Photo by Joe Pugliese
Finally, a truly diverse actress roundtable.
New York Film Academy’s article on gender inequality in film. Wow.
HBO’s getting a show created by Diablo Cody and someone named Oprah.
Winona is back. And starring in an action flick.
Meet director Dennie Gordon, made in the USA—in demand in China!
Indie producer Alison Owen controls the only on-screen adaptation of Walt Disney. Yes, Walt Disney.
The Hunger Games sequel had the highest weekend opening starring a female lead and the 4th biggest ever. Costume designer Trish Summerville created the looks. #GirlPower
— KELLY GLOVER
nywift
Related Posts
Meet the New NYWIFT Member: Cassie Rubio
Welcome to NYWIFT, Cassie Rubio! Cassie Rubio is a Brooklyn-based screenwriter, educator, and community organizer. Whether it’s running free art labs for QTBIPOC youth or teaching guerrilla filmmaking workshops aimed at documenting climate change, Cassie believes in the transformative power each of our creative voices have. A recent graduate of Stony Brook’s MFA in Television Writing program and a 2024 Television Academy Drama Writing Fellowship Finalist, they use their voice to author stories about the harm and healing found in collective spaces. In our interview, Cassie discusses the intersections between activism and filmmaking, their writing inspiration, and an upcoming project!
READ MOREMeet the New NYWIFT Member: Ellie Nix
Welcome to NYWIFT, Ellie Nix! Ellie Nix is a recent graduate from the University of Texas at Austin, where she played key roles in over 25 short films during the three years it took her to complete her degree. With a growing passion for assistant directing, Ellie brings a unique blend of efficiency and diplomacy to the fast-paced, ever-evolving world of media production. Ellie is most inspired when surrounded by people who challenge their perspective and a passion for those perspectives, and hopes to spend a lifetime pushing boundaries and helping bring bold visions to life. In our interview, Ellie discusses her experience as an assistant director, finding film community, and her short film Barreling Down!
READ MOREMeet the New NYWIFT Member: Veanne Cao
Welcome to NYWIFT, Veanne Cao! We had the opportunity to interview Veanne Cao, a Vietnamese-Chinese writer and director whose work spans both the personal and the playful. Her short films—ranging from intimate dramas that explore memory, identity, and the Asian diaspora to comedies inspired by life’s absurdities—have screened at festivals around the world. Beyond the indie film space, she brings her storytelling sensibilities to the commercial and editorial world, producing content for global brands and publications. Veanne currently lives in Brooklyn with her partner and two shih-tzus.
READ MOREMeet the New NYWIFT Member: Elizabeth “Liz” Bendelac
Welcome to NYWIFT, Elizabeth Bendelac! Liz is a locations professional. She’s managed, key assistant managed, scouted, and coordinated for film and television across New York and New Jersey. Her credits? NBC's New Amsterdam. Paramount’s Smile. Sony’s Goosebumps: The Vanishing for Disney+. Indie? She’s there too. Ponyboi, starring Dylan O’Brien and Victoria Pedretti. She’s everywhere you need her to be—quietly making it all happen. Recent work in the Tri-State area? The Home with Pete Davidson. Insidious 5. Manifest. Disenchanted. Resurrection. The Good Nurse. And a standout collaboration with Edward Burns on his sequel to The Brothers McMullen: The Family McMullen. Outside of production, Elizabeth dedicates her time to Surfers Healing, a nonprofit surf camp for children with autism. It’s a cause close to her heart, combining her love of the ocean with her commitment to community and empathy. Elizabeth is also an adjunct faculty member at the New Jersey Institute of Technology where she developed and teaches a course on location management. Elizabeth: She doesn’t just do locations. She produces. And producing, for her, has rules. Collaborate with directors who share her values. Strong roles for women of color. Fresh takes on stories you thought you knew. Films with the elegance of Merchant & Ivory but the punch to succeed in the real world. Films that leave a mark. To that end, she’s developing two scripts with award-winning playwright Montserrat Mendez. Exploring genre mash-ups. Shaking up narratives. Figuring out new ways to make audiences sit up, pay attention, maybe even gasp. Because whether it’s a location or a story, Elizabeth Bendelac knows how to map the journey. She knows the destination. And she will get you there.
READ MORE
