NYWIFT Blog

Meet the New NYWIFT Member: Olivia Fouser

By Lily Hutcheson

Welcome to NYWIFT, Olivia Fouser!

Olivia Fouser is an award-winning queer writer and director. She’s been featured in multiple LGBTQ film festivals such as the LGBTQ+ Toronto & Los Angeles Film Festival and the Seattle Queer Film Festival with her short film The Last Gay In Indiana, and has won numerous awards for her queer Western screenplay Blood On The Saddle.

With her work, Olivia aspires to bring diversity both to the screen and behind the camera, and to make viewers laugh, cry, and, in seeing a story or character that’s rarely seen on screen, hopefully widen their worldview.

 

NYWIFT Member Olivia Fouser

 

Welcome to NYWIFT! Please introduce yourself briefly to our readers.

Hi! My name is Olivia, I’m a writer/director originally from Portland, OR, and I just moved here after living in Los Angeles for eight years. I love writing queer absurdist comedy and period pieces, and when I’m not directing, I like 1st assistant directing, production designing, and just generally making art whenever I can.

 

Olivia Fouser on set

 

What brings you to NYWIFT?

I joined NYWIFT because I was a WIF member in LA and wanted to stay in the network and make new connections in my new city. Having graduated during the pandemic and entered the industry during historic strikes, it felt like my career got cut off at the knees. Since college, it’s been challenging to get a job in the industry and to make any further films without the proper resources. So, I wanted to join an organization where I could meet like-minded individuals and hopefully connect with people who can guide me in my career as a screenwriter and director.

 

Olivia Fouser on set

 

Within filmmaking, what drew you to writing and directing specifically?

I’ve loved writing ever since I was a kid. Inkheart by Cornelia Funke sparked my love of storytelling, and I’d constantly write short stories and songs. In high school, I got to write and direct a few plays, even winning an award for best direction, and I realized how much I loved directing. It was when I watched Moonrise Kingdom that I realized how fun filmmaking could be, and that that was the path I wanted to take.

 

Olivia Fouser with coffin prop

 

Can you share a bit about the process of making your short film The Last Gay in Indiana? What was your inspiration for this premise, and how were you able to execute it?

The Last Gay in Indiana was originally going to be set in a full-blown conversion camp, like But I’m A Cheerleader. But once COVID hit and regulations stated that only four people could be unmasked on set at one time, I had to rewrite it entirely. My inspiration for it was Mike Pence and his ever-flamboyant yet homophobic presence, and thinking about how much damage a homophobic person in a position of power could do.

The process of making the film was quite difficult due to the limitations of COVID measures. I had to limit my crew to 12 people, test everyone every weekend, front the money myself even though I had gotten enough grants to fully fund it, do my own location scouting and management, and keep everyone’s spirits up during a very challenging time in the world.

One of the more difficult challenges was convincing my Pence actor to bleach his hair, but I got it done! He still bleaches his hair to this day. It was very rewarding in the end. One of the most rewarding parts was when a crew member thanked me for having a mostly queer, female team, saying she got to feel at ease and like she belonged.

 

Olivia Fouser with the cast and crew of The Last Gay in Indiana

 

As a director, how do you navigate leading a creative team, and incorporating their different ideas to create a cohesive film?

As a director, I love the input from my team, especially from my cinematographer and my actors. While I certainly have a vision of what the film should be, I also know I don’t know everything, and that the best art often comes from collaboration. I’ve been lucky to work with people I trust, who trust me and my creative vision in return.

 

Olivia Fouser with crew

 

Are there any current or upcoming projects you’re excited about?

I have a queer Western that I’ve written that I’m quite proud of. It’s fun, it’s sexy, it’s heartbreaking, and all around a good time. Nothing in motion yet to get it actually made, but hopefully soon!

 

You can connect with Olivia Fouser on Instagram at @oliviafouser.

(All images courtesy of Olivia Fouser)

PUBLISHED BY

Lily Hutcheson

Lily Hutcheson Lily Hutcheson is an intern at NYWIFT and a student at Princeton University, where she is studying English and creative writing. She grew up in Vermont, and enjoys spending time outdoors with her dogs. She loves film, television, and theater, and especially enjoys writing and directing. She hopes to continue exploring these interests post-graduation, and is excited to be a part of the NYWIFT community!

View all posts by Lily Hutcheson

Comments are closed

Related Posts

Meet the New NYWIFT Member: Belén Vilarrasa-Corriero

Welcome to NYWIFT, Belén Vilarrasa-Corriero! Belén is a Spanish-American documentary filmmaker making her directorial debut with Entre Las Paredes (Within the Walls), an intimate, feature-length project in development that follows her Abuela’s final days. Born and raised in New York City in a bilingual household, Belén brings a deeply personal lens to her work, believing that some of the most powerful stories live within our own families. Alongside her own projects, Belén works as an assistant director across narrative and commercial productions, where her focus, adaptability, and collaborative spirit help keep sets running smoothly. A graduate of the School of Visual Arts, she continues to grow her craft through diverse filmmaking experiences, driven by a dedication to emotionally resonant, visually compelling storytelling. In our interview, Belén reflects on documenting her family’s history, navigating grief and memory through film, and the projects she’s most excited to explore next.

READ MORE

Meet the New NYWIFT Member: Delfine Paolini

Welcome to NYWIFT, Delfine Paolini! Delfine is a multifaceted filmmaker whose critically recognized work explores themes of life and loss. Her unique and powerful visions draw from an intimate familiarity of cinematic storytelling, philosophy, and a deeply thoughtful reflection of self. Her feature debut, A Wonderful Way with Dragons, has won numerous international awards. Its distinct style and emotional evocations are reflective of Delfine’s creative journey. Coming from a background of photography, she is highly attuned to expressive visuals. Community and mentorship have remained essential values to Delfine, who has faced both hurdles and victories on her directorial path. Delfine’s resolve and creative momentum have led to the development of multiple exciting projects. She is a director to watch; her upcoming films Le Rouge Originel, Reds Hearten, and Sky, Zyprexa, Night will continue to push boundaries and explore the profound power of the film medium. In our interview, Delfine discusses her background and inspirations. 

READ MORE

Meet the New NYWIFT Member: Nadia Voukitchevitch

Welcome to NYWIFT, Nadia Voukitchevitch! Nadia is an award-winning filmmaker with over two decades of experience across film, television, and branded content. She is the founder Nadia Films, a creative content production company and boutique agency that produces globally focused, multicultural, and multilingual work across media. Through Nadia Films and its newly launched division, The Creative Collective, Nadia brings together collaborative teams of creators to craft meaningful, commercially viable work rooted in powerful storytelling. Her projects often intersect with social impact, advocacy, and cultural history, reflecting a deep commitment to human rights, women’s voices, and education-driven narratives. In our interview, she reflects on her filmmaking journey, the responsibility of telling stories rooted in lived experience, and the projects she’s most excited to bring to life next.

READ MORE

Meet the New NYWIFT Member: Sun Roller

Welcome to NYWIFT, Sun Roller! Sun Roller is a Chickasaw creative and producer raised in Oklahoma and based in New York City. With a career spanning production design, art direction, project management, and large-scale leadership, Sun Roller brings a deeply intentional, intuitive approach to every project she touches—grounded in spirituality, connection to nature, and collaboration. Sun Roller has worked across film and television on projects including Reservation Dogs, I Saw the TV Glow, Poker Face and The Lowdown. In recent years, she has expanded her work into producing, with a focus on Indigenous-led stories and community-centered narratives. When she’s not on set or behind a computer, Sun Roller can often be found outdoors soaking up the Sun and enjoying time in nature with her elder pup, Wrigley, and her partner, Annie H. In our interview, Sun Roller reflects on her path into film and television, building a career across male-dominated industries, and the stories she’s most excited to bring to the screen next.

READ MORE
JOIN OUR NEWSLETTER
css.php