NYWIFT at Sundance: In Conversation with Katharina Otto-Bernstein
Since premiering and winning the Jury Prize in the 2022 Un Certain Regard section of the Cannes Film Festival (the first to do so from the Indian subcontinent), Joyland has moved audiences worldwide with its human portrayal of the limits of love in the face of patriarchy. The film follows the youngest son in a traditional Pakistani family as he takes a job as a backup dancer in a Bollywood-style burlesque, and quickly becomes infatuated with the strong-willed trans woman who runs the show. The film is both a loving portrait of the people of Lahore, Pakistan, and a painful depiction of how rigid traditional gender roles and repressed sexuality can have a ripple effect that harms the whole community. NYWIFT member Katharina Otto-Bernstein, who produced Joyland, spoke to us about discovering new artists through mentorship, political pushback on Joyland, and how Malala Yousafzai helped the film finally reach Pakistani audiences.
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Loved the final episode of Mad Men. Happy that Joan, the real feminist in the group, is starting her own production company. There are women in New York that started production companies at about the same time. NYWIFT members. Sorry that Peggy didn’t join in. But loved the cut from Don Draper’s hippy-dippy meditation scene...
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