“Thank God for television.” Get On Up’s Octavia Spencer on life after her Oscar win.
It’s still a tough road, but women prevail in Hollywood nonetheless.
Lisa McNulty named Artistic Director of Women’s Project Theater. “I can’t wait to come back to an organization that feels like home…”
Screenwriters, be confident and stop overthinking.
Courtney Kemp Agboh, a female showrunner with Power and 50 Cent’s ear.
Girls star Allison Williams’ career takes flight.
Solid career tips for women in improv. Keep the laughs coming, ladies!
— KELLY GLOVER
nywift
Related Posts
Meet the New NYWIFT Member: Cassie Rubio
Welcome to NYWIFT, Cassie Rubio! Cassie Rubio is a Brooklyn-based screenwriter, educator, and community organizer. Whether it’s running free art labs for QTBIPOC youth or teaching guerrilla filmmaking workshops aimed at documenting climate change, Cassie believes in the transformative power each of our creative voices have. A recent graduate of Stony Brook’s MFA in Television Writing program and a 2024 Television Academy Drama Writing Fellowship Finalist, they use their voice to author stories about the harm and healing found in collective spaces. In our interview, Cassie discusses the intersections between activism and filmmaking, their writing inspiration, and an upcoming project!
READ MOREMeet the New NYWIFT Member: Christy Veeder
Welcome to our new NYWIFT Member, Christy Veeder! Christy is a screenwriter, former climate scientist, and erstwhile bureaucrat whose first major work of fiction, a personal interpretation of The Dark Crystal, was written in response to not being allowed to see Jim Henson’s fantasy epic in the theater with her other third grade friends. But what Christy really loves is 30-minute comedy and the ways in which it can illuminate our hopes, defang our fears, and help us keep going in this thing called life. Christy’s screenplays culminate a career spanning years of editing and writing about the culinary arts, publishing academic journal articles, handing out coupons at the Port Authority while dressed as a box of cough syrup, impersonating celebrity cats on Twitter, and drafting federal legislation in the U.S. Senate – all of which have been rich preparation for the process of creating worlds on the page. Christy discusses her diverse career background, her experience as a writer, and how she first got into the field.
READ MOREMeet the New NYWIFT Member: Guneet K. Singh
Welcome to NYWIFT, Guneet K. Singh! Former NYWIFT intern Guneet K. Singh is a producer and writer with a passion for diverse storytelling. She was most recently the producer for the poignant play, Irreparable, which premiered at the Act One One-Act Theater Festival. She has worked in television development for NBC and Peacock, working on programs such as That’s My Jam, Password, Joyelle Nicole Johnson: Love Joy and 5 More Sleeps ‘Til Christmas. Her first producing role was as the Digital Producer for the Emmy nominated The Kids Tonight Show. She began her career as an NBC Page, working on shows like Saturday Night Live and The TODAY Show. In our interview, Guneet discusses her exciting time in NBC’s legendary Page Program, the power of networking, and finding her calling as a writer and producer.
READ MOREHow to Decide Which Screenwriting Contests to Submit To
There are hundreds, if not thousands, of screenwriting competitions out there — so how do you decide which ones are worth your time and money? As the co-founder of Moonshot Initiative, a nonprofit that works toward gender equity in film and television, NYWIFT Member Katrina Medoff has been on the other side of the application process. Her team reads hundreds of submissions a year for the Moonshot Pilot Accelerator and their newest program, the Moonshot Feature Accelerator. They know that their applicants poured their time, talents, and energy into their scripts, and that every fellowship submission means putting more time and money into your career. So it’s important to carefully consider which labs and contests to prioritize. If you’re ready to submit your feature film screenplay or TV pilot script to screenwriting competitions, here’s how to determine which labs, fellowships, and contests would be a good fit.
READ MORE
