
Photo via Go Into the Story.
To perform well in a competition, your script has to be able to answer the critical question, “Why now?”
Successful, readable scripts hinge on an event, the outcome of which has the power to change the life of the protagonist. A showdown, a mountain to climb, a home run to hit. The importance of that event is the stakes, and stakes have to be high to give a good answer to “Why now?”
- Emotional investment. Establish why the event is a turning point for the protag. Align their flaws with their challenges to ramp up the investment. In The King’s Speech the struggle to overcome a stutter answers the question “Why now?” with a scandalous abdication, a world war, and a man in a tiny comfort zone saddled with an enormous sense of duty to an entire nation.
- Block all the exits. Leave no options but to move forward to the turning point. Soft landing spots, leeway, and fallback positions are all enemies of “Why now?” If it doesn’t have to succeed, it’s not important enough to answer the question.
- Protags got to learn. Show the consequences of failure in early attempts at the goal. Reveal the cost. If there is no cost, there is no good answer to “Why now?”
Stories that can’t answer the question feel loose and unfocused. Without “Why now?” you get “Why bother?”
Annie is a screenwriter, story consultant, and reader for major screenplay competitions.
Related Posts
Meet the New NYWIFT Member: Maria Giese
Welcome to NYWIFT, Maria Giese! Maria Giese is an American film director, screenwriter, and longtime advocate for equity for women directors in Hollywood. She wrote and directed the feature films When Saturday Comes (starring Sean Bean) and Hunger (based on the classic Knut Hamsun novel). A member of the Directors Guild of America for over 25 years, Giese is widely recognized for her role in initiating the 2014 ACLU and 2015 EEOC investigations into systemic discrimination against women directors. Her work is featured in the documentaries This Changes Everything (2018 Netflix), Half the Picture (2018 Amazon), and the Sundance hit Brainwashed: Sex-Camera-Power (2022 Kino-Lorber). Maria spoke to us about her career trajectory, her turn to advocacy, and what she sees for the industry moving forward.
READ MORENYWIFT Member Spotlight: Shahnaz Mahmud
When award-winning journalist Shahnaz Mahmud set out to write and direct her first narrative film, she landed on a deeply personal story inspired by her parents’ own arranged marriage. And when it came time to a select an editor to collaborate with, she turned to the NYWIFT membership directory, where she found veteran editor Susan B. Ades – the perfect match for her project. Members Shahnaz and Susan sat down with us to discuss their adventures (and misadventures!) making the short film The Blossom, how their partnership brought new elements of the story to light, and the unique path to bringing such an intimate tale to the screen.
READ MOREMeet the New NYWIFT Member: Kate Dolan
Welcome to NYWIFT, Kate Dolan! Kate Dolan is a New York City-based actress with a passion for storytelling. Her commitment to authenticity and restless pursuit of refining her craft is a reflection of her energetic dedication. Kate is interested in playing characters that both challenge her and resonate deeply with audiences. Having been booked for her first feature film, she is already emulating the actors that have inspired her since childhood. Her experience interning at NYWIFT and Prospect Musicals have given her an advantage as a young actress, providing her with a behind-the-curtain perspective on many aspects of the entertainment industry. In our interview, Kate discusses her experiences, inspirations, and goals.
READ MOREMeet the New NYWIFT Member: Alison Hirsch
Welcome to NYWIFT, Alison Hirsch! Alison Hirsch is a native New Yorker, with a background spanning development, production, and representation. She bridges storytelling with commercial strategy, bringing a keen understanding of how content is identified, shaped, and circulated. After graduating Phi Beta Kappa from Princeton, Alison assisted Linda Yellen on her film, which won the Indie Spirit Best Picture and Best Director awards at BIFF. At Little Monster Films, Alison researched potential projects and evaluated their market viability. Following two years at WME in the Motion Picture and Scripted TV departments, Alison recently joined Assemble Media as their Coordinator.
READ MORE