NYWIFT @ Tribeca: In Conversation with Kait Plum
Kait Plum is a force to be reckoned with in the world of film editing, with a decade of experience and a knack for finding the emotional core of any project. Her journey to success is marked by notable achievements, from winning awards for her work in documentary filmmaking to making waves in the comedy genre with her latest project, Bad Shabbos.
READ MOREMeet the New NYWIFT Member: Taffy Lashley
Let’s give a warm welcome to our new NYWIFT member, Taffy Lashley! Taffy is of Afro-Caribbean roots and her love for telling underrepresented stories led her down the path of becoming an editor. She’s worked on interviews highlighting independent creators & their mental health, a documentary with the Ezra Jack Keats Foundation, as well as with A+E networks and Reel Works. She’s grateful to network with inspiring women in the media industry. Her involvement with NYWIFT began as an intern and she’s excited to now continue her journey with NYWIFT as an official member!
READ MOREMeet the New NYWIFT Member: Brianne Neira
Let’s say hello to the fabulous Brianne Neira! She is a director and video editor with a commitment to representing and giving a voice to women and the queer community through her work. Since graduating with a BFA from Emerson College’s esteemed Media Arts Production program in Boston, Brianne’s most celebrated projects include the feminist short film Rotten Meat and her award-winning directorial debut A Place for Ashes. Get to know Brianne better as we chat about her fascination with horror and the genre’s ability to facilitate a platform that can engage an audience and simultaneously raise awareness on social issues, the warm reception A Place for Ashes received at film festivals, and the importance of loving your work while setting healthy boundaries.
READ MORENYWIFT at DOC NYC: In Conversation with Elivia Shaw
NYWIFT Member Elivia Shaw is a producer and co-editor of the fascinating new documentary How to Have an American Baby, which just make its New York Premiere at DOC NYC 2023. The film is a a nuanced, behind-the-scenes look into the booming shadow economy catering to pregnant Chinese tourists who travel to America to give birth in order to obtain U.S. citizenship for their babies. Told through a series of observational vignettes, and with extraordinary access to the maternity hotel industry and their clients, the film outlines the invisible contours of the underground birth tourism industry and its unexpected actors in the U.S. and China, while probing deeply into the lives of several protagonists caught up in the phenomenon. What results is an intimate and compassionate portrait of women’s reproductive journeys, family, traditions, and capitalist desires. Shaw spoke to us about her collaboration with director Leslie Tai and the unique joys and challenges of the project.
READ MOREMeet the New NYWIFT Member: Jasmine Yeshan Zhang
Welcome to NYWIFT, Jasmine Yeshan Zhang! Jasmine Yeshan Zhang was born and raised in Xinjiang, China and is now based in Brooklyn. She graduated from the MFA Photography, Video and Related Media department at School of Visual Arts in 2021. During her studies at SVA, she expanded her interests on making documentary films. She has been working as an Assistant Editor for documentaries since graduation and is currently working on an archival-heavy doc-series. She is always looking for more opportunities for documentary/film editing. Jasmine spoke to us about how her upbringing influenced her interest in other cultures, her transition from still photography to video, and what she hopes to achieve next.
READ MOREMeet the New NYWIFT Member: Shiqin Gao
Welcome to NYWIFT, Shiqin Gao! Shiqin is an award-winning NYC-based filmmaker whose versatile range includes but is not limited to directing, editing, sound recording, and producing. Learn more about Shiqin as we chat about her distinct style, the genesis of some of her most intimate projects, and her collaborations with some rockstars and other remarkable artists.
READ MOREMeet the New NYWIFT Member: Seeley Björkstén
Welcome to NYWIFT, Seeley Björkstén! Seeley is an NYC-based filmmaker and digital artist who is mostly interested in telling impactful nonfiction stories through film. Their passion for incorporating animation and other types of unconventional creativity into their work is reflected in their short film Who I Wasn’t, among other projects. Having studied at American University and FAMU, one of the oldest film schools in the world, Seeley is currently the Marketing & Social Media Manager at the Bushwick Film Festival. As someone who believes that art has the power to change the world, they consider their creations to be a form of activism. Seeley spoke to us about what drew them to animation, their creative journey, and their most personal project to date.
READ MOREMeet the New NYWIFT Member: Amanda DiMartino
Let’s give a warm welcome to new NYWIFT member Amanda DiMartino! Amanda is a director, producer, and editor committed to audience engagement. Some of her career highlights include collaborations with brands such as Harper’s Bazaar, Peloton, NBCUniversal, SYFY, Complex, KIDZ BOP, The Berlin Film Festival, Standard and Poor’s, and The Hollywood Reporter. Altogether, the 500-plus videos she has worked on have garnered more than one billion clicks and views while generating more than $1 million in revenue. She spoke to us about working with Bad Bunny and Usher, and why exploration is key to success!
READ MORENYWIFT at DOC NYC: In Conversation with Editor Jill Woodward
NYWIFT member Jill Woodward edited the documentary 1946: The Mistranslation that Shifted a Culture, which won the Audience Award at DOC NYC 2022. In this deeply personal tale, a gay seminary scholar and a straight activist, seeking to uncover the origins of the rabid homophobia of the conservative church, make a shocking discovery: an erroneous translation of the term “homosexual” in the Bible in 1946 that has been weaponized against the LGBTQIA+ community ever since. Woodward spoke to us about the editing process, what she learned along the way, and which types of projects excite her the most.
READ MOREMeet the New NYWIFT Member: Fay Gartenberg
Let’s give a warm NYWIFT welcome to new member Fay Gartenberg! Gartenberg is an Assistant Editor and a member of the Motion Picture Editor's Guild (IATSE Local 700). Their projects span across narrative film, documentary film, scripted television, and finishing. Prior to working in the film industry, they provided video therapy for patients and families at Mount Sinai Kravis Children’s Hospital. Gartenberg talked to us about their favorite projects, latest binge-watch recommendations, and approach to work/life balance.
READ MOREMeet the New NYWIFT Member: Elizabeth Ramjit
Let’s give a warm NYWIFT welcome to new member Elizabeth Ramjit! Elizabeth is an accomplished film/video editor with 10 years of experience in film and tv production and advertising. Elizabeth loves bringing awareness to current events and pressing world issues, to inspire important conversations among her audience. She’s always interested in new opportunities to explore new avenues of content, and enjoys brining her unique perspective to her collaborators’ projects. Elizabeth spoke to us about what stories inspire her, her dreams for the future, and why she could be #YourFavoriteFemaleEditor.
READ MORENYWIFT @ Tribeca: In Conversation with Editor Véronique N. Doumbé
Longtime NYWIFT Member Véronique N. Doumbé comes to the 2022 Tribeca Festival as the editor of Carrie Hawks' short film Inner Wound Real, which was supported by Black Public Media. The 15-minute experimental animated short relays the story of three BIPOC folks who self-injure, then find new ways to cope. Doumbé discusses the editing process and what she hopes audiences will take away from this powerful film.
READ MOREBelow the Line: A Cut Above – Jessie Maple
Jessie Maple is the first black woman to join the union of International Photographers of Motion Picture & Television (IATSE) in New York. Her book, How to Become a Union Camerawoman , is an instructional guide illustrating the obstacles that she endured to get into the union. It details the court case she initiated to fight discrimination after she became a member.
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