ABC screencap via Business Insider.
It’s that time again! This OSCAR ballot will get you geared up for your office pool.
Female actors get less screen time than their male counterparts.
Chelsea Handler responds to her parenthetical mention in an NYT article about late night TV.
“Zip your lips!” and other screenwriting pitch tips learned from Shark Tank.
The 43rd New Directors/New Films lineup at the Film Society is promising.
Do we need more working-class women on TV?
Remembering actor-director-writer Harold Ramis.
— KELLY GLOVER
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Meet the New NYWIFT Member: Veanne Cao
Welcome to NYWIFT, Veanne Cao! We had the opportunity to interview Veanne Cao, a Vietnamese-Chinese writer and director whose work spans both the personal and the playful. Her short films—ranging from intimate dramas that explore memory, identity, and the Asian diaspora to comedies inspired by life’s absurdities—have screened at festivals around the world. Beyond the indie film space, she brings her storytelling sensibilities to the commercial and editorial world, producing content for global brands and publications. Veanne currently lives in Brooklyn with her partner and two shih-tzus.
READ MOREMeet the New NYWIFT Member: Elizabeth “Liz” Bendelac
Welcome to NYWIFT, Elizabeth Bendelac! Liz is a locations professional. She’s managed, key assistant managed, scouted, and coordinated for film and television across New York and New Jersey. Her credits? NBC's New Amsterdam. Paramount’s Smile. Sony’s Goosebumps: The Vanishing for Disney+. Indie? She’s there too. Ponyboi, starring Dylan O’Brien and Victoria Pedretti. She’s everywhere you need her to be—quietly making it all happen. Recent work in the Tri-State area? The Home with Pete Davidson. Insidious 5. Manifest. Disenchanted. Resurrection. The Good Nurse. And a standout collaboration with Edward Burns on his sequel to The Brothers McMullen: The Family McMullen. Outside of production, Elizabeth dedicates her time to Surfers Healing, a nonprofit surf camp for children with autism. It’s a cause close to her heart, combining her love of the ocean with her commitment to community and empathy. Elizabeth is also an adjunct faculty member at the New Jersey Institute of Technology where she developed and teaches a course on location management. Elizabeth: She doesn’t just do locations. She produces. And producing, for her, has rules. Collaborate with directors who share her values. Strong roles for women of color. Fresh takes on stories you thought you knew. Films with the elegance of Merchant & Ivory but the punch to succeed in the real world. Films that leave a mark. To that end, she’s developing two scripts with award-winning playwright Montserrat Mendez. Exploring genre mash-ups. Shaking up narratives. Figuring out new ways to make audiences sit up, pay attention, maybe even gasp. Because whether it’s a location or a story, Elizabeth Bendelac knows how to map the journey. She knows the destination. And she will get you there.
READ MOREMeet the New NYWIFT Member: Erin LoCascio
Welcome to NYWIFT, Erin LoCascio! Erin is a storyteller and producer with a passion for big moments, sharp edits, and seamless collaboration. As a story-driven producer and editor, her Clio-winning reel reflects her talent for transforming raw footage into cinematic experiences. She has built worlds at SYFY, earned millions of views at MTV, and shaped narratives from the Super Bowl to Comic-Con. We interviewed Erin in late summer, where she shared her behind-the-scenes experiences at some of pop culture’s biggest events, and described the immense pressure and excitement involved in bringing unforgettable stories to life.
READ MOREMeet the New NYWIFT Member: Andrea Ocampo
Welcome to NYWIFT, Andrea Ocampo! Andrea is a first-generation Colombian filmmaker. She is drawn to the quiet forces that have shaped her: obsession, memory, and identity in flux. She is a proud artist who directs with a lens for the psychological and surreal, blending documentary realism with fiction laced in intimate mystery. Her latest short Blackout is a psychological thriller set in the NYC subway, and it premiered to a sold-out crowd on September 13th, 2025, at Imagine This Women’s Film Festival. She navigates global crises and inner landscapes with equal urgency. Her work has a raw, honest, and quietly haunted feel to it. Chances are you’ll feel it before you understand it. We spoke to Andrea in late Summer. She recounts her experience in the film industry, tracing her path from a passionate young filmmaker in her early childhood to the successful professional she has become.
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