Goodbye, Alicia: This weekend we bid farewell to The Good Wife, a classic made-in-New-York show with a marvelously complex female-driven storyline, starring our own 2009 NYWIFT Muse Honoree Julianna Margulies as power attorney Alicia Florrick. It will be missed.
Independent Women: A new study from Martha Lauzen at the Center for the Study of Women in Television and Film at San Diego State University shows that though women directors fared better in the independent realm than with major studios, the percentage of women behind the camera is “stagnant.” Women account for 28% of all directors working in indie film during the past year, a five-point increase over 2014-15 and slightly below the historical high of 29% in 2011-12. We must translate the growing awareness of gender disparity into actual change.
Preserving the Legacy: Did you know the NYWIFT Women’s Film Preservation Fund (WFPF) has preserved more than 100 films since its inception 21 years ago? Get to know this history of this amazing organization, and apply for a WFPF grant by June 1.
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Meet the New NYWIFT Member: Joyce Hills
Welcome to NYWIFT, Joyce Hills! Joyce Hills is a recent graduate of NYU Tisch, where she co-wrote and directed the culturally-rich epic Viking short film The Feather, featuring out-of-this-world SFX hair and makeup, practical stunts, and generative workflows on a virtual production volume. She was the First Assistant Director and VFX Supervisor on the Seed & Spark-awarded short film Night of Melancholia, interned in Virtual Production at Gum Studios in Brooklyn, and performed as Sugarsop, The Widow, and assorted household servants in Will Kempe’s Players’ The Taming of the Shrew. Joyce is developing her first feature film, a dark fantasy inspired by mystical quests, heroes’ journeys, and time and destiny in popular culture. She is also developing a science fiction feminist short, and is pursuing additional education in XR mediamaking and STEM. In our interview, she discussed her childhood inspirations, emerging technologies, and the future of storytelling.
READ MORENYWIFT Member Spotlight: Kelcey Edwards
NYWIFT Member Kelcey Edwards found her way into documentary filmmaking through Iron Gate Studios, a nonprofit gallery and artist workspace she cofounded in her early twenties in Austin, Texas. At the time, she was making small narrative films alongside many other Austin-based filmmakers involved in the “mumblecore” scene; her first film, Letter, screened at SXSW in 2006. Since cameras and equipment were always present in the gallery, she began interviewing many of the artists who visited the space. Over time, the habit of recording conversations and documenting artists’ lives became a steady part of her practice. That interest eventually led her to pursue an MFA in Documentary Film at Stanford and later to move to New York, where she continued developing their work. About a decade later, she directed The Art of Making It, a feature documentary about the art world, which won the Audience Award at SXSW in 2022. It’s currently available on most streaming platforms. Kelcey’s films have received support from the MacArthur Foundation, Sundance, and Tribeca Film Institute, among others, have been broadcast internationally, and have screened at top-tier festivals including SXSW, Berlinale, and Hamptons International. In our interview, Kelcey discussed her teaching philosophy, approach to filmmaking, and upcoming projects.
READ MOREMeet the New NYWIFT Member: Therese Cayaba-Jones
Welcome, Therese Cayaba-Jones, to NYWIFT. Therese is a filmmaker with over 15 years of experience with films, documentaries, and series across the Philippines, Singapore, and the U.S. She just finished the feature screenplay for UnMarry, which was recently announced as one of the entries for the Metro Manila Film Festival 2025. Currently, Therese is producing the film Tales My Father Told, and raising money through NYWIFT fiscal sponsorship. Read on to see Therese’s story of moving to New York, her role in the 48 Hour Film Project, and her take on the state of independent filmmaking in the Big Apple.
READ MOREMeet the New NYWIFT Member: Sen-I Yu
Welcome to NYWIFT, Sen-I Yu! Sen-I Yu is a New York-based, award-winning filmmaker originally from Taiwan. Her feature directorial debut My Heavenly City garnered international recognition, including a NETPAC Award nomination at the 43rd Hawaii International Film Festival, Best Picture and IndiePix Vision Award at the 2025 Winter Film Festival, among others. The film secured worldwide theatrical distribution in 2023 throughout Taiwan, Hong Kong, with limited releases in North America and the UK. The Guardian called it a “fresh, thoughtful take on immigrant experience, Sen-I Yu’s sympathetic and humane film traces three loosely woven stories of people dealing with loneliness in New York City…” In our interview, she discusses her debut feature, how her immigrant experience influences her creative process, and the types of stories that inspire her.
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