By Katie Chambers
The Writers Lab, presented by New York Women in Film & Television (NYWIFT) and IRIS and funded by Meryl Streep and Oprah Winfrey, pairs twelve women screenwriters over the age of 40 for a weekend of one-on-one mentoring and script development with accomplished film industry leaders. One of this September’s participating writers may be on the path to becoming one of those leaders herself: Vigil Chime has been awarded the prestigious Nicholl Fellowship in Screenwriting from the Academy of Motion Picture Arts and Sciences for her script Bring Back Girl, about a Nigerian teen kidnapped by Boko Haram – the same project she took to The Writers Lab.
Chime was born in Nigeria, grew up in Houston, and resides in New York City, where she earned an MFA in Screenwriting from Columbia University. She has written, directed and produced five independent films, including The Color of Rage (2016), which received recognition in numerous local and international film festivals. Chime has also published two novels. Currently, she is an Adjunct at the Manhattan Educational Opportunity Center in Harlem, where she teaches literacy to adult learners.
Chime discussed her most recent success.
Congratulations on the Nicholl Fellowship win! You’re joining the ranks of some very prestigious screenwriters. How are you feeling?
As of this moment, I don’t really know how I’m feeling. I’m also very acutely aware I have no idea how big this award is. For example, people say this is a life-altering event, that my life moving forward will change, that I now will have a career in the film industry. I wake up every day since the announcement of the winners and feel the same. I still go to my teaching job, prepare my son for school. I can only attribute this feeling to having been encased in rejection after rejection over the years. One wears it like a jacket. I guess it is taking time to peel off the coat!
Tell us about your experience at The Writers Lab.
I was so relaxed, comparing it to a slumber party… It felt great. All the women were so helpful, everybody wanting to assist everybody else in whatever way possible. For example, I was given referrals to agents, lawyers and managers – none of which I had upon arrival.
Read the rest of the interview in Honeysuckle Magazine.
Katie Chambers
Related Posts
Meet the New NYWIFT Member: Lindsey Lambert
Lindsey Lambert is a Brooklyn-based filmmaker originally from Austin, Texas. She works as a location scout for film and television in the NYC area, currently on Law & Order: Organized Crime. After receiving her Master’s Degree in Human Rights from John Jay College of Criminal Justice in the spring of 2022, she began directing and producing her debut feature documentary Teaching Social Studies about public school education and the anti-critical race theory laws in Texas. It is currently in production and she hopes the film will be completed by the summer of 2025. In our interview, she discusses her decision to go back to school, her work on the new Amazon Prime series Étoile, how to educate young people about our challenging history, and the most memorable location she's scouted to date.
READ MORECracking the Code on Film Fundraising: Insights from NYWIFT’s Winter Film Festival Panel
On a brisk February afternoon, I found the perfect escape from the cold—diving into an eye-opening discussion at the 2025 Winter Film Festival. One of the standout moments? Navigating Film Fundraising with NYWIFT, a must-attend panel for any filmmaker tackling the most daunting part of filmmaking: raising money. Leading the conversation were Easmanie Michel, NYWIFT’s Director of Artists Programs and Finance, and NYWIFT Member Joanna Rudolph, executive producer of Burning Annie and The Co-op: The Kids of Dorie Miller. Their wealth of knowledge made for a powerful session, packed with real-world success stories and actionable strategies. Marchelle Thurman summarized some key takeaways to help you fund your next film.
READ MOREMeet the New NYWIFT Member: Stephanie Mishelle Ard
Welcome to NYWIFT, Stephanie Mishelle Ard! Stephanie Mishelle Ard is a Texas-born, Brooklyn-based, multi-hyphenate storyteller, who works both in-front-of and behind the camera. Her work as a Director, Producer, Writer, and Actress spans narrative film, unscripted series, documentary, music videos, and branded content. Her debut short film, That Day, premiered at Berlinale 2016 and her most recent work, Shelly Belly, had its New York premiere at the Greenwich Village Film Festival this past November. In Stephanie's branded work, she has had had the opportunity to work with major brands and entertainment clients like HBO Max, DC Comics, State Farm, Travel Channel, and Warner Bros. Stephanie’s highest career aim is to tell impactful stories that unify us around the human spirit and spread empathy, while continuing to create opportunities for women and underrepresented groups to work in this industry and tell their stories through film and television. In addition to creating film magic, Stephanie loves to spend her time cooking, doing home-improvement DIY activities or crafts, and snuggling her cat Swayze (that is, when Swayze allows the snuggles 😼). Get to know her in our latest interview!
READ MOREMeet the New NYWIFT Member: Emily Bennett
Welcome our new NYWIFT member, Emily Bennett! Writer/Director Emily Bennett is an Academy-recognized screenwriter and award-winning director, notably winning a Fangoria Chainsaw Award for her debut horror/thriller Alone With You. Her films have screened at festivals such as Sitges, Fantasia, Fantastic Fest, Brooklyn Horror and BIFAN. Bennett's debut feature Alone With You was produced with Andrew Corkin’s and Theo James’ Untapped Productions (Martha Marcy May Marlene) and premiered at Fantastic Fest in 2021. As an actress, audiences can see Bennett in Chris Stuckmann’s NEON acquired debut feature film Shelby Oaks, produced by horror legend Mike Flanagan. Bennett is repped by Antonio D’Intino at Spectrevision and former CAA agent/entertainment lawyer Marc Von Arx of Nelson Davis LLP. Emily sat down with us to discuss her directing philosophy and her love of genre.
READ MORE
