Women’s Stories in Film and the Need for an Authentic Ending
Why is it that when men make poignant films about a male’s coming-of-age, they are allowed to explore the pain, heartache, betrayal, danger, and the need for getting even or choosing a lesser evil to right a wrong—while women-centric films are expected to carry out a fairy tale romance? NYWIFT member Heidi Philipsen tackled this question as she made her first feature film.
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