NYWIFT Blog

Flix Not To Miss: Oscar-Worthy Performances by an Actress
ARVE Error: need id and provider

Now that the crisp winter air has arrived and films are trotted out for Oscar consideration, I highly recommend these spectacular performances by female actors in film. 

BEST ACTRESS

Cate Blanchett in Blue Jasmine. Blanchett’s turn as Jasmine, a fictional Ruth Madoff-like character, is virtuosic. She doesn’t shy away from showing us the ugly, manipulative quality to Jasmine’s histrionics, leaving the viewer in awe.

Julie Delpy in Before Midnight. In the third installment of Richard Linklater’s series that started with Before Sunrise, Delpy’s Celine stresses about her relationship with her stepson and childrearing in the face of making a career mark. A true contemporary scene of a Gen X marriage.

Amy Adams in American Hustle. Adams’ Sydney Prosser, Christian Bale’s con artist wingwoman, is all original. Adams sheds her fresh-faced, girl-next-door persona and turns in a career-defining performance. 

Kathryn Hahn in Afternoon Delight. Jill Soloway’s film follows the sexual exploration of Rachel, a bored mother in Los Angeles. Hahn skillfully navigates comedic scenes of school fundraisers and heartbreaking drunken revelations. Her frazzled Rachel is a portrait of hipster motherhood.

Danai Gurira in Mother of George. Gurira’s Adenike is a pitch-perfect representation of an African woman in America caught between the reality of her infertility and the expectations of a culture that confers respect to couples able to produce big families.  

Lindsay Burdge in A Teacher. Burdge gives a committed performance to the downward spiral of Diana, an emotionally unstable high school teacher who has an affair with a student.

BEST SUPPORTING ACTRESS

Sally Hawkins in Blue Jasmine. Hawkins turns in a great supporting performance as Ginger, Jasmine’s poorer sister.

Octavia Spencer in Fruitvale Station.The film is based on the last day of Oscar Grant, who was shot by San Francisco BART officers. Spencer portrays Wanda, Oscar’s mother who goes from celebrating her birthday with her son to the hospital where he dies. 

Scarlett Johansson in Her. Johansson’s voice artistry should not go unnoticed since her performance (as the Samantha OS) sustains the movie through long talking scenes with only one other character.

— M.A. ST JOHN

PUBLISHED BY

nywift

nywift New York Women in Film & Television supports women calling the shots in film, television and digital media.

View all posts by nywift

Leave a Reply

Your email address will not be published. Required fields are marked *

*

*

*

Related Posts

Meet the New NYWIFT Member: Julie Pham

Welcome to NYWIFT, Julie Pham! Julie Theresin-Pham is a Vietnamese American actor, storyteller, host, writer, producer, and business strategist based in New York City. A first-generation immigrant and mother, she creates experiences that bring people together through storytelling, hospitality, and community. Her work explores identity, family, belonging, and human connection across film, performance, and documentary storytelling.  She trained at the William Esper Studio, graduated from the Upright Citizens Brigade (UCB) improv training program, serves on the Junior Board of TADA! Youth Theater, and is developing her first documentary, American Daughter: Stories We Carry. She is also an active NYWIFT member who values collaboration, mentorship, and connection.

READ MORE

Meet the New NYWIFT Member: Natalie Mahoney

Welcome to NYWIFT, Natalie Mahoney! Natalie is an award-winning photographer, writer, and filmmaker from New York. She received her B.A in TV/Film from DeSales University ’24 and recently received her M.F.A in Film Production from the City College of New York. Natalie has experience in both filmmaking and as an educator with a passion for assisting young creatives conceive, construct, and produce their own projects. Natalie wants to be able to inspire and encourage others with her work, and watch others tell their own stories through the many mediums of the arts!

READ MORE

Meet the New NYWIFT Member: Bella Rieth

Bella Rieth is a first-generation Brazilian-German, NYC-based director and producer, and a graduate of the School of Visual Arts who also studied at the Atlantic Acting School Conservatory. Before film, she trained at the New England Conservatory and performed in theatre internationally, building a life of storytelling that eventually pulled her behind the camera. Her recent shorts, including Lottie, Poor Creature, Ebba, and Icaro, have played at festivals from Tokyo to Santa Cruz to Florence. Alongside her own films, Bella produces and field produces across narrative, commercial, music video, and documentary projects throughout New York and beyond. 

READ MORE

Meet the New NYWIFT Member: Eve Rouverol

Welcome to NYWIFT, Eve Rouverol! Eve came to filmmaking after a career as a newspaper reporter, commercial writer, and teacher of students with disabilities. After her children left for college (she is a single, widowed mother), she was able to return to college to pursue her first love, film. In addition to writing/directing student narrative and documentary shorts at CA College of the Arts and Emerson, Eve wrote, produced and directed the 35-minute film The Muse starring her actor daughter Madeline Rouverol. The film was nominated for Best Student Director at New Bedford Film Festival in 2023. Her screenplays Writer's Block and Lolita Redux have been shortlisted by BlueCat and Scriptapalooza. Writer's Block was selected for participation in the 2026 Stowe Narrative Labs. Lolita Redux was a semifinalist for Stowe Labs’ Writers’ Retreat Fellowship. 

READ MORE
JOIN OUR NEWSLETTER
css.php