By Katie Chambers
As summer winds down, New York Women in Film & Television gears up for the start of our new year – and with it, new faces join our leadership team!
A 501(c)3 non-profit, NYWIFT is governed by an 18 member Board of Directors, elected by the membership in late Spring. This diverse, accomplished group of women are at the top of their game in TV, film and digital media. They steer NYWIFT in advocating for equality, providing unique professional development opportunities, funding women filmmakers, and celebrating women’s achievements.
Next up: meet Alex Cirillo, producer, director and co-founder of Big Vision Empty Wallet!
Alex Cirillo (photo credit: Deneka Peniston)
How did you first get involved with NYWIFT?
When I graduated college my first job was at Washington Square Arts and Films, and the Executive Producer there, Anna Gerb, was on the NYWIFT Board of Directors at the time. She encouraged me to join as a Next Wave number and tasked me with getting items for the Muse Awards gift bags. I dove right in and never looked back!
Years later I started Big Vision Empty Wallet with Dani Faith Leonard and we were honored to add Terry Lawler (then NYWIFT Executive Director) and Alysia Reiner (NYWIFT member) to our advisory board. My connection to the NYWIFT community has continued to grow throughout the years.
Why do you love NYWIFT?
What’s not to love about a bunch of badass women supporting each other and fighting to create change?!
Traveling with family in Greece (L-R: Steve Cascio, Jesse Cirillo, Ray Cirillo, Andrea Cirillo, Alex Cirillo, Anthony Ferreiras)
Tell us about what you do outside of NYWIFT.
I am a producer, director and the Co-Founder of Big Vision Empty Wallet, an inclusion-focused incubator that produces content that keeps you at the edge of your seat. I am also on the Advisory Board for the WGA’s Made in NY Writers Room Fellowship and the Advisory Board for Catalyst Content Festival. So I’m usually working with an amazing group of diverse creators to develop, produce and release their films, but I also make the time to travel with my family and explore the city’s food and art scene with my fiancé, Anthony.
With Geena Davis at the Bentonville Film Festival (L-R: Alex Cirillo, Geena Davis, Dani Faith Leonard)
What is your fondest memory of working in the entertainment industry?
I remember at the beginning of my career when I was just an 18 year old intern for the PR firm that planned Kanye West’s birthday party, shortly after the height of Jay-Z and Nas’ feud, I was tasked with getting Jay-Z out of the venue before Nas arrived. No one can make Jay-Z do anything, certainly not a totally green teenager, but eventually he agreed to head out and as we were making our way to the door I could see Nas coming in. I tried to re-route Jay-Z to avoid the confrontation but he just brushed me off, smiled and kept walking toward Nas. At this point I am beyond panicking, assuming I was about to be fired and never work in the industry again if I even survived the impending brawl. But they just walked right up to each other, shook hands discreetly, and kept it moving.
I realized in that moment that the entertainment industry is just that – entertainment – not everything the public is led to believe to be true is true. And from that point on I knew I always wanted to be an industry insider.
Big Vision Incubator Pitch Day at Catalyst Content Festival (L-R [bottom]: Scott Gabriel, Lorena Russi, Skinner Meyer, Kate Imel, Eden Perry L-R [top]: Sofi Marshall, Dani Faith Leonard, Alex Cirillo)
Inequality in film, television and digital media has been a hot topic in the media in these last few years especially, and righting that imbalance has always been a big part of NYWIFT’s mission. What are your thoughts on the problem? And how should it be solved?
This is obviously a huge question and if it had an easy solve it would have been handled years ago by the incredible women (and men) who have been fighting for equality since long before I was born. I assume it will take the right combination of transparency, education, tenacity, visibility, alliances, patience and support from public figures. What I know for sure is now is an incredibly exciting time to be a part of such a powerful organization that continues to be instrumental in the forward progress for women and I’m honored to join the Board of Directors to continue doing my part!
Alex directing a spot for Loacker
What’s the best TV show/movie/web series you’ve seen recently? Why?
My first thought was Dark on Netflix, and then I thought of Brockmire on IFC, but I have to give it the The Handmaid’s Tale on Hulu. It’s poignant, riveting, gut wrenching, and brutally honest. I’m simultaneously entertained and enraged when I watch. And sadly, with our current administration, it doesn’t feel like a distant, dystopian future.
What are your plans for the summer?
Finalizing wedding plans, finishing post production on a feature film Coast, and raising the financing for Randy Wilkins’ Pray for a Little More Spring. But really my goals are to get to the beach at least once and eat lots of s’mores. And direct more. I really need to get back to directing so send your projects my way!
Connect with Alex on Instagram at @cirillireal and @bigvisionemptywallet, on Facebook, or on Twitter at @MissCirillo and @BV_EW.
Learn more about Big Vision Empty Wallet at bigvisionemptywallet.com.
Katie Chambers
Related Posts
NYWIFT Board Member Sibyl Reymundo-Santiago on Kaya, Cultural Identity, and Its Tribeca Festival Premier
With more than three decades of experience spanning film, television, theater, and festival leadership across the United States and Asia, Sibyl Reymundo-Santiago has built a remarkable career championing diverse voices and meaningful storytelling. As President of Sitting Cat Productions, Executive Director and Head of Programming for the SOHO International Film Festival, and Board Member for NYWIFT, she has dedicated her career to creating opportunities for filmmakers and bringing impactful stories to audiences worldwide. This year, Reymundo-Santiago serves as Consulting Producer on Kaya (ᜃᜌ), a powerful film featured during the 25th anniversary of the Tribeca Festival. The story follows Nia, a half-Filipina young woman who secretly trains with queer outcast Malic in hopes of joining an elite Filipino Martial Arts team and proving she is “Filipino enough.” Through themes of identity, belonging, cultural connection, and self-acceptance, Kaya explores experiences that resonate far beyond its cultural roots.
READ MOREBecky Morrison is Championing a Better Future for Film While Bringing “Stand Clear ‘ the Closing Doors” to Tribeca
As the entertainment industry continues to evolve, producers like Becky Morrison are helping lead the charge toward a more thoughtful, people-centered future in filmmaking. A producer, entrepreneur, and advocate for safer production environments, Becky brings both heart and vision to every project she touches — including Stand Clear ‘ the Closing Doors, the powerful short film making its World Premiere at the 25th anniversary of the Tribeca Festival. Set against the backdrop of New York City’s subway system, Stand Clear ‘ the Closing Doors transforms a seemingly ordinary interaction into a gripping reflection on space, respect, tension, and human behavior. The film captures the emotional complexity hidden within everyday moments, offering audiences a story that feels distinctly New York while speaking to universal experiences of dignity and connection.
READ MORENYWIFT Member Susan Margolin Brings “Time Warp” to Tribeca’s 25th Anniversary Documentary Competition
For more than three decades, NYWIFT member Susan Margolin has championed independent storytelling that sparks conversation, challenges perspectives, and amplifies voices that deserve to be heard. As an award-winning producer and trailblazer in documentary distribution, she has helped bring hundreds of impactful films to audiences worldwide. Now, she returns to the festival circuit as one of the producers of Time Warp, a powerful new documentary making its world premiere in the Documentary Competition at the 25th anniversary of the Tribeca Festival. Directed by Allison Berg and produced alongside an accomplished creative team, Time Warp follows a drag theater company in Rock Springs, Wyoming, as they stage a shadow cast of The Rocky Horror Picture Show 50 years after the cult classic first captivated audiences. For Susan, whose career has been defined by elevating meaningful stories and underrepresented voices, the film arrives at a pivotal cultural moment.
READ MOREFrom Set to Screen: Katherine Filaseta and Ellie Sachs Celebrate Lucy Shulman at Tribeca
The 25th anniversary of the Tribeca Festival is shining a spotlight on bold storytelling, unforgettable voices, and films that capture the spirit of New York City — and Lucy Shulman is doing exactly that. Premiering as part of the festival’s prestigious U.S. Narrative Competition, the sharply funny and deeply heartfelt feature follows a young woman navigating heartbreak, family dynamics, bad dates, and the complicated journey of finding herself again. Written, directed by, and starring filmmaker Ellie Sachs, the film blends humor with emotional honesty in a way that feels both intimate and universally relatable.
Behind the scenes, NYWIFT member Katherine Filaseta played a vital role as Second Assistant Director, helping keep the ambitious production moving while supporting the creative vision that brought the story to life. In this exclusive conversation, Ellie Sachs and Katherine Filaseta open up about collaboration, creative trust, independent filmmaking, the realities of balancing multiple roles on set, and what it means to premiere a deeply personal New York story at one of the city’s most celebrated film festivals.
Comments are closed