Still from Katarzyna Klimkiewicz’s Flying Blind, one of the films screened at Polish Filmmakers NYC’s series Different Ages, Different Voices: Polish Women in Film.
April Hattori and Agata Drogowska, both members of New York Women in Film & Television (NYWIFT), met each other and a film series was launched. Hattori discusses this NYWIFT networking success story:
In 2012, Agata Drogowska saw the need to increase awareness of Polish cinema. Renowned directors of the Polish Film School, such as Andrzej Wajda and Agnieszka Holland, influenced the development of cinematography worldwide after World War II. They inspired a new generation of Polish filmmakers who continue their tradition in a modern context.
Drogowska wanted to launch a screening series of Polish films that would create dialogue around the films through Q&As. As a filmmaker and artist herself, she understood all too well the importance of collaboration to get projects completed.
“I didn’t have much to work with, but I had a good idea and lots of people in Poland and the US who I thought would see the value in doing this,” she says.
To kick off her plan, Drogowska partnered with Studio Munka, a Polish organization that promotes emerging filmmakers, to hold a free three-day film series, The New Generation of Polish Filmmakers. It included the New York premiere of the award-winning film Women’s Day, directed by Maria Sadowska. Several organizations sponsored the series, including the Polish Film Institute, Polish & Slavic Federal Credit Union, Polish Cultural Institute New York, and NYWIFT.
Getting the word about the film series was Drogowska’s next challenge, including promoting it to an audience beyond the Polish community. She knew she needed more PR help, in addition to the consultants she already had on board. Drogowska and I had met about two months before the film series’ opening night, and given my expertise in PR and marketing, the timing was perfect. I was looking for a freelance work to sink my teeth into and was excited to be part of such a groundbreaking project.
I helped Drogowska establish a social media presence for Polish Filmmakers NYC, reach out to media to publicize opening night, create event registrations through Eventbrite, and identify organizations and individuals to contact to raise awareness about the event. These efforts led to a sold-out opening night and film series. It was only the beginning of Polish Filmmakers NYC’s steady growth.
“One of the amazing things about our screenings is that our films draw a diverse audience — not just those in the Polish community,” says Drogowska.
She also points out the efforts of one of the film series’ supporters, Polish Film Institute, in reviving Polish cinema during the last 10 years.
“It supports bold new projects and a new generation of filmmakers, many of them women, such as Kasia Rosłaniecand Małgorzata Szumowska, both of whom won major prizes at the 2013 Berlinale.“
Since its launch, Polish Filmmakers NYC has held monthly screenings and special events centered around Polish films, which consistently sell out.
On its one-year anniversary, the organization held a sold-out three-day film series Different Ages, Different Voices: Polish Women in Film, which had its opening night at the Museum of Modern Art. The series was programmed by Drogowska and Michał Oleszczyk, one of the leading film critics and scholars in Poland, as well as a regular contributor to sites such as RogerEbert.com and Slant Magazine. Additional marketing help came from Kamila Slawinski, a NYWIFT member.
Drogowska says NYWIFT has played an important role in Polish Filmmakers NYC’s success.
“I couldn’t have gotten Polish Filmmakers NYC off the ground without NYWIFT’s support. The behind-the-scenes help and promotion of our films to its membership have been invaluable,” she says. “In addition, the networking opportunities at NYWIFT enabled me to meet April Hattori and other amazing NYWIFT members who have made important contributions to our growth.”
Find out about upcoming screenings from Polish Filmmakers NYC and more updates on Facebook.
nywift
Related Posts
Meet the New NYWIFT Member: Kash Blagrove
Welcome to NYWIFT, Kash Blagrove! Kash is a New York City–based producer with a background in advertising and a strong commitment to authenticity, diversity, and inclusion in media. Over the past decade, she has produced campaigns for major brands including eBay, European Wax Center, Peloton, and the WNBA, working across projects ranging from small-scale productions to multi-million-dollar campaigns. As a champion of body positivity, Kash brings a thoughtful perspective to her work, advocating for greater representation both in front of and behind the camera. Her work on the WNBA’s Line ’Em Up campaign earned multiple honors at the 2025 Clio Sports Awards, reflecting the real impact the project had beyond the screen. In our interview, Kash discussed her journey into producing, her commitment to inclusive storytelling, and the projects she’s excited to bring to life next.
READ MOREBecky Morrison is Championing a Better Future for Film While Bringing “Stand Clear ‘ the Closing Doors” to Tribeca
As the entertainment industry continues to evolve, producers like Becky Morrison are helping lead the charge toward a more thoughtful, people-centered future in filmmaking. A producer, entrepreneur, and advocate for safer production environments, Becky brings both heart and vision to every project she touches — including Stand Clear ‘ the Closing Doors, the powerful short film making its World Premiere at the 25th anniversary of the Tribeca Festival. Set against the backdrop of New York City’s subway system, Stand Clear ‘ the Closing Doors transforms a seemingly ordinary interaction into a gripping reflection on space, respect, tension, and human behavior. The film captures the emotional complexity hidden within everyday moments, offering audiences a story that feels distinctly New York while speaking to universal experiences of dignity and connection.
READ MOREFrom Set to Screen: Katherine Filaseta and Ellie Sachs Celebrate Lucy Shulman at Tribeca
The 25th anniversary of the Tribeca Festival is shining a spotlight on bold storytelling, unforgettable voices, and films that capture the spirit of New York City — and Lucy Shulman is doing exactly that. Premiering as part of the festival’s prestigious U.S. Narrative Competition, the sharply funny and deeply heartfelt feature follows a young woman navigating heartbreak, family dynamics, bad dates, and the complicated journey of finding herself again. Written, directed by, and starring filmmaker Ellie Sachs, the film blends humor with emotional honesty in a way that feels both intimate and universally relatable.
Behind the scenes, NYWIFT member Katherine Filaseta played a vital role as Second Assistant Director, helping keep the ambitious production moving while supporting the creative vision that brought the story to life. In this exclusive conversation, Ellie Sachs and Katherine Filaseta open up about collaboration, creative trust, independent filmmaking, the realities of balancing multiple roles on set, and what it means to premiere a deeply personal New York story at one of the city’s most celebrated film festivals.
NYWIFT Member Violet Du Feng Brings Two Powerful Projects to the 25th Anniversary of the Tribeca Festival
As the 25th anniversary of the Tribeca Festival shines a spotlight on bold storytelling and groundbreaking filmmakers, Violet Du Feng is arriving with not one, but two standout projects that are already generating conversation. The Emmy® Award-winning filmmaker and NYWIFT member serves as producer on TikTok Never Dies, featured in the festival’s Spotlight Documentary category, while Only the Lonely has been selected for the prestigious New York Times Op-Docs Showcase. For Violet, whose work consistently explores the intersection of personal identity and larger societal shifts, the moment represents both creative growth and artistic alignment. Known for acclaimed projects including The Dating Game and the Oscar®-shortlisted Hidden Letters, Violet has built a reputation for crafting emotionally layered documentaries that connect intimate human experiences to broader cultural conversations.
READ MORE
