Our Friday column asks our members about their favorite tool, software, article of clothing, shoes on set, favorite scriptwriting software, etc.
Lisa Reznik – Filmmaker and Founder of the Film Society of Summit
By Jean Criss
Traditional film houses are transitioning to virtual cinema screenings since art houses have temporarily closed their doors to mitigate the spread of COVID-19. Learn what my colleague and friend Lisa Reznik found in her toolkit!
Lisa Reznik has been a proud member of NYWIFT for over six years. She earned a B.A. in European Cultural Studies from Brandeis University and an M.A. in Journalism from NYU. She has written for screen and stage, including three award-winning short films. Lisa is a firm believer in the power of film to educate and connect people on important topics. She founded the Film Society of Summit (NJ) which screens independent films for community conversation with filmmakers.

NYWIFT Member Lisa Reznik
Lisa, what is the one thing that drives you to begin your production day?
Project completions served with French roast coffee!
What type of nourishment is your daily ritual?
I always look forward to morning oatmeal, Greek yogurt, and avocado toast for breakfast.
I encourage a BYOP (bring your own popcorn) ritual at the Film Society which went over well in our community.
What are you doing to de-stress your life during COVID-19 as a film director?
I’m trying new vegetarian comfort food recipes with my daughter home from college. My “fav” so far is a savory French tart with goat cheese, creme fraiche, and zucchini which the whole family loves.
What type of engagement are you experiencing with your new virtual film audience?
Though art houses* have temporarily closed their doors to mitigate the spread of COVID-19, the Film Society of Summit is as active as ever. Open 24/7 with a selection of the year’s most acclaimed films, impactful programming, now offered online at home.
As part of unprecedented partnerships with film distributors, we’ve secured virtual cinema screenings which let viewers see films that would typically only be seen in cinemas. Films from Film Movement, Sony Pictures Classics, Music Box Films, Oscilloscope and other distributors, [are available] even while our doors are closed. The average ticket price is $10/family. A portion of all purchases directly supports the Film Society of Summit and neighboring theaters. Once a customer procures a ticket, they receive access to a temporary film rental. People watch on their PC, tablet or via Chromecast.
We’re keeping our audience “in the loop” with weekly emails and are receiving high open rates on our virtual cinema options recently. We’re scheduling a number of Zoom-based virtual Q&A sessions – two art documentaries led by curators from the Summit NJ Visual Arts Center we also offer discussions with our filmmakers after each “live” session.
*The Art House Convergence (AHC), is an association dedicated to advancing excellence and sustainability in community-based, mission-driven film exhibition, has been an outstanding resource for continuing our work while theaters are dark, including offering webinars on how to survive while we’re closed, on programming, and education and marketing.
Lisa I know you’ve been a world traveler, what are you doing to keep up on industry film documentaries?
I’m a filmmaker and am working on the post-production of a Holocaust educational documentary. A Holocaust Journey: Lessons We Learned presents a group of students who traveled to Berlin/Poland with the aim of trying to comprehend the reality of the Holocaust.
Our editor and co-producer is NYWIFT member, Terence Taylor, whom I met at Anthology Film Archives during a NYWIFT Member Screening. Terence and I are working remotely, [and] collaborate effectively, while social distancing to finish our film. We’re working well together under these challenging circumstances. We’ll resume our typical travel when the time is right.
I’ve also been previewing documentaries to offer as virtual cinema options when we re-open. My “fav” job perk!
What words do you live by?
As a film organization dedicated to high quality indie film and discussion, we know that true art has always survived the toughest of times. Be it through cinemas or VODs, great films will always find their way to our hearts. Nothing tells a story better than film. Thanks for keeping us top of mind in this new virtual cinema world!
Learn more about the film Society of Summit at www.summitfilmsociety.com.
Related Posts
NYWIFT at Tribeca 2025: In Conversation with Chantel Simpson
Congratulations are in order for multi-hyphenate filmmaker Chantel Simpson, whose compelling short film A Drastic Tale will make its world premiere at the 2025 Tribeca Festival. As a proud member of New York Women in Film & Television (NYWIFT), Simpson brings a unique perspective to the screen, having served as the director, producer, screenwriter, and editor of the film. Centered around the Drastic Auto Club — one of the oldest lowrider groups in New York City — A Drastic Tale offers a raw and moving exploration of brotherhood, identity, and the soul of car culture in the urban Northeast. In this exclusive interview, Simpson shares her journey, creative process, and hopes for how her story will resonate with audiences everywhere.
READ MORENYWIFT at Tribeca 2025: In Conversation with Veronica Reyes-How
Award-winning writer, actor, and producer Veronica Reyes-How is making a bold mark on the indie television landscape with the world premiere of her new episodic series, Mother, May I Have a Kidney?, at the 2025 Tribeca Festival. As a proud NYWIFT member and first-generation Filipino-American, Reyes-How brings heart, humor, and authenticity to her storytelling. Her latest project, which she created, wrote, and executive produced, explores themes of family estrangement, empathy, and kidney health through a unique dramedy lens. With a rich background that spans from tech consulting to national tours, hit TV appearances, and more, Veronica continues to champion diverse voices and underrepresented narratives in media.
READ MOREMeet the New NYWIFT Member: Anna Koukouli Born
Welcome to our new NYWIFT member, Anna Koukouli Born! Anna Koukouli Born is a bicoastal writer-director splitting her time between NY and LA. She explores women's stories, dysfunctional families, unbearable workplaces filled with Succession-like egos, social inequality, and climate-caused disasters set in the near future. Drawing from her Greek history and heritage, Anna loves allegorical cautionary tales about strong, tragic characters trying to overcome adversity. She’s also obsessed with women's rights and gender parity. Her humor is darker than yours. She bets on it. Anna studied Story Analysis and TV Development at UCLA Extension and holds a BA (Hons) Marketing and an MBA from the UK Universities of Lincoln and Liverpool, respectively. Anna talks about her journey into the film industry, her experiences working on various films, and how she overcomes challenges within these fields!
READ MORENYWIFT at Tribeca 2025: In Conversation with Melanie Armer
NYWIFT member Melanie Armer is celebrating a major milestone in her multifaceted career with the official selection of Last Resort at the 2025 Tribeca Festival. As the Director and Co-Producer of the gripping new audio drama — described as The White Lotus meets Black Mirror — Armer brings her decades of experience in independent theater, multimedia production, and storytelling to a bold and timely project that explores cancel culture, identity, and the blurred lines between technology and transformation. With a creative legacy that includes collaborations on Broadway and groundbreaking work through her company Nerve Tank Media, Armer continues to redefine the boundaries of narrative art and sonic immersion. In our interview, she discusses Last Resort – written and created by her partner Chance Muehleck – and its exciting Tribeca debut.
READ MORE
Comments are closed