NYWIFT Blog

Meet the New NYWIFT Member: Olivia Fouser

By Lily Hutcheson

Welcome to NYWIFT, Olivia Fouser!

Olivia Fouser is an award-winning queer writer and director. She’s been featured in multiple LGBTQ film festivals such as the LGBTQ+ Toronto & Los Angeles Film Festival and the Seattle Queer Film Festival with her short film The Last Gay In Indiana, and has won numerous awards for her queer Western screenplay Blood On The Saddle.

With her work, Olivia aspires to bring diversity both to the screen and behind the camera, and to make viewers laugh, cry, and, in seeing a story or character that’s rarely seen on screen, hopefully widen their worldview.

 

NYWIFT Member Olivia Fouser

 

Welcome to NYWIFT! Please introduce yourself briefly to our readers.

Hi! My name is Olivia, I’m a writer/director originally from Portland, OR, and I just moved here after living in Los Angeles for eight years. I love writing queer absurdist comedy and period pieces, and when I’m not directing, I like 1st assistant directing, production designing, and just generally making art whenever I can.

 

Olivia Fouser on set

 

What brings you to NYWIFT?

I joined NYWIFT because I was a WIF member in LA and wanted to stay in the network and make new connections in my new city. Having graduated during the pandemic and entered the industry during historic strikes, it felt like my career got cut off at the knees. Since college, it’s been challenging to get a job in the industry and to make any further films without the proper resources. So, I wanted to join an organization where I could meet like-minded individuals and hopefully connect with people who can guide me in my career as a screenwriter and director.

 

Olivia Fouser on set

 

Within filmmaking, what drew you to writing and directing specifically?

I’ve loved writing ever since I was a kid. Inkheart by Cornelia Funke sparked my love of storytelling, and I’d constantly write short stories and songs. In high school, I got to write and direct a few plays, even winning an award for best direction, and I realized how much I loved directing. It was when I watched Moonrise Kingdom that I realized how fun filmmaking could be, and that that was the path I wanted to take.

 

Olivia Fouser with coffin prop

 

Can you share a bit about the process of making your short film The Last Gay in Indiana? What was your inspiration for this premise, and how were you able to execute it?

The Last Gay in Indiana was originally going to be set in a full-blown conversion camp, like But I’m A Cheerleader. But once COVID hit and regulations stated that only four people could be unmasked on set at one time, I had to rewrite it entirely. My inspiration for it was Mike Pence and his ever-flamboyant yet homophobic presence, and thinking about how much damage a homophobic person in a position of power could do.

The process of making the film was quite difficult due to the limitations of COVID measures. I had to limit my crew to 12 people, test everyone every weekend, front the money myself even though I had gotten enough grants to fully fund it, do my own location scouting and management, and keep everyone’s spirits up during a very challenging time in the world.

One of the more difficult challenges was convincing my Pence actor to bleach his hair, but I got it done! He still bleaches his hair to this day. It was very rewarding in the end. One of the most rewarding parts was when a crew member thanked me for having a mostly queer, female team, saying she got to feel at ease and like she belonged.

 

Olivia Fouser with the cast and crew of The Last Gay in Indiana

 

As a director, how do you navigate leading a creative team, and incorporating their different ideas to create a cohesive film?

As a director, I love the input from my team, especially from my cinematographer and my actors. While I certainly have a vision of what the film should be, I also know I don’t know everything, and that the best art often comes from collaboration. I’ve been lucky to work with people I trust, who trust me and my creative vision in return.

 

Olivia Fouser with crew

 

Are there any current or upcoming projects you’re excited about?

I have a queer Western that I’ve written that I’m quite proud of. It’s fun, it’s sexy, it’s heartbreaking, and all around a good time. Nothing in motion yet to get it actually made, but hopefully soon!

 

You can connect with Olivia Fouser on Instagram at @oliviafouser.

(All images courtesy of Olivia Fouser)

PUBLISHED BY

Lily Hutcheson

Lily Hutcheson Lily Hutcheson is an intern at NYWIFT and a student at Princeton University, where she is studying English and creative writing. She grew up in Vermont, and enjoys spending time outdoors with her dogs. She loves film, television, and theater, and especially enjoys writing and directing. She hopes to continue exploring these interests post-graduation, and is excited to be a part of the NYWIFT community!

View all posts by Lily Hutcheson

Comments are closed

Related Posts

Meet the New NYWIFT Member: Kelli Reilly

Welcome to NYWIFT, Kelli Reilly! Kelli Reilly is a producer, director, and writer working across narrative film and documentary, based between New York and Los Angeles, and the founder of Quartermaster Creative. She studied film and television at NYU Tisch with a focus in experimental cinema and got her start working on acclaimed documentaries, including Larger Than Life: The Kevyn Aucoin Story, The Vow, and Student Athlete. Her recent producing work includes I Got You, SLICK, and The Daughter, and she is currently in post-production on the feature documentary Viva La Dita. She is also in production on the period feature The Florist and is a writer and contributor to the New York Times–recommended podcast Look Behind the Look. In our interview, Kelli discussed how she shaped her artistry, her inspirations, and her upcoming work.

READ MORE

Meet the New NYWIFT Member: Juleyka Lantigua

Welcome to NYWIFT, Juleyka Lantigua! Juleyka is an award-winning filmmaker, journalist, and the Founder of LWC Studios, a digital media studio dedicated to creating socially conscious storytelling for rising-majority audiences. As a filmmaker, she has executive produced multiple short films and documentaries, including the Peabody Award-nominated podcast series 70 Million through LWC Studios. A Fulbright Scholar with a Master’s degree in Journalism and an MFA in Creative Writing, Juleyka brings a multidisciplinary approach to storytelling—one that blends rigorous reporting with deeply human narratives across platforms.

READ MORE

Meet the New NYWIFT Member: Bakhtawar Tagar

Welcome to NYWIFT, Bakhtawar Tagar! Bakhtawar is a Pakistani-Canadian documentary filmmaker and editor based in Brooklyn. Her work is rooted in amplifying marginalized voices through stories centered on indigenous land rights, environmental and human rights justice, decolonization, women's rights, and LGBTQ+ advocacy. A lifelong storyteller, Bakhtawar grew up devouring books, magazines, and news stories. In her 20s, witnessing the persecution of minority communities in Pakistan, while much of the world remained unaware, she felt a responsibility to bring these stories to light, with the hope of making the world a little more just, one story at a time. Bakhtawar’s short documentary Naaz, which follows her aunt, Dr. Farah Naz, a healthcare provider in a rural village in Pakistan working to keep her not-for-profit maternal health clinic open amid systemic and personal challenges, recently won Best Editing at the Delhi International Short Film Festival and is set to screen at the Athena Film Festival in New York City in March. In our interview, she discussed her journey into documentary filmmaking, her commitment to social justice storytelling, and the responsibility she feels toward the stories she tells.

READ MORE

Meet the New NYWIFT Member: Ginelle Bamfo

Welcome to NYWIFT, Ginelle Bamfo! Ginelle is a talented young filmmaker and recent graduate from NYU Tisch’s Film and TV school. With a background in acting and theater, Ginelle has expanded her creative pursuits into many realms of the filmmaking industry. Having won NYU’s Best Undergraduate Film award for her project Talk Yo’ Shit, her talents and ambitions have quickly proven worthwhile. Ginelle is a staunch advocate of amplifying diverse voices. Her role as President of The Collective at NYU – a club which connects and highlights the work of Black students – is only one example of her commitment to this goal. Ginelle is a flexible and dynamic creative, drawing inspiration from ever-evolving sources. Always excited to learn and collaborate, she is an exciting addition to the entertainment industry. In our interview, Ginelle discusses what her journey to filmmaking has looked like and her current artistic ambitions.

READ MORE
JOIN OUR NEWSLETTER
css.php