
Tina Fey, who New York Women in Film & Television (NYWIFT) honored at its 2005 Muse Awards, is in the news again. This time it’s not a brand-new project or further mention of her nonexistent sequel to Hocus Pocus. Instead, Fey has had a grading scale named after her: the Fey-Seagal Scale. Producer and writer Stephen Follows recently released a study, “Gender Within Film Crews,” which examines the gender divide in the top 2,000 grossing films of the last 20 years (1994-2013).
The statistics are not shocking to those who are well versed in what’s happening behind the scenes in the industry. When Follows looked at all crew members on those 2,000 films, he found that only 22.6% were women. If you’ve worked in film or television in any capacity you’ve seen firsthand the skewed ratios. Still, what’s particularly disappointing is that there has not been a large jump in the percentage of women on film crews from 1994 until today. If anything, the percentage of women working behind the scenes has shrunk. According to Follows’ data, in 1994, the overall percentage of female crew members was 22.7%. In 2013, it decreased to 21.8%. In other words, on most studio films only about one out of every five crew members is a woman.
To further the depressing news, the percentage of women hired to be writers, producers, editors, animators, and directors has decreased over the last twenty years. The only fields that have seen growth have been roles within the makeup, art, and costume departments. But where does Fey come in? As part of his study Follows looked at how many women were involved behind the scenes for each film. He found that although the average hovered around the 22% range, there was a large continuum. On one end was Fey, whose crew for Mean Girls was 42% female. On the other end was Steven Seagal, with an On Deadly Ground crew that was only 10% female. Hence the moniker the Fey-Seagal Scale.
It’s great that Fey is in the news again, but wouldn’t it be even better if the percentage of female crew members that she hires wasn’t news at all? At NYWIFT, a key part of our mission revolves around the promotion and better inclusion of women in all aspects of the industry. You can find additional statistics on Follows’ blog, with an option to sign up to receive the full report.
— EMMA THOMAS
Thomas is the Development Assistant at New York Women in Film & Television.
Related Posts
Meet the New NYWIFT Member: Molly Rydzel
Welcome to NYWIFT, Molly Rydzel! Molly Rydzel (WGAE) is a screenwriter specializing in female-driven horror and dark satire. She was a staff writer and story editor on Alejandro Iñárritu’s The One Percent for Starz and head writer of the web series Assisted Living. Her horror play, Serial Lover, was developed with Ars Nova and Sanguine Theater Company. Molly teaches screenwriting at New York University and Pace University, specializing in horror, fantasy, and science fiction. She is developing a slate of mythic horror features and is committed to creating more opportunities for women in genre film through bold, commercially viable storytelling.
READ MOREMeet the New NYWIFT Member: Julie Pham
Welcome to NYWIFT, Julie Pham! Julie Theresin-Pham is a Vietnamese American actor, storyteller, host, writer, producer, and business strategist based in New York City. A first-generation immigrant and mother, she creates experiences that bring people together through storytelling, hospitality, and community. Her work explores identity, family, belonging, and human connection across film, performance, and documentary storytelling. She trained at the William Esper Studio, graduated from the Upright Citizens Brigade (UCB) improv training program, serves on the Junior Board of TADA! Youth Theater, and is developing her first documentary, American Daughter: Stories We Carry. She is also an active NYWIFT member who values collaboration, mentorship, and connection.
READ MOREMeet the New NYWIFT Member: Natalie Mahoney
Welcome to NYWIFT, Natalie Mahoney! Natalie is an award-winning photographer, writer, and filmmaker from New York. She received her B.A in TV/Film from DeSales University ’24 and recently received her M.F.A in Film Production from the City College of New York. Natalie has experience in both filmmaking and as an educator with a passion for assisting young creatives conceive, construct, and produce their own projects. Natalie wants to be able to inspire and encourage others with her work, and watch others tell their own stories through the many mediums of the arts!
READ MOREMeet the New NYWIFT Member: Bella Rieth
Bella Rieth is a first-generation Brazilian-German, NYC-based director and producer, and a graduate of the School of Visual Arts who also studied at the Atlantic Acting School Conservatory. Before film, she trained at the New England Conservatory and performed in theatre internationally, building a life of storytelling that eventually pulled her behind the camera. Her recent shorts, including Lottie, Poor Creature, Ebba, and Icaro, have played at festivals from Tokyo to Santa Cruz to Florence. Alongside her own films, Bella produces and field produces across narrative, commercial, music video, and documentary projects throughout New York and beyond.
READ MORE