NYWIFT Blog

Oscar-Nominated Director Gets Real

image

Director Lexi Alexander. Photo via Indiewire.com.

Women & Hollywood has published an influential post by Lexi Alexander from her blog. It’s a must-read about gender inequality in film and why progress over the last several decades has been dismal.

Here Alexander discusses a 1978 report on equal-employment practices in the film industry: 

Okay, so we know that people have seriously acknowledged that there is an problem back in 1978, thirty-five years ago. Promises were made even back then to “work diligently” to fix the imbalance.

The fact that there has been no improvement in thirty-five years can only really mean two things:

1) Those who have promised to bring about change were insincere.

or

2) Those who have promised to bring about change were not very smart.

You choose.

Go read the entire post — it’s worth it.

MICHELE DAGLE

PUBLISHED BY

nywift

nywift New York Women in Film & Television supports women calling the shots in film, television and digital media.

View all posts by nywift

Leave a Reply

Your email address will not be published. Required fields are marked *

*

*

*

Related Posts

NYWIFT Member Spotlight: Shahnaz Mahmud

When award-winning journalist Shahnaz Mahmud set out to write and direct her first narrative film, she landed on a deeply personal story inspired by her parents’ own arranged marriage. And when it came time to a select an editor to collaborate with, she turned to the NYWIFT membership directory, where she found veteran editor Susan B. Ades – the perfect match for her project. Members Shahnaz and Susan sat down with us to discuss their adventures (and misadventures!) making the short film The Blossom, how their partnership brought new elements of the story to light, and the unique path to bringing such an intimate tale to the screen.

READ MORE

Meet the New NYWIFT Member: Khrystyna Komarovska

Welcome to NYWIFT, Khrystyna Komarovska! Khrystyna is a New-York based filmmaker, actress, and digital strategy leader, where her work touches on  the intersection of storytelling, audience growth, and social impact. Her projects explore human connection, contemporary relationships, and mental health through narrative film and digital projects. Alongside her creative work, she leads digital strategy for brands and founders, informing how projects are positioned, distributed, and scaled. Khrystyna  is the creator of the short series Nina’s Files, which has received festival recognition and media attention. She is also currently developing new narrative work focused on Gen Z audiences and intentional storytelling. In our interview, Khrystyna discusses her background, recent projects, and what she has learned from working in the media industry.

READ MORE

Meet the New NYWIFT Member: Belén Vilarrasa-Corriero

Welcome to NYWIFT, Belén Vilarrasa-Corriero! Belén is a Spanish-American documentary filmmaker making her directorial debut with Entre Las Paredes (Within the Walls), an intimate, feature-length project in development that follows her Abuela’s final days. Born and raised in New York City in a bilingual household, Belén brings a deeply personal lens to her work, believing that some of the most powerful stories live within our own families. Alongside her own projects, Belén works as an assistant director across narrative and commercial productions, where her focus, adaptability, and collaborative spirit help keep sets running smoothly. A graduate of the School of Visual Arts, she continues to grow her craft through diverse filmmaking experiences, driven by a dedication to emotionally resonant, visually compelling storytelling. In our interview, Belén reflects on documenting her family’s history, navigating grief and memory through film, and the projects she’s most excited to explore next.

READ MORE

Meet the New NYWIFT Member: Sophia Baldassari

Let’s welcome screenwriter, script supervisor, and playwright Sophia Baldassari to NYWIFT! She was most recently an Associate Producer on the Radio Silence thriller LOSER, directed by Colleen McGuinness. Her plays and pilots have been developed/produced at Luna Stage, George Street Playhouse, the McCarter Theatre Center, Haddonfield Plays and Players, and Manhattan Repertory Theatre, and have received accolades from the O’Neill Center Young Playwrights, Theatremania Young Playwrights, Beardance International Playwriting Festival, the Neil LaBute New Theatre Festival, the Austin Film Festival, among others. She’s studied Writing at Sarah Lawrence and Egyptology at the University of Oxford, an experience she used to write a buddy comedy about the mummy of a Pharaoh’s 29th Favorite wife. She is a member of the Writers Guild of America East, The New York Script Supervisors Network, and IATSE Local 111. In our interview, we discussed uniting accessible and female driven stories with comedy and surrealism, the structural switches between playwriting and screenwriting, and the unexpected comedy of life in ancient Egypt. Let’s dive in!

READ MORE
JOIN OUR NEWSLETTER
css.php