Photo via Go Into the Story.
A script is a story that will be told with images. It feels like that goes without saying, but spec scripts are so often crushed under the weight of their own dialogue that it bears repeating.
Meaningful images are revealing, memorable, interesting to read, and space saving. To rewrite for visuals, consider:
- Location. If it isn’t already, make the landscape integral to the story. Good settings provide natural obstacles, conflicts, and subtext. A textureless or interchangeable backdrop is usually a missed opportunity.
- The Mute Button. Static talking scenes have their place, but most of them are completely unnecessary. Hit the mute button on your talking scenes and design a visual expression of the same idea for amazing results. Show actions rather than conversations about actions.
- A Bowl of Green Apples. Still-life descriptions bog down the read. The difference between a trivial image and a meaningful one comes down to story. Does that bowl of green apples on the counter ever amount to anything? Description is best used for revealing details, preferably active ones. If your character arranges those green apples five times in that bowl while the baby cries upstairs, that is a revealing, meaningful bowl of green apples.
— ANNIE LABARBA (@annelabarba)
Annie is a screenwriter, story consultant, and reader for major screenplay competitions.
nywift
Related Posts
Meet the New NYWIFT Member: Marianna Olinger
Welcome to NYWIFT, Marianna Olinger! Marianna is an artist, producer, strategist, and visionary who evaluates media projects for their potential impact on society and social change. Marianna worked as lead impact producer for two Oscar-shortlisted documentaries, including The Territory (Sundance, Peabody, Emmy winner). As co-director at Earth Alliance, Marianna proclaims: ‘I am nature, and nature is in me.’ In our interview, she reflects on the pilot initiative, Indigenous Impact Alliance, through Doc Society's Climate Story Unit, and her work as co-producer of the short documentary Sankofa. Read on to learn about the work Marianna’s most excited to bring to life next.
READ MOREMeet the New NYWIFT Member: Helen Huang
Welcome to NYWIFT, Helen Huang! Helen Huang (Haitong Huang) is a New York–based creative director, filmmaker, and curator working across film, moving image, and immersive media. She has served as Creative Director for the SOHO International Film Festival and is a core member of Vermilions Theater. Her work explores how cinematic storytelling evolves across new formats, bridging traditional film language with emerging technologies. A fellow at the Harvard Innovation Lab, she has received multiple international awards, with her work featured in Forbes, ELLE, and Harvard Gazette.
READ MOREMeet the New NYWIFT Member: Kaia Goudreau
Welcome to NYWIFT, Kaia Goudreau! Kaia Goudreau is a filmmaker and photographer based in Brooklyn, New York. She studied filmmaking and writing at Sarah Lawrence College, cultivating a focus on stories that explore life’s in-between moments—aging, change, and quiet rituals. Kaia is developing a short film slated for production later this year and collaborating with director Linda Yellen on features in development and casting. She has also contributed to creative projects in France and Ireland, expanding her visual lens. Whether narrative or documentary, her work lingers on subtle moments that reveal depth and character. In our interview, Kaia discusses her inspiration and background in filmmaking, as well as her exciting upcoming projects.
READ MOREMeet the New NYWIFT Member: Elliana Bertrand
Welcome to NYWIFT, Elliana Bertrand! Elliana is a New York–based producer, assistant director, and script supervisor working across film and television. A graduate of the inaugural cohort at NYU Tisch’s Martin Scorsese Virtual Production Center, she produced her thesis film The Feather, a Viking short shot exclusively on an LED volume. Over the past year, she has worked in the film unit at Saturday Night Live and contributed to a range of feature films and commercial projects, including a recent Netflix production. A dedicated moviegoer and advocate for the theatrical experience, Elliana has a particular love for Giallo cinema. Alongside her work in the industry, she is completing her Pilates teacher certification, bringing a refined understanding of movement, rhythm, and choreography into her approach to flow and precision on set. In our interview, she discussed her journey into assistant directing, the lessons she’s learned working in production, and the projects she hopes to explore in the future.
READ MORE
