NYWIFT Blog

Jessica Jones: A Kick Ass Show Women Can Be Proud Of

How Marvel’s latest Netflix series raises the bar for women characters and social issues

by Melisse Seleck

Who is Jessica Jones?

She’s a pretty dark and depressive character who drinks excessively and keeps to herself. You know she has gone through some heavy stuff and it sometimes feels like she can’t find her way out.

As an entrepreneur running her own private detective agency from her Hell’s Kitchen apartment, she’s an anti-heroine with superhuman powers. Without hiding behind any disguise, Jessica Jones integrates herself into the Manhattan landscape as she speaks her mind – sometimes a bit gruff. But she also carries a soft side for others, especially those abused, scarred and scared – making her a true heroine.

So, why is Jessica Jones so aptly portrayed by Kristen Ritter? Quite simply, she kicks ass in the best way possible as a female character.

From Marvel.com:

Powers: The parameters of her strength are unrevealed, but she can lift an automobile with no discernible effort. She possesses an enhanced level of resistance to physical injury, although she is unsure of whether or not she is bulletproof. She is also able to fly, although she is out of practice in doing so.

Abilities: Jessica Jones is a reasonably skilled detective and hand-to-hand combatant.

 

Who spearheaded Jessica Jones as a Netflix streaming series?

Melissa Rosenberg is the creator and showrunner of Jessica Jones. Her impressive background includes credits as a writer and producer of numerous film and television programs including Showtime’s Dexter  as a writer for three years and executive producer of twelve episodes in 2009. She also wrote the screenplay Step Up and the screenplay adaptations of Stephanie Meyer’s Twilight, followed by the three sequels The Twilight Saga: New Moon, The Twilight Saga: Eclipse, and The Twilight Saga: Breaking Dawn (Parts I and II).

What’s to love about the show Jessica Jones?

Whether you are a superhero comics fan or not, it’s easy to be drawn to this finely layered adult world where hot button topics are explored. The biggest are mental and physical abuse: Jessica is manipulated, kidnapped and raped by the mind-controlling villian Kilgrave (menacingly played by David Tennant). Kilgrave’s painful abuse drives Jessica to give up the superhero girl she once was and overcome the past, becoming the woman she is meant to be.

The series does a great job of delving into deep issues such as P.T.S.D., fear, pain, guilt, support groups and addiction.

There is an innate vulnerability and kindness behind Jessica’s tough facade. This complexity is explored through her close bond with Trish Walker, elegantly played by Rachel Taylor. Vulture says it best:

There’s so much love and respect between these two. In a series of flashbacks, we see the origins of their friendship. One day, teenage Trish escapes her mother’s abuse by running into a bathroom, where Jessica has just discovered her powers. (She’s lifting a heavy marble sink above her head.) They each have their secrets. “I don’t tell,” Trish says, “and you don’t save me.” But Jessica can’t resist. When she sees Mama Walker forcing Trish to throw up, she tosses her against the wall.

Jessica Jones was crafted as a film noir series with New York City as a hauntingly beautiful backdrop. As I made my way through the series, I easily found myself understanding Jessica and her need to drink, I could even see myself knocking back a blended scotch with her as she makes overcoming inequality and fighting for justice look so damn good.

And the fact that Jessica Jones is Marvel’s first hit TV franchise starring a super-powered woman? That in and of itself is pretty darn remarkable.

Even more remarkable:  

New York City’s “Made in NY” marketing credit program offers qualified film and television productions (shot at least 75% in New York) with free co-branded advertising opportunities. Participants in the Made in NY program are required to provide a donation to a cultural institution as identified by the New York City Department of Cultural Affairs. Jessica Jones chose New York Women In Film & Television for their donation.

 

ARVE Error: need id and provider

Contributors: Katie Chambers, Margarita Sophia Cortes

PUBLISHED BY

nywift

nywift New York Women in Film & Television supports women calling the shots in film, television and digital media.

View all posts by nywift

Leave a Reply

Your email address will not be published. Required fields are marked *

*

*

*

Related Posts

Meet the New NYWIFT Member: Hyten Davidson

Welcome to NYWIFT, Hyten Davidson! Hyten Davidson is a SAG-AFTRA actor and award-winning screenwriter, currently serving as one-third of Maternity Leave Films after years of touring the festival circuit with various films. Her short film The West Virginian Starfish, which she wrote and co-directed, won the Long Island Film Expo award for Best Short Film, in addition to a host of other nominations and screenwriting wins. Hyten has additionally been a Featured Female Filmmaker nominee at the Shortcut 100 International Film Festival, PANO grant recipient, and Mary W. Shelley Scholarship winner from the Horror Writers Association. In our interview, Hyten discussed her approach to writing horror, representing motherhood and female-driven stories in film, and her upcoming film Something of a Monster.

READ MORE

Meet the New NYWIFT Member: Dolores Diaz

Welcome to NYWIFT, Dolores Diaz! Dolores Diaz is a Queens, NY native who grew up in a theater and musical theater world through Once Upon a Time in Richmond Hill. She later attended the American Academy of the Dramatic Arts and joined Angry Jellow Bubbles, an all-female sketch comedy group directed by Eva Minemar. While attending the MA Media and Social Change program at CUNY Queens College, Dolores served as an assistant to media theorist Douglas Rushkoff and co-produced the 1st Annual Queens College Arts Festival. She founded the production company Mulberry Queens Films LLC with Eva Minemar in 2018, and the duo has worked together on features, shorts, music videos, and documentaries. Dolores is now the Chair of the Board for Once Upon a Time Inc. and the Co-League Director for NICA (National Interscholastic Cycling Association), NY. In our interview, Dolores discussed her production company, transitioning from theater to film, and the project that left the biggest impact on her.

READ MORE

NYWIFT Member Spotlight: Kelcey Edwards

NYWIFT Member Kelcey Edwards found her way into documentary filmmaking through Iron Gate Studios, a nonprofit gallery and artist workspace she cofounded in her early twenties in Austin, Texas. At the time, she was making small narrative films alongside many other Austin-based filmmakers involved in the “mumblecore” scene; her first film, Letter, screened at SXSW in 2006. Since cameras and equipment were always present in the gallery, she began interviewing many of the artists who visited the space. Over time, the habit of recording conversations and documenting artists’ lives became a steady part of her practice. That interest eventually led her to pursue an MFA in Documentary Film at Stanford and later to move to New York, where she continued developing their work. About a decade later, she directed The Art of Making It, a feature documentary about the art world, which won the Audience Award at SXSW in 2022. It’s currently available on most streaming platforms.   Kelcey’s films have received support from the MacArthur Foundation, Sundance, and Tribeca Film Institute, among others, have been broadcast internationally, and have screened at top-tier festivals including SXSW, Berlinale, and Hamptons International. In our interview, Kelcey discussed her teaching philosophy, approach to filmmaking, and upcoming projects. 

READ MORE

Meet the New NYWIFT Member: Farah Otero-Amad

Welcome to NYWIFT, Farah Otero-Amad! Farah Otero-Amad is a trilingual video producer and host for The Wall Street Journal, where she writes, shoots, and edits short-form vertical videos that reach millions across platforms. She recently directed and produced her first award-winning short documentary, Breaking the Cycle, which follows a hip-hop school in Medellin, Colombia, where students compete for the title of the city’s top breakdancer. Previously, Farah worked for The New York Times, Apple TV’s The Problem with Jon Stewart, and NBC News. She is a graduate of Columbia’s Journalism School, a Fulbright Scholar, and a former Division I athlete. 

READ MORE
JOIN OUR NEWSLETTER
css.php