The magical lecture by author and script consultant Dara Marks began, appropriately enough, with a blustery downpour. A unique co-production between New York Women in Film & Television (NYWIFT) and Writers Guild of America East, “Engaging the Feminine Heroic” was an invitation to honor our mythological heritage and explore the archetypal structures of our stories and ourselves.
The following morsels are my takeaways and understanding of the ideas introduced during Marks’ central thesis, which had to do with the necessity of integrating both the masculine and feminine realms into our narratives and recognizing that every hero(ine) must journey through both.
Seven concepts that struck my soul:
- Narrative has a higher function. It carries information on how to live. It is “not simply a thing, but the very air we breathe, the very thing we swim in.” The moment it passes, it becomes memory.
- The very fact that certain myths have survived through the ages indicates there is a timeless truth to those narratives. We can look to them for inspiration for our writing and our lives.
- When we’re young, we make decisions about who we are going to become. Eventually, the other aspects of ourselves go to war to get us back.
- The masculine side of our nature strives for ascension; the feminine, for connection.
- Embedded in the masculine pull towards ascension is the desire to reach inherently unattainable heights. With every benchmark achieved in art and life, it is never enough. Goalposts shift. There is always a crisis of faith.
- The crisis of faith inspires and requires a descent into the feminine underworld. We emerge “more ourselves” at the other end. Creativity grows out of the “compost [of the] debris of life.“
- “In the young feminine, [as in the Persephone myth] there is an abduction… The mature feminine hears the call.”
By the time I was ready to go home, the deluge had subsided—and I’d found a friend with an umbrella.
nywift
Related Posts
NYWIFT Member Spotlight: Kelcey Edwards
NYWIFT Member Kelcey Edwards found her way into documentary filmmaking through Iron Gate Studios, a nonprofit gallery and artist workspace she cofounded in her early twenties in Austin, Texas. At the time, she was making small narrative films alongside many other Austin-based filmmakers involved in the “mumblecore” scene; her first film, Letter, screened at SXSW in 2006. Since cameras and equipment were always present in the gallery, she began interviewing many of the artists who visited the space. Over time, the habit of recording conversations and documenting artists’ lives became a steady part of her practice. That interest eventually led her to pursue an MFA in Documentary Film at Stanford and later to move to New York, where she continued developing their work. About a decade later, she directed The Art of Making It, a feature documentary about the art world, which won the Audience Award at SXSW in 2022. It’s currently available on most streaming platforms. Kelcey’s films have received support from the MacArthur Foundation, Sundance, and Tribeca Film Institute, among others, have been broadcast internationally, and have screened at top-tier festivals including SXSW, Berlinale, and Hamptons International. In our interview, Kelcey discussed her teaching philosophy, approach to filmmaking, and upcoming projects.
READ MOREMeet the New NYWIFT Member: Therese Cayaba-Jones
Welcome, Therese Cayaba-Jones, to NYWIFT. Therese is a filmmaker with over 15 years of experience with films, documentaries, and series across the Philippines, Singapore, and the U.S. She just finished the feature screenplay for UnMarry, which was recently announced as one of the entries for the Metro Manila Film Festival 2025. Currently, Therese is producing the film Tales My Father Told, and raising money through NYWIFT fiscal sponsorship. Read on to see Therese’s story of moving to New York, her role in the 48 Hour Film Project, and her take on the state of independent filmmaking in the Big Apple.
READ MOREMeet the New NYWIFT Member: Tenzin Sedon
Welcome to NYWIFT, Tenzin Sedon! Tenzin Sedon is a Tibetan filmmaker from Tibet, and an MFA candidate in the Graduate Film Program at NYU Tisch School of the Arts. Her work spans narrative, documentary, and experimental forms. She has received numerous awards, including the Hot Docs Best Canadian Short Documentary and the Golden Mountain Award, and has been nominated for the Hot Docs CrossCurrents Doc Fund (CCDF) and Docs Port Incheon. She is a recipient of the 2025 Ang Lee Scholarship. Her films have screened internationally and been exhibited at major institutions.
READ MOREMeet the New NYWIFT Member: Jamie Kiernan O’Brien
Welcome to NYWIFT, Jamie Kiernan O’Brien! Jamie is a filmmaker based in New York City and a current M.F.A. candidate at New York University’s Graduate Film program. Born and raised in Washington, D.C., she began her career as an actor before shifting her focus behind the camera. Jamie’s films have screened at Inside Out 2SLGBTQ+ Film Festival, Wicked Queer Boston, and TRANSlations Film Festival in Seattle. She loves highly stylized work that plays with and subverts genre, having made films inspired by horror, screwball comedy, erotic thriller, and melodrama. Her debut short film, an adaptation of The Yellow Wallpaper (in which she also stars), won several awards in the festival circuit and premiered at TRANSlations Film Festival in Seattle in 2022. Her most recent short, Egg, debuted at Wicked Queer in Boston, and went on to screen at Inside Out 2SLGBTQ+ Film Festival and World Pride DC. She received her B.A. in English Literature from New York University. Jamie is an openly trans woman. In our interview, Jamie discusses her transition from acting to directing, recent projects, and the filmmakers who have inspired her work!
READ MORE
