
Musician Clarice Magalhães and producer-director Irene Walsh in Rio de Janeiro, Brazil. Walsh’s documentary LAPA: The Heart of Samba chronicles a community of musicians and composers as their music resurrects a Rio de Janeiro neighborhood.
My first feature-length documentary, LAPA: The Heart of Samba, is a project that I have largely funded myself, with a third of the support coming from friends, family and people interested in Brazilian culture. Now in post-production, the costs for finishing the film are looming. So, I’ve decided to explore other areas of fundraising, like fiscal sponsorship.
What Is Fiscal Sponsorship?
A fiscal sponsor is a nonprofit organization that manages tax-deductible contributions between a funding source and an arts project. Basically, many companies and individuals have money that they want to donate to the arts, but in order to get tax deductions for their donations, they must give those funds to a nonprofit 501©(3) organization.
The nonprofit organization receives a small percentage of those funds in exchange for administering the funds and then allocates the rest to the project or artist. Many fiscal sponsors require that you become a member of their organization, and it’s rare you’ll have more than one fiscal sponsor for a project.
Why Have a Fiscal Sponsor?
There are organizations and companies—like Cinereach and The Fledgling Fund—that offer film grants. Without a fiscal sponsor, a filmmaker can’t access many of these resources. So, although a fiscal sponsor generally does not do the legwork of grant-writing or seeking supporters for you, having a fiscal sponsor opens doors to allow funding to reach you, the artist.
Having a fiscal sponsor has also given my friends, family and other supporters the added incentive of a tax deduction. You can learn more about fiscal sponsorship at the Foundation Center’s Grant Space.
Choosing NYWIFT as My Fiscal Sponsor
I looked for fiscal sponsors that support filmmakers and artists in New York City, and whose membership benefits would best support my artistic journey. After a lot of research, I chose New York Women in Film & Television as the fiscal sponsor for my documentary. The resources at NYWIFT stood out to me as smart, varied, and professional.
NYWIFT also offers workshops that provide the kind of information I need while producing my films, such as grant writing, pitching, negotiating film music rights, career coaching, navigating film festival publicity, and maximizing social media. Plus, NYWIFT’s film screenings are great. I can meet the filmmakers and pose questions to industry professionals. I also get to scope out venues for my future screenings!
Other fiscal sponsors that made my short list include Independent Filmmakers Project, Women Make Movies and Fractured Atlas.
Crowdfunding & Fiscal Sponsorship
Right now, I have an Indiegogo campaign through April 27. Since NYWIFT has a partnership with Indiegogo, all contributions to my film through Indiegogo are tax-deductible—an added incentive for contributors.
When we as individual artists can align ourselves with a bigger brand name, it creates confidence for those who want to support us. And there’s a good reason for that: Having accountability to a fiscal sponsor is a responsibility that includes regular reporting and accurate accounting.
Would I seek fiscal sponsorship again? Yes, and as early as possible. I have already been approved by NYWIFT for my second documentary, 13 Minutes Apart.
— IRENE WALSH (Split Rock Films)
Editors’ Note: Fiscal sponsorship is just one of the many member benefits that NYWIFT offers. Apply for membership during the Spring Membership Drive through May 5, 2014, and receive 50% off the initiation fee.
Related Posts
Tribeca Festival 2026: “The Gymnasts of Fisherman Colony” Shines a Light on Courage, Community, and Opportunity
At the 2026 Tribeca Festival, audiences were introduced to an inspiring story of resilience, determination, and hope through The Gymnasts of Fisherman Colony, a powerful documentary that follows a group of young girls in Pakistan who dare to dream beyond the limitations placed upon them. Directed and written by Habiba Nosheen with Mariska Hargitay as an executive producer, the film takes viewers into Machar Colony, a marginalized fishing community in Karachi where many residents live without official documentation, limiting access to education, healthcare, and economic opportunities. Against these challenges, a gymnastics team emerges as a beacon of possibility for a group of girls determined to create a different future for themselves. Tammy Reese and LaKisa Renee brings us exclusive red carpet interviews with Nosheen and Hargitay.
READ MOREMeet the New NYWIFT Member: Jaime Schwarz
Welcome to NYWIFT, Jaime Schwarz! Jaime Schwarz grew up in NJ, the daughter of a Korean immigrant mother and son of Holocaust- survivors, father. Jaime earned her BFA in Acting from PACE University in NYC, appearing Off- Broadway in The Doctor at the Park Avenue Armory and on TV in Difficult People (Hulu), Younger (Paramount+), Jane the Virgin (The CW), Sorry for Your Loss, and Elsbeth (CBS). She is the director, writer, and star of the short film The Sandwich Line, which premiered at the Oscar-qualifying Indy Shorts International Film Festival, and her other writing work has been published in Mixed Asian Media and JoySauce. She’s currently developing several projects and is repped by Gersh + MJ Management. In our interview, Jaime discussed her journey from acting to directing and shared her experience of working in TV.
READ MOREMeet the New NYWIFT Member: Tiána Lynn
Welcome to NYWIFT, Tiána Lynn! Tiána Lynn is the Founder and CEO of Wholistic Vibes Wellness (WVW), a neuroinclusive consulting and training firm focused on Black mental health, workplace culture, and systems-level change. With a background in case management, HR, and operations, she specializes in psychological safety frameworks, burnout prevention infrastructure, and trauma-aware leadership development. Through WVW Academy she is advancing accredited workforce training—particularly for Community Health Workers. Tiána is also the host of the Wholistic Vibes Podcast, where she explores Black mental health, identity, and healing through storytelling. Her work centers on building sustainable environments where people are supported, valued, and able to thrive. We spoke to her about her fascinating work at the intersection of media and wellness.
READ MOREMeet the New NYWIFT Member: Esther Casas Roura
Welcome to NYWIFT, Esther Casas Roura! Esther is an award-winning filmmaker known for blending metaphorical storytelling with animation. Originally from Barcelona, Spain, she began her career as a molecular biologist before moving to New York and transitioning into filmmaking, focusing on animation while working across both commercial and narrative projects. She later founded Claymaniak Studios (now ECR Films) to create emotionally resonant films across stop-motion, traditional animation, and motion graphics. Her animated shorts—Check Date: An Underdog Love Story, Creamen, and FLOCKY—have screened internationally at over 150 film festivals. FLOCKY was recently shortlisted for the Goya Awards in Spain, has received 18 international awards, and has gained international recognition for its social impact. Esther is currently developing her fourth short, The Melody Within, and her first animated feature, TAO.
READ MORE