Pay Gap: Newsweek spells out the startling pay gap between white and minority actors on television.
Likeability Factor: Read this smart interview with Amy Landecker, who plays Sarah Pfefferman on Amazon’s Transparent. She talks about playing a “hot mess,” sexism, and how “fully formed humans” aren’t always 100% likeable.
Maya Angelou: WIF LA member Rita Coburn-Whack’s documentary film Maya Angelou: And Still I Rise opens in New York, San Francisco and Los Angeles on Friday. This intimate and personal portrait of Dr. Maya Angelou’s life is a touching and moving tribute to her legacy.
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Meet the New NYWIFT Member: Andrea Ocampo
Welcome to NYWIFT, Andrea Ocampo! Andrea is a first-generation Colombian filmmaker. She is drawn to the quiet forces that have shaped her: obsession, memory, and identity in flux. She is a proud artist who directs with a lens for the psychological and surreal, blending documentary realism with fiction laced in intimate mystery. Her latest short Blackout is a psychological thriller set in the NYC subway, and it premiered to a sold-out crowd on September 13th, 2025, at Imagine This Women’s Film Festival. She navigates global crises and inner landscapes with equal urgency. Her work has a raw, honest, and quietly haunted feel to it. Chances are you’ll feel it before you understand it. We spoke to Andrea in late Summer. She recounts her experience in the film industry, tracing her path from a passionate young filmmaker in her early childhood to the successful professional she has become.
READ MOREMeet the New NYWIFT Member: Kilara Sen
Welcome to NYWIFT, Kilara Sen! Kilara is a Japanese female stand-up comedian and actor, moving to New York this summer. Kilara currently is hosting "Japanese Whisky Lockdown" and "Japanese Whisky World" on Dekanta TV. She also appeared on international TV such as Asia's Got Talent, Paul Hollywood Eats Japan, and Welcome to the Railworld. Kilara is gender non-conforming (she/they), a "hikikomori" survivor (a form of severe social withdrawal), and had a wonderful year at Historically Black Colleges. Based on her experiences, she shares her strong and funny voice on mental health, feminism, and diversity. She believes that everyone should be as special and unique as a unicorn. Also, she is the voice breaking stereotypes of Japanese women: the New Pink. Kilara thinks of herself as a Pink Unicorn. Kilara spoke to us about breaking down stereotypes, community support, and finding liberation through comedy.
READ MOREMeet the New NYWIFT Member: Eunice Levis
Welcome to NYWIFT, Eunice Levis! Writer and director Eunice Levis is a first-generation Dominican American from the Bronx, New York. Eunice's work focuses on genre-bending stories that combine her love of horror, sci-fi, thriller, and fantasy, often through a diasporic lens. She seeks to disrupt and challenge dominant narratives around technology, race, gender, history, and diaspora identity by altering the stories we tell about them. Eunice spoke to us about her early inspirations, her latest work, and how genre stories offer a unique opportunity to challenge the status quo.
READ MORENYWIFT at Sundance: In Conversation with Katharina Otto-Bernstein
Since premiering and winning the Jury Prize in the 2022 Un Certain Regard section of the Cannes Film Festival (the first to do so from the Indian subcontinent), Joyland has moved audiences worldwide with its human portrayal of the limits of love in the face of patriarchy. The film follows the youngest son in a traditional Pakistani family as he takes a job as a backup dancer in a Bollywood-style burlesque, and quickly becomes infatuated with the strong-willed trans woman who runs the show. The film is both a loving portrait of the people of Lahore, Pakistan, and a painful depiction of how rigid traditional gender roles and repressed sexuality can have a ripple effect that harms the whole community. NYWIFT member Katharina Otto-Bernstein, who produced Joyland, spoke to us about discovering new artists through mentorship, political pushback on Joyland, and how Malala Yousafzai helped the film finally reach Pakistani audiences.
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