
Musician Clarice Magalhães and producer-director Irene Walsh in Rio de Janeiro, Brazil. Walsh’s documentary LAPA: The Heart of Samba chronicles a community of musicians and composers as their music resurrects a Rio de Janeiro neighborhood.
My first feature-length documentary, LAPA: The Heart of Samba, is a project that I have largely funded myself, with a third of the support coming from friends, family and people interested in Brazilian culture. Now in post-production, the costs for finishing the film are looming. So, I’ve decided to explore other areas of fundraising, like fiscal sponsorship.
What Is Fiscal Sponsorship?
A fiscal sponsor is a nonprofit organization that manages tax-deductible contributions between a funding source and an arts project. Basically, many companies and individuals have money that they want to donate to the arts, but in order to get tax deductions for their donations, they must give those funds to a nonprofit 501©(3) organization.
The nonprofit organization receives a small percentage of those funds in exchange for administering the funds and then allocates the rest to the project or artist. Many fiscal sponsors require that you become a member of their organization, and it’s rare you’ll have more than one fiscal sponsor for a project.
Why Have a Fiscal Sponsor?
There are organizations and companies—like Cinereach and The Fledgling Fund—that offer film grants. Without a fiscal sponsor, a filmmaker can’t access many of these resources. So, although a fiscal sponsor generally does not do the legwork of grant-writing or seeking supporters for you, having a fiscal sponsor opens doors to allow funding to reach you, the artist.
Having a fiscal sponsor has also given my friends, family and other supporters the added incentive of a tax deduction. You can learn more about fiscal sponsorship at the Foundation Center’s Grant Space.
Choosing NYWIFT as My Fiscal Sponsor
I looked for fiscal sponsors that support filmmakers and artists in New York City, and whose membership benefits would best support my artistic journey. After a lot of research, I chose New York Women in Film & Television as the fiscal sponsor for my documentary. The resources at NYWIFT stood out to me as smart, varied, and professional.
NYWIFT also offers workshops that provide the kind of information I need while producing my films, such as grant writing, pitching, negotiating film music rights, career coaching, navigating film festival publicity, and maximizing social media. Plus, NYWIFT’s film screenings are great. I can meet the filmmakers and pose questions to industry professionals. I also get to scope out venues for my future screenings!
Other fiscal sponsors that made my short list include Independent Filmmakers Project, Women Make Movies and Fractured Atlas.
Crowdfunding & Fiscal Sponsorship
Right now, I have an Indiegogo campaign through April 27. Since NYWIFT has a partnership with Indiegogo, all contributions to my film through Indiegogo are tax-deductible—an added incentive for contributors.
When we as individual artists can align ourselves with a bigger brand name, it creates confidence for those who want to support us. And there’s a good reason for that: Having accountability to a fiscal sponsor is a responsibility that includes regular reporting and accurate accounting.
Would I seek fiscal sponsorship again? Yes, and as early as possible. I have already been approved by NYWIFT for my second documentary, 13 Minutes Apart.
— IRENE WALSH (Split Rock Films)
Editors’ Note: Fiscal sponsorship is just one of the many member benefits that NYWIFT offers. Apply for membership during the Spring Membership Drive through May 5, 2014, and receive 50% off the initiation fee.
Related Posts
NYWIFT Board Member Sibyl Reymundo-Santiago on Kaya, Cultural Identity, and Its Tribeca Festival Premier
With more than three decades of experience spanning film, television, theater, and festival leadership across the United States and Asia, Sibyl Reymundo-Santiago has built a remarkable career championing diverse voices and meaningful storytelling. As President of Sitting Cat Productions, Executive Director and Head of Programming for the SOHO International Film Festival, and Board Member for NYWIFT, she has dedicated her career to creating opportunities for filmmakers and bringing impactful stories to audiences worldwide. This year, Reymundo-Santiago serves as Consulting Producer on Kaya (ᜃᜌ), a powerful film featured during the 25th anniversary of the Tribeca Festival. The story follows Nia, a half-Filipina young woman who secretly trains with queer outcast Malic in hopes of joining an elite Filipino Martial Arts team and proving she is “Filipino enough.” Through themes of identity, belonging, cultural connection, and self-acceptance, Kaya explores experiences that resonate far beyond its cultural roots.
READ MOREBecky Morrison is Championing a Better Future for Film While Bringing “Stand Clear ‘ the Closing Doors” to Tribeca
As the entertainment industry continues to evolve, producers like Becky Morrison are helping lead the charge toward a more thoughtful, people-centered future in filmmaking. A producer, entrepreneur, and advocate for safer production environments, Becky brings both heart and vision to every project she touches — including Stand Clear ‘ the Closing Doors, the powerful short film making its World Premiere at the 25th anniversary of the Tribeca Festival. Set against the backdrop of New York City’s subway system, Stand Clear ‘ the Closing Doors transforms a seemingly ordinary interaction into a gripping reflection on space, respect, tension, and human behavior. The film captures the emotional complexity hidden within everyday moments, offering audiences a story that feels distinctly New York while speaking to universal experiences of dignity and connection.
READ MORENYWIFT Member Susan Margolin Brings “Time Warp” to Tribeca’s 25th Anniversary Documentary Competition
For more than three decades, NYWIFT member Susan Margolin has championed independent storytelling that sparks conversation, challenges perspectives, and amplifies voices that deserve to be heard. As an award-winning producer and trailblazer in documentary distribution, she has helped bring hundreds of impactful films to audiences worldwide. Now, she returns to the festival circuit as one of the producers of Time Warp, a powerful new documentary making its world premiere in the Documentary Competition at the 25th anniversary of the Tribeca Festival. Directed by Allison Berg and produced alongside an accomplished creative team, Time Warp follows a drag theater company in Rock Springs, Wyoming, as they stage a shadow cast of The Rocky Horror Picture Show 50 years after the cult classic first captivated audiences. For Susan, whose career has been defined by elevating meaningful stories and underrepresented voices, the film arrives at a pivotal cultural moment.
READ MOREFrom Set to Screen: Katherine Filaseta and Ellie Sachs Celebrate Lucy Shulman at Tribeca
The 25th anniversary of the Tribeca Festival is shining a spotlight on bold storytelling, unforgettable voices, and films that capture the spirit of New York City — and Lucy Shulman is doing exactly that. Premiering as part of the festival’s prestigious U.S. Narrative Competition, the sharply funny and deeply heartfelt feature follows a young woman navigating heartbreak, family dynamics, bad dates, and the complicated journey of finding herself again. Written, directed by, and starring filmmaker Ellie Sachs, the film blends humor with emotional honesty in a way that feels both intimate and universally relatable.
Behind the scenes, NYWIFT member Katherine Filaseta played a vital role as Second Assistant Director, helping keep the ambitious production moving while supporting the creative vision that brought the story to life. In this exclusive conversation, Ellie Sachs and Katherine Filaseta open up about collaboration, creative trust, independent filmmaking, the realities of balancing multiple roles on set, and what it means to premiere a deeply personal New York story at one of the city’s most celebrated film festivals.