Our Friday column asks our members about their favorite tool, software, article of clothing, shoes on set, favorite scriptwriting software, etc.
Lisa Reznik – Filmmaker and Founder of the Film Society of Summit
By Jean Criss
Traditional film houses are transitioning to virtual cinema screenings since art houses have temporarily closed their doors to mitigate the spread of COVID-19. Learn what my colleague and friend Lisa Reznik found in her toolkit!
Lisa Reznik has been a proud member of NYWIFT for over six years. She earned a B.A. in European Cultural Studies from Brandeis University and an M.A. in Journalism from NYU. She has written for screen and stage, including three award-winning short films. Lisa is a firm believer in the power of film to educate and connect people on important topics. She founded the Film Society of Summit (NJ) which screens independent films for community conversation with filmmakers.

NYWIFT Member Lisa Reznik
Lisa, what is the one thing that drives you to begin your production day?
Project completions served with French roast coffee!
What type of nourishment is your daily ritual?
I always look forward to morning oatmeal, Greek yogurt, and avocado toast for breakfast.
I encourage a BYOP (bring your own popcorn) ritual at the Film Society which went over well in our community.
What are you doing to de-stress your life during COVID-19 as a film director?
I’m trying new vegetarian comfort food recipes with my daughter home from college. My “fav” so far is a savory French tart with goat cheese, creme fraiche, and zucchini which the whole family loves.
What type of engagement are you experiencing with your new virtual film audience?
Though art houses* have temporarily closed their doors to mitigate the spread of COVID-19, the Film Society of Summit is as active as ever. Open 24/7 with a selection of the year’s most acclaimed films, impactful programming, now offered online at home.
As part of unprecedented partnerships with film distributors, we’ve secured virtual cinema screenings which let viewers see films that would typically only be seen in cinemas. Films from Film Movement, Sony Pictures Classics, Music Box Films, Oscilloscope and other distributors, [are available] even while our doors are closed. The average ticket price is $10/family. A portion of all purchases directly supports the Film Society of Summit and neighboring theaters. Once a customer procures a ticket, they receive access to a temporary film rental. People watch on their PC, tablet or via Chromecast.
We’re keeping our audience “in the loop” with weekly emails and are receiving high open rates on our virtual cinema options recently. We’re scheduling a number of Zoom-based virtual Q&A sessions – two art documentaries led by curators from the Summit NJ Visual Arts Center we also offer discussions with our filmmakers after each “live” session.
*The Art House Convergence (AHC), is an association dedicated to advancing excellence and sustainability in community-based, mission-driven film exhibition, has been an outstanding resource for continuing our work while theaters are dark, including offering webinars on how to survive while we’re closed, on programming, and education and marketing.
Lisa I know you’ve been a world traveler, what are you doing to keep up on industry film documentaries?
I’m a filmmaker and am working on the post-production of a Holocaust educational documentary. A Holocaust Journey: Lessons We Learned presents a group of students who traveled to Berlin/Poland with the aim of trying to comprehend the reality of the Holocaust.
Our editor and co-producer is NYWIFT member, Terence Taylor, whom I met at Anthology Film Archives during a NYWIFT Member Screening. Terence and I are working remotely, [and] collaborate effectively, while social distancing to finish our film. We’re working well together under these challenging circumstances. We’ll resume our typical travel when the time is right.
I’ve also been previewing documentaries to offer as virtual cinema options when we re-open. My “fav” job perk!
What words do you live by?
As a film organization dedicated to high quality indie film and discussion, we know that true art has always survived the toughest of times. Be it through cinemas or VODs, great films will always find their way to our hearts. Nothing tells a story better than film. Thanks for keeping us top of mind in this new virtual cinema world!
Learn more about the film Society of Summit at www.summitfilmsociety.com.
Related Posts
Meet the New NYWIFT Member: Catherine Craig
Welcome to NYWIFT, Catherine Craig! Catherine Craig was George Lucas's Industrial Light and Magic's first animation FX camerawoman, later becoming a digital artist at ILM. A highly regarded film archivist, Craig designed the Coppola film archive and implemented Zoetrope's domestic and international film distribution. As an early female entrepreneur, Craig founded her own award-winning, union and guild-affiliated film company, specializing in high-end industrial and commercial productions. Her vast experience spans all aspects of filmmaking: she's worked as a director, producer, camera operator, concept artist, storyboard artist, special FX artist, sound recordist, and more. Her screenplay OddFX was accepted into the NYWIFT-affiliated The Writers Lab. The film follows a mother living in a women's shelter, battling a physically abusive husband and a broken support system, who enlists the help of a special FX film crew. Catherine discusses her groundbreaking work with ILM, her drive to tell her own stories, and her film currently in development, OddFX!
READ MOREMeet the New NYWIFT Member: Faith Trinker
Welcome to NYWIFT, Faith Trinker! Faith Trinker is a virtual production filmmaker and immersive storyteller. She recently graduated from NYU Tisch’s inaugural Virtual Production Master’s program, and has a background in 3D computer art and animation from Syracuse University. In her work, she blends digital worldbuilding with on-set filmmaking, and is passionate about evolving workflows, fast-paced environments, and collaborative creativity. Her credits include projects for ESPN and the 2025 MSC Cruises Super Bowl spot featuring Drew Barrymore and Orlando Bloom. Outside of work, she enjoys reading, drawing, cars, and her dog, Freddie. She’s eager to work with her new NYWIFT creative community. Faith discusses her path to virtual production, favorite projects, and goals for the future!
READ MOREMeet the New NYWIFT Member: Patricia Hess
Welcome to NYWIFT, Patricia Hess! Patricia Hess is an accomplished DGA UPM and line producer with extensive experience in feature films, TV, and streaming content. She is New York-based professional with both domestic and international credits, including Angels in America, Tom Clancy’s Jack Ryan, Philomena, and Raising Arizona, among many others. A graduate of the University of Arizona, Patty divides her time between her family farm in Virginia and New York. During our interview, Patricia shared the remarkable story of her journey in the industry. We often admire the success of individuals who achieve their vision, yet rarely do we see the humble beginnings, the sacrifices made, the moments of doubt and fear, or the times they considered giving up. Patricia’s story is a powerful reminder of the resilience, perseverance, and mindset of gratitude and acceptance that often underpin true success.
READ MORENYWIFT Member Spotlight: Kathryn O’Kane
Today, we’re shining a spotlight on former NYWIFT Board Member Kathryn O’Kane! Kathryn is the co-director and co-writer of the short comedic film Subtext, which has been accepted into the 2025 LA Shorts International Film Festival, screening July 26 at 7:45 p.m. LA Shorts is the longest-running short film festival in Los Angeles. The festival screens over 400 films and attracts 10,000 attendees each year, including Hollywood industry professionals and emerging undiscovered independent filmmakers. Subtext follows Eric, who is running late to his first date with Sara, and he just can’t stop texting. A feeling so many of us, unfortunately, are bound to relate to. Kathryn sat down with co-director, co-writer, and editor Christopher Raby to talk to us about their creative process.
READ MORE
Comments are closed