel expenses, entertainment expenses, gifts, and expenses incurred in connection with “listed property” (listed properties are autos, computers and peripherals, and other properties specified).

The expenses must be substantiated as to amount, time and place, and business purpose. Contemporaneous documentation (like a diary) is generally persuasive. Typically, little or no weight is given to a diary that is a product of recollection. For entertainment and gift expenses, the business relationship of the person entertained or receiving the gift must also be substantiated.

 

How long should I keep my records?

There are several rules that apply. Note there is no statute of limitations if fraud was committed but generally, the statute of limitations for a return is three years from either the due date of the return, or the date the return was actually filed, whichever was later. So, your 2013 return was due April 15, 2014, therefore the normal statute of limitations runs on April 15, 2017.

The second statute that applies is the Substantial Omission statute. If something big was left out of a return (greater than 25% of the income reported), the IRS can go back six years. The 2010 return was due April 15, 2011, so the substantial omission statute runs on April 15, 2017.

So most accountants tell you to keep seven years to be safe.

 

What should I do if I am audited?

There are different types of audits. For self-employed individuals, the IRS sometimes looks at both expenses paid and income received. You may have to identify every deposit that goes through your account, and if you can’t identify it, they consider it income. If you claim a home office deduction, the IRS may want to come to your home.

When they look at expenses, they’ll want to see two things: 1) an invoice detailing the amount (and hopefully business purpose) and, 2) proof of payment. Having a credit card statement without the underlying receipt is not adequate.

Again, develop a good system of record keeping. If you receive an audit notice, consult a professional to see what your potential exposure might be. Consider having a professional represent you.

 

What should we know and ask when choosing a CPA?

Obviously, you want to know a person’s background. For example, how long have they been doing taxes? Do they work with others in your field?  Have they handled audits for clients? Those are important. I think that working with any professional is a lot like dating – you need to feel a rapport with them in order for your relationship to work well. You need to feel comfortable calling them to ask questions. Pricing is important, but you also need to believe the professional is the best fit for you.

 

“Can I Deduct It on My Taxes” is one example of the over 50 programs produced by NYWIFT each year. See what’s next on our programing calendar.

PUBLISHED BY

Mellini_Kantayya

Mellini_Kantayya Mellini Kantayya is an actor, author of "Actor. Writer. Whatever. (essays on my rise to the top of the bottom of the entertainment industry)", contributor to Huffington Post Comedy, and an active NYWIFT member. www.mellinikantayya.com

View all posts by Mellini_Kantayya

Leave a Reply

Your email address will not be published. Required fields are marked *

*

*

*

Related Posts

Meet the New NYWIFT Member: Ally Gallant

Welcome to NYWIFT, Ally Gallant! Ally is a California native currently working as a page in the NBCUniversal Page Program. She graduated from San Diego State in 2024 with a degree in political science and international affairs and went on to work as a legislative intern for Senator Kaine in Washington, D.C. Excited by the world of news and storytelling, Ally joined the page program, gaining experience in digital audience development and now producing short-form videos for NBC News, including TikTok and the subscription site.  She hopes to continue in broadcast journalism, inspired by growing up watching the news around the dinner table with her family.

READ MORE

Meet the New NYWIFT Member: Kash Blagrove

Welcome to NYWIFT, Kash Blagrove! Kash is a New York City–based producer with a background in advertising and a strong commitment to authenticity, diversity, and inclusion in media. Over the past decade, she has produced campaigns for major brands including eBay, European Wax Center, Peloton, and the WNBA, working across projects ranging from small-scale productions to multi-million-dollar campaigns. As a champion of body positivity, Kash brings a thoughtful perspective to her work, advocating for greater representation both in front of and behind the camera. Her work on the WNBA’s Line ’Em Up campaign earned multiple honors at the 2025 Clio Sports Awards, reflecting the real impact the project had beyond the screen. In our interview, Kash discussed her journey into producing, her commitment to inclusive storytelling, and the projects she’s excited to bring to life next.

READ MORE

NYWIFT Board Member Sibyl Reymundo-Santiago on Kaya, Cultural Identity, and Its Tribeca Festival Premier

With more than three decades of experience spanning film, television, theater, and festival leadership across the United States and Asia, Sibyl Reymundo-Santiago has built a remarkable career championing diverse voices and meaningful storytelling. As President of Sitting Cat Productions, Executive Director and Head of Programming for the SOHO International Film Festival, and Board Member for NYWIFT, she has dedicated her career to creating opportunities for filmmakers and bringing impactful stories to audiences worldwide. This year, Reymundo-Santiago serves as Consulting Producer on Kaya (ᜃᜌ), a powerful film featured during the 25th anniversary of the Tribeca Festival. The story follows Nia, a half-Filipina young woman who secretly trains with queer outcast Malic in hopes of joining an elite Filipino Martial Arts team and proving she is “Filipino enough.” Through themes of identity, belonging, cultural connection, and self-acceptance, Kaya explores experiences that resonate far beyond its cultural roots.

READ MORE

Becky Morrison is Championing a Better Future for Film While Bringing “Stand Clear ‘ the Closing Doors” to Tribeca

As the entertainment industry continues to evolve, producers like Becky Morrison are helping lead the charge toward a more thoughtful, people-centered future in filmmaking. A producer, entrepreneur, and advocate for safer production environments, Becky brings both heart and vision to every project she touches — including Stand Clear ‘ the Closing Doors, the powerful short film making its World Premiere at the 25th anniversary of the Tribeca Festival. Set against the backdrop of New York City’s subway system, Stand Clear ‘ the Closing Doors transforms a seemingly ordinary interaction into a gripping reflection on space, respect, tension, and human behavior. The film captures the emotional complexity hidden within everyday moments, offering audiences a story that feels distinctly New York while speaking to universal experiences of dignity and connection.

READ MORE
JOIN OUR NEWSLETTER
css.php