Photo via Fox Searchlight
12 Years A Slave’s Lupita Nyong’o’s portrayal of Patsey is superb. And, Costume Designer Patricia Norris discusses the movies costume challenges.
The Conde’ Nast internship news is major! Will this influence TV/Film internships?
Aspiring female Directors should consider becoming a Gamechanger.
Octavia Spencer talks sin, karaoke and the “magical negro” concept.
Does comedian Aparna Nancheria’s New York moment top yours? (video)
These women are a big reason television is better now than ever.
Young indie filmmakers discuss their big breaks (and the dues they paid).
-KELLY GLOVER
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Meet the New NYWIFT Member: Helen Huang
Welcome to NYWIFT, Helen Huang! Helen Huang (Haitong Huang) is a New York–based creative director, filmmaker, and curator working across film, moving image, and immersive media. She has served as Creative Director for the SOHO International Film Festival and is a core member of Vermilions Theater. Her work explores how cinematic storytelling evolves across new formats, bridging traditional film language with emerging technologies. A fellow at the Harvard Innovation Lab, she has received multiple international awards, with her work featured in Forbes, ELLE, and Harvard Gazette.
READ MOREMeet the New NYWIFT Member: Jaime Schwarz
Welcome to NYWIFT, Jaime Schwarz! Jaime Schwarz grew up in NJ, the daughter of a Korean immigrant mother and son of Holocaust- survivors, father. Jaime earned her BFA in Acting from PACE University in NYC, appearing Off- Broadway in The Doctor at the Park Avenue Armory and on TV in Difficult People (Hulu), Younger (Paramount+), Jane the Virgin (The CW), Sorry for Your Loss, and Elsbeth (CBS). She is the director, writer, and star of the short film The Sandwich Line, which premiered at the Oscar-qualifying Indy Shorts International Film Festival, and her other writing work has been published in Mixed Asian Media and JoySauce. She’s currently developing several projects and is repped by Gersh + MJ Management. In our interview, Jaime discussed her journey from acting to directing and shared her experience of working in TV.
READ MOREMeet the New NYWIFT Member: Esther Casas Roura
Welcome to NYWIFT, Esther Casas Roura! Esther is an award-winning filmmaker known for blending metaphorical storytelling with animation. Originally from Barcelona, Spain, she began her career as a molecular biologist before moving to New York and transitioning into filmmaking, focusing on animation while working across both commercial and narrative projects. She later founded Claymaniak Studios (now ECR Films) to create emotionally resonant films across stop-motion, traditional animation, and motion graphics. Her animated shorts—Check Date: An Underdog Love Story, Creamen, and FLOCKY—have screened internationally at over 150 film festivals. FLOCKY was recently shortlisted for the Goya Awards in Spain, has received 18 international awards, and has gained international recognition for its social impact. Esther is currently developing her fourth short, The Melody Within, and her first animated feature, TAO.
READ MORENYWIFT Board Member Sibyl Reymundo-Santiago on Kaya, Cultural Identity, and Its Tribeca Festival Premier
With more than three decades of experience spanning film, television, theater, and festival leadership across the United States and Asia, Sibyl Reymundo-Santiago has built a remarkable career championing diverse voices and meaningful storytelling. As President of Sitting Cat Productions, Executive Director and Head of Programming for the SOHO International Film Festival, and Board Member for NYWIFT, she has dedicated her career to creating opportunities for filmmakers and bringing impactful stories to audiences worldwide. This year, Reymundo-Santiago serves as Consulting Producer on Kaya (ᜃᜌ), a powerful film featured during the 25th anniversary of the Tribeca Festival. The story follows Nia, a half-Filipina young woman who secretly trains with queer outcast Malic in hopes of joining an elite Filipino Martial Arts team and proving she is “Filipino enough.” Through themes of identity, belonging, cultural connection, and self-acceptance, Kaya explores experiences that resonate far beyond its cultural roots.
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