NYWIFT Blog

Notes from a Screenreader: Why Now?

image

Photo via Go Into the Story.

To perform well in a competition, your script has to be able to answer the critical question, “Why now?”

Successful, readable scripts hinge on an event, the outcome of which has the power to change the life of the protagonist. A showdown, a mountain to climb, a home run to hit. The importance of that event is the stakes, and stakes have to be high to give a good answer to “Why now?”

  • Emotional investment. Establish why the event is a turning point for the protag. Align their flaws with their challenges to ramp up the investment. In The King’s Speech the struggle to overcome a stutter answers the question “Why now?” with a scandalous abdication, a world war, and a man in a tiny comfort zone saddled with an enormous sense of duty to an entire nation.
  • Block all the exits. Leave no options but to move forward to the turning point. Soft landing spots, leeway, and fallback positions are all enemies of “Why now?” If it doesn’t have to succeed, it’s not important enough to answer the question.
  • Protags got to learn. Show the consequences of failure in early attempts at the goal. Reveal the cost. If there is no cost, there is no good answer to “Why now?”

Stories that can’t answer the question feel loose and unfocused. Without “Why now?” you get “Why bother?”

ANNIE LABARBA 

Annie is a screenwriter, story consultant, and reader for major screenplay competitions.

PUBLISHED BY

nywift

nywift New York Women in Film & Television supports women calling the shots in film, television and digital media.

View all posts by nywift

Leave a Reply

Your email address will not be published. Required fields are marked *

*

*

*

Related Posts

Meet the New NYWIFT Member: Alyssa Lomuscio

Welcome to NYWIFT, Alyssa Lomuscio! Alyssa Lomuscio is a TV editor, story producer, and assistant director based in NYC. Her work as a story producer has earned her two Daytime Emmy award nominations in the Outstanding Lifestyle Program category. She is also a science fiction writer of short stories, novels and screenplays under the pen name A.M. Lomuscio. A 2019 Clarion writer’s workshop alum, her short fiction can be found in Apex magazine and Uncharted. In our interview, Alyssa discussed her time balancing being an AD and a writer and shared stories of working in TV. 

READ MORE

Meet the New NYWIFT Member: Aurora Caruso

Welcome to NYWIFT, Aurora Caruso! Italian-Belgian artist and former journalist and production assistant Aurora Caruso works with video to explore the relationship between reality and art. After several years in the Italian film industry, she is currently studying Communication and Art & Design at John Cabot University, an American university in Rome. Driven by her passion for cinema, she moved to New York to continue her studies at The New School and has just returned to Italy after a semester there, with the goal of finding work in the United States. She aims to become a director, and her work is shaped by innovation, curiosity, and critical thinking.

READ MORE

Meet the New NYWIFT Member: Carol Welter

Welcome to NYWIFT, Carol Welter! Carol grew up in the United Kingdom, steeped in classical theatre, before crossing the Atlantic in 1977 and making the United States her home. Trained on the English stage from girlhood, she spent years acting and directing before discovering that writing was her true creative playground. Through Masters-level workshops and decades of artistic exploration, she turned her talents toward stage plays, screenplays, and poetry—crafting stories that blend imagination, humor, and heart. A woman who has worn more hats than a Shakespeare festival costume rack, Carol has directed, designed, and shaped productions from the ground up. Now a spirited senior storyteller, she writes across continents and galaxies, drawn to tales of transformation, unlikely heroes, and tender love stories. In our interview, Carol reflects on her journey from the stage to the page, the themes that inspire her work, and the new projects she’s most excited to share.

READ MORE

Meet the New NYWIFT Member: Maria Giese

Welcome to NYWIFT, Maria Giese! Maria Giese is an American film director, screenwriter, and longtime advocate for equity for women directors in Hollywood.  She wrote and directed the feature films When Saturday Comes (starring Sean Bean) and Hunger (based on the classic  Knut Hamsun novel).  A member of the Directors Guild of America for over 25 years, Giese is widely recognized for her role in initiating the 2014 ACLU and 2015 EEOC investigations into systemic discrimination against women directors.  Her work is featured in the documentaries This Changes Everything (2018 Netflix), Half the Picture (2018 Amazon), and the Sundance hit Brainwashed: Sex-Camera-Power (2022 Kino-Lorber). Maria spoke to us about her career trajectory, her turn to advocacy, and what she sees for the industry moving forward. 

READ MORE
JOIN OUR NEWSLETTER
css.php