
Go see Suffragette, if you
haven’t already. It is well made with really good performances by Carey
Mulligan and Helena Bonham Carter and is a part of women’s history that I
didn’t know. But what was most eye-opening was the crawl at the end of the film
showing in which years that women got the vote in various countries. Not until
the 40s and 50s in France, Italy and Switzerland; 2015 for Saudi Arabia.
Be About It: Producer Effie Brown, who went
head-to-head with Matt Damon over diversity on Project Greenlight, told
Saturday’s Produced By: New York conference this about
diversity: “Stop talking about it, and be about it.”
Man up: Jeremy Renner’s
response to American Hustle co-star Jennifer Lawrence’s call for equal pay?
“That’s not my job” to help. We need our male allies to stand up to the system,
too. “Don’t know contracts and money,” he says? Learn.
Related Posts
Meet the New NYWIFT Member: Seohee Lee
Welcome to NYWIFT, Seohee Lee! Seohee is a filmmaker, content curator, and marketer working at the intersection of storytelling, cultural exchange, and audience engagement. Based in New York, she works at the Korea Creative Content Agency New York Center, where she leads international marketing strategies and content-driven programs connecting Korean creative industries with global audiences. Her work spans promotional video direction, film program curation, and large-scale cultural collaborations with institutions such as the Korean Cultural Center New York and the Consulate General of the Republic of Korea. Seohee holds an M.F.A. in Film Directing and an M.A. in Arts Management from Carnegie Mellon University. Drawing on both creative and strategic experience, she focuses on enhancing the global reach of cultural storytelling and fostering cross-border dialogue through media and programming. In our interview, Seohee Lee discusses her journey as a filmmaker and content curator, her work in international cultural programming, and the projects she hopes to explore next.
READ MORENYWIFT Member Juleyka Lantigua Brings The Lorraine to Tribeca Festival’s 25th Anniversary Celebration
For filmmaker, writer, and producer Juleyka Lantigua, storytelling has always been rooted in truth, history, and the voices too often left out of the conversation. Now, the award-winning creative and proud member of New York Women in Film & Television is bringing one of those powerful stories to the forefront as an Executive Producer and Co-Writer of The Lorraine, which will have its World Premiere during the 25th anniversary of the Tribeca Festival. Through the lens of The Lorraine, Juleyka helps illuminate the legacy of the Lorraine Motel and the Bailey family, whose impact stretched far beyond the historic events forever tied to the Memphis landmark. The documentary explores Black excellence, resilience, entrepreneurship, music history, and the enduring fight for justice during one of America’s most turbulent eras.
READ MOREMeet the New NYWIFT Member: Bonnie Gross
Welcome to NYWIFT, Bonnie Gross! Bonnie Gross is a multi-faceted filmmaker whose dynamic expertise has led to an acclaimed career in writing, producing, and post-production. She draws from personal experience and her natural aptitude for comedy writing to create narratives that are at once clever, boundary-pushing, and relatable. Her newest autobiographical film, Lady Parts – which has won numerous international awards – exemplifies her experience and talent. It is also a reflection of her mission to spread awareness for women living with vulvovaginal and pelvic pain, an experience that Bonnie personally lived through. Based in New York City, Bonnie co-owns the NYC boutique finishing house Brainwomb and has worked on numerous media projects, television shows and films.
READ MOREMeet the New NYWIFT Member: Jessica Heyman
Welcome to NYWIFT, Jessica Heyman! Jessica is the Founder and Director of Art for Film, a Brooklyn-based company that connects the art world with the film and television industry by providing high-quality, legally cleared artwork for productions. A New York City native, Jessica studied at Barnard College before pivoting from work in social justice and education to the film industry, where she recognized a gap in the market for cleared artwork in New York productions and went on to found Art for Film. Since launching the company in 2006, she has built Art for Film into a trusted resource for set decorators and creative teams, representing a diverse roster of more than 100 artists and placing artwork in thousands of films, television shows, and commercials, including Succession, Mean Girls, and Only Murders in the Building. In our interview, Jessica discussed her path in the film and art worlds, her commitment to artist advocacy, and lessons from building a women-owned business.
READ MORE