NYWIFT Blog

What’s in Your Toolkit: Sini Anderson

By Kathryn O’Kane

Our new column asks our members about their favorite tool, software, article of clothing, shoes on set, favorite scriptwriting software, etc. We caught up with Sini Anderson after her short film screening at the NYWIFT Women Calling the Shots Shorts Showcase at the Hamptons International Film Festival.

 

SINI ANDERSON, Director, Catherine Opie B. 1961

 

What is the one thing you can’t live without in production?

My fanny pack, which holds a whole other world of things that I can’t live without in production.  
 

What do you eat on set/location?

On location, I usually eat coffee but I’ll have a nice bowl of brown rice/greens/tofu before getting there.
 

What do you do to help de-stress?

I walk and listen to music, with every project I do I have a playlist, walking and listening to that music really loudly helps me remember why I’m doing it. 
 

What’s the most out of the ordinary thing in your toolkit?

Haha, sage and crystals. I like to bring my crew together and burn a little sage and connect with them before starting. A few years back I was shadowing Jill Soloway on Transparent and before they started shooting she pulled everyone together and it was very, very similar to what I like to do. I was so relieved! I was like, okay, I’m not the only one. 
 

Sini Anderson (with her dog Cookie) at the talkback after her short film screening at the 2019 Hamptons International Film Festival

 
PUBLISHED BY

busyk

busyk Kathryn O’Kane is a director and producer with over 20 years of experience in television and advertising. She directed season 2 of the Emmy nominated series The World According to Jeff Goldblum for Disney+. She was the showrunner of the James Beard award-winning Netflix series Salt, Fat, Acid, Heat, and she produced six seasons of the Emmy award-winning series Friday Night Tykes. Her episodes of Iconoclasts for Sundance and Oprah Presents Masterclass for OWN have won NAACP Imagine awards. Kathryn has crafted short form narratives as diverse as Mission Juno for NASA, segments of AMC’s Talking Dead, and commercial assignments for Apple, Meta, United Airlines, and SAP. Kathryn served two terms on the board of New York Women in Film and Television, championing equal pay, diversity and inclusion, and safety in the workplace. She is a member of the Directors Guild of America and Television Academy. Learn more at www.busyk.com.

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