By Ozzi Ramirez
Welcome to NYWIFT, Rianne Pyle! Rianne an award-winning filmmaker whose New York City upbringing greatly influences her film projects, some of which raise awareness of societal issues and focus on providing an outlet for people of color to share their stories.
In addition to directing documentaries such as Vic Barrett: Youth Voice, which centers on a young climate change activist intending to sue the U.S. government, Rianne has also contributed her directorial talents to the short film Burning, along with several music videos, which have acquired more than five million views collectively, while featured on platforms such as BET Jams and Lyrical Lemonade.
Rianne spoke to us about the intersection of film and social change, her approach to documentary filmmaking, how gentrification has impacted her filmmaking as a native New Yorker.

NYWIFT member Rianne Pyle
As a born and raised New Yorker, can you describe any specific encounters that you experienced growing up that directly influenced your career interests?
Being a native New Yorker is such a novelty (says every New Yorker), but it’s true – the intersectionality of cultures, the art, fashion, and community are truly unique. Every corner of New York is filled with beautiful and engaging stories waiting to be told. Coming from the East Village, which is a predominantly Puerto Rican and African American community, I became invested in representing and telling the stories of people from these communities and communities just like it.
One of the reasons I focus on telling stories of people of color and underrepresented communities is because of the gentrification that I see happening in my own community. I don’t want people to forget about the abundance of mom-and-pop shops that once lined the streets but were replaced with beaming new high rises and franchise stores. Documenting these people and their community is an important way to pay homage to the same village that continues to inspire me.
There are numerous ways to tell stories. What is it about directing and writing specifically that sparks your interests?
With documentary directing especially, there’s such an inherent challenge. Not only are you thinking of the look and feel of the documentary, but you’re constantly trying on “new coats” to see how all the pieces can be threaded together.
I always feel like directing documentaries is similar to putting together a puzzle without the reference photo and the magic and thrill of documentary filmmaking exists within the trial-and-error period. You are able to stand inside as the story begins to tell itself.

Kirsty O’Donnell and Rianne Pyle at Montclair Film Festival Q&A
As an artist who has worked in a variety of mediums from documentaries to music videos and commercials to photography, from your perspective, are there any overlapping similarities between these art forms?
I would say the biggest crossover between the different mediums is the amount of planning and creativity that is required amongst all of them. There’s no shortage of dedicated teams, resourcefulness, and creative ideas to make each project happen. The collective energy of the team that makes each and every project great is found across every medium and I think that’s a beautiful thing!
Two of the three documentaries that you directed, Freedom Day and Vic Barrett: Youth Voice, are centered on raising awareness on social issues. Do you see yourself more as an activist who directs documentaries or as a filmmaker who is interested in exploring current events?
I am someone who cares deeply about social and cultural events and making sure that important historical moments are documented. I don’t want to say I’m an activist in that sense, but rather a filmmaker who feels obligated and deeply compelled to share these stories in order to wield some change in our communities.
I know that filmmaking doesn’t have to be created for the sole purpose of helping change the world, but after making these short docs, I would like my films to explore current events.

Kirsty O’Donnell (left) and Rianne Pyle at Montclair Film Festival for Millie Moon
What is the best and worst advice you ever received?
The best advice I have received so far was from my college mentor who advised me to learn as many different skills and trades in the industry. It not only opens up more employment opportunities, but allows you to be a more informed filmmaker when making creative choices on your projects.
The worst advice I’ve received was that overworking is the only way to make it in this industry. It took me a while to truly unlearn that working hard and overworking are two separate things. And the latter can lead to a “burnout” that is hard to recover from.

What brings you to NYWIFT?
I was really looking for a sense of female community in the film industry. It can be hard to find your place at times and being able to network and collaborate with other female creatives is imperative as you learn how to navigate certain situations.
Did the pandemic influence your work experience? If so, how?
The pandemic certainly influenced my work and shifted my film focal points. Prior to the pandemic, for my thesis film at SVA, I was set on making a documentary about a musician. With the pandemic halting all live events which were central to the story, I instantly had to switch gears.
When the social and cultural shift happened in 2020 after the murder of George Floyd, I wanted to find some way to use my art and become involved. I felt compelled by the story of the Freedom Day Foundation because it reflects the tale of so many activists and leaders in our community who set up protests and programs to help enact social change. I aspired to seek out projects and subjects that have cultural and social significance.

Rianne Pyle on set
Do you have any upcoming projects in development?
Yes, I’m currently working on developing my first feature doc that follows a beloved New York basketball coach’s journey into coaching, as well as helping my very close collaborator develop her first feature film based on a book she recently read!
Learn more about Rianne Pyle on her website www.riannepyle.com and connect with her on Instagram at @ri_pyle and Twitter at @pylerianne.
Related Posts
Meet the New NYWIFT Member: Nira Burstein
Welcome to NYWIFT, Nira Burstein! Nira Burstein is an award-winning filmmaker based in New York City. She is one of Filmmaker Magazine’s 25 New Faces of Independent Film and DOC NYC’s 40 Under 40. Her documentary debut Charm Circle won the Audience Award at Sheffield DocFest, is a New York Times Critic’s Pick, and had its streaming premiere on the Criterion Channel. Nira is a Gotham Fellow, and her work has been supported by the Jerome Foundation and Jewish Story Partners. She has made several narrative short films, including Gangrenous (Nantucket Film Festival) and Off & Away (Brooklyn Film Festival). Her latest short film, Dear Shop Girl, premiered at Woodstock Film Festival. She is currently in post on the documentary short Handymen.
READ MOREMeet the New NYWIFT Member: Ashley Bacon
Welcome to NYWIFT, Ashley Bacon! Ashley is an actor and producer in New York. She leads the 80s thriller Something of a Monster which was released in December on AppleTV, and her claim to fame is a recurring arc on Orange is the New Black. She was nominated for Best Actor at Cindependent for her work in The Flip Side (2023). Upcoming projects include leading the film A Matchmaker’s Christmas, a star-studded community fundraiser of A Midsummer Night’s Dream, and raising her small child. She lives in Brooklyn with - in her words - "two cats, one daughter, and one husband." We welcome actor and producer Ashley Bacon to NYWIFT! In her New Member Spotlight, we discussed the famous RDJ scene that inspired Ashley to become an actor, the community garden motivating her next project, and her favorite film she’s worked on so far.
READ MOREMeet the New NYWIFT Member: Leah Gaydos
Welcome to NYWIFT, Leah Gaydos! Leah M. Gaydos is a New York-based attorney and independent producer whose work spans film, entertainment law, and nonprofit leadership. She has produced more than 20 shorts and two features, including Rounding, which premiered at Tribeca and was distributed by Doppleganger. Leah serves as Board Member & Entertainment Law Chair for Healing TREE and provides production counsel and strategic consulting to independent filmmakers. She currently practices law at Rebar Kelly while pursuing opportunities in business affairs and legal for film, television, and emerging media. Her career centers on balancing creative vision with the legal frameworks that allow meaningful storytelling to thrive. In our interview, Leah discussed her philosophy of producing, the production that shaped that philosophy, and her vision for the future of entertainment law.
READ MOREMeet the New NYWIFT Member: Alyssa R. Bennett
Welcome to NYWIFT, Alyssa R. Bennett! Alyssa R. Bennet is an accomplished, multifaceted creative who exemplifies a socially conscious career and ambition. Alyssa has worked on a multitude of projects, from music to writing to filmmaking – both in front of and behind the camera. Always drawing from her intrinsic passion, her various mediums often intertwine and inform her expansive creative visions. Her keen ability to boil narratives down to the raw and essential is a reflection of this artistic crossover. As co-founder of Stonestreet Studios, Alyssa brings her vast experience to the service of the filmmaking community, connecting people with opportunities and amplifying diverse stories. Alyssa continuously strives to uplift the filmmaking community and contribute to the invaluable tradition of storytelling. In our interview, Alyssa discusses her career and the motivations that have paved the way for her accomplished journey.
READ MORE
Ozzi Ramirez is a current intern at NYWIFT and aspiring film producer and programmer. He studied English Literature and Theater at the University of Vermont and later received a Master's Degree in Mass Communications from Florida International University in Miami. Having moved to NYC in 2019, his interests include moseying through Manhattan with his headphones on full blast, most dogs and cats, coffee, discovering good deals on theater tickets, politics, traveling, and of course, experiencing great storytelling through movies, TV shows, and books.
Comments are closed