
NYWIFT member Heidi Philipsen in The Better Angels, starring Diane Kruger, Brit Marling, and Wes Bentley (Photo courtesy of Hickory Pictures, LLC)
What a whirlwind! Though temps in New York matched the biting Park City cold, nothing could beat the heat at the festival. This year, New York Women in Film and Television (NYWIFT) caught up with veterans and fresh faces alike to celebrate the Sundance Film Festival’s 30th anniversary.
Known for its ability to stimulate important conversations within the industry, this year’s program did not disappoint. We counted over 50 directorial debuts, more than 200 films, many projects with women leadership (though less on the director front), and even new and expanded programs to increase awareness about gender disparity in film.
Some highlights:
- The wonderful events and panels at the NY Lounge, which included marketing, distribution, and tax resources for filmmakers in NYC, as well as Women in Film and Television International’s Women in the Director’s Chair breakfast
- Rory Kennedy et al’s cutting honesty at the 8th Women in Film panel, where the six participating directors and producers all pointed to “entrenched industry sexism”
- Updated research and expanded programming from the Women in Film Initiative, which is a joint collaboration between the Sundance Institute and our sister chapter Women in Film Los Angeles
- Anna Kendrick, who had three films premiere at Sundance, looking glamorous at the Women at Sundance Brunch
- Kate Barker-Froyland’s Song One, featuring Oscar winner/producer Anne Hathaway as a PhD candidate in Morocco
- Rose McGowan’s first film as director, the color-punchy Dawn
- The timely Fed Up, a Katie Couric–produced documentary about obesity
- A cinematographer’s conversation about the ongoing film vs. digital debate in a world where even Scorsese has gone digital
- A handful of women-directed films sold at the festival, including Land Ho!, which was picked up by Sony Pictures Classics
And of course, a big congratulations to the NYWIFT members who had projects at the festival:
- Susan Lazarus, Post Production Supervisor, Only Lovers Left Alive (dir. Jim Jarmusch)
- Wendy Blackstone, Composer, Whitey: United States of America v. James J. Bulger (dir. Joe Berlinger)
- Heidi Philipsen, Actress and Production Coordinator, The Better Angels (dir. A.J. Edwards); Actress, Cold in July (dir. Jim Mickle)
— JOYCE CHOI LI
Related Posts
Meet the New NYWIFT Member: Nancy Pasquariello
Welcome to NYWIFT, Nancy Pasquariello! Nancy is a multifaceted creative with a passion for storytelling. Her background as a professional chef, writer, and filmmaker is a display of her insatiable desire to explore and create. Inspired by the potential that film has to change perspectives and impact lives, Nancy strives to channel her creative energy into the kinds of projects that carry this influence. Nancy’s artistic mediums are often put in conversation with one another during her creative process. Her unique perspective shines through in every project she pursues as a result of her distinct artistic background. In our interview, Nancy discusses her passions and the origins of her creative inspiration.
READ MOREMeet the New NYWIFT Member: Gabriela Coronel
Welcome to NYWIFT, Gabriela Coronel! Gabriela Coronel is an up-and-coming filmmaker and visual artist who recently graduated from Ithaca College. Driven and inspired by the diversity of the human experience, Gabriela tells stories through various mediums. Her talent and vision has been appreciated by the likes of Westchester Magazine and Tiny Studios, where she worked on a variety of creative projects and events. Gabriela strives to push herself creatively. She draws from her personal experiences throughout each project she pursues, allowing her to continuously explore new ideas and challenge old ones. In our interview, Gabriela discusses her background and the origins of her creative inspiration.
READ MOREMeet the New NYWIFT Member: Juanita Umaña
Welcome to NYWIFT, Juanita Umaña! Juanita Umaña is a filmmaker from Bogotá, Colombia, who divides her time between the Bay Area and the East Coast. Her films and documentaries explore intimate moments of family life, often with a focus on social commentary. Her autobiographical short film, Before the World Was Big, about her relationship with her mother, was recognized by the Sundance Institute in 2021, earning her a spot in the Adobe x Ignite Fellowship. In addition to directing and writing, Juanita enjoys working on studio sets and recently assisted on Paul Thomas Anderson’s One Battle After Another in California's remote desert. She has produced and shot short films, documentaries, and music videos in Colombia, Nicaragua, and the U.S., focusing on stories from underrepresented communities and American subcultures. Her goal is to bring these narratives to mainstream cinema.
READ MOREMeet the New NYWIFT Member: Madeleine Rotzler
Welcome to NYWIFT, Madeleine Rotzler! Madeleine Rotzler is an Emmy® Award-winning director and producer of documentaries and narrative feature films. Fiction films include the upcoming O Horizon and O.G., currently on HBO. Non-fiction films include HBO’s Emmy-nominated It’s a Hard Truth Ain’t It, Emmy-winning Dangerous Acts Starring the Unstable Elements of Belarus, and Oscar-shortlisted The Lottery. Her most recent film, O Horizon, was described as “bound to be one of the season's sweetest charmers.” The film premiered at the Santa Barbara International Film Festival in 2025 where it won the Panavision Spirit Award for Independent Cinema. O.G., Madeleine’s narrative feature debut, and It’s a Hard Truth Ain’t It were both filmed inside a maximum-security prison in Indiana in collaboration with men incarcerated there. Most of the cast of O.G. were incarcerated. It’s a Hard Truth Ain’t It marked the first time incarcerated directors were nominated for an Emmy. In our interview, Madeleine discussed her award-winning films and her perspective on the impact of filmmaking.
READ MORE