Meet the New NYWIFT Member: Shervonne Brown
Welcome to NYWIFT, Shervonne Brown! Shervonne Brown is a New York-based award-winning actress, writer-director, producer, and science-fiction creator working across science fiction, fantasy, action, and psychological drama. She wrote, directed, produced, edited, and starred in Sureiya: The Eidolon Plane, earning Best Actress at the 2026 WSO Theatre & Film Festival. Her pilot screenplay, Sureiya: Legends of Emperion, was a 2026 finalist in the London International Screenwriting Competition. Before filmmaking, Brown built an international K-pop performance career, co-founded performance groups, created award-winning music videos, appeared on television, and performed across the United States and South Korea, including the K-Pop World Festival broadcast internationally on KBS television. In our interview, Shervonne discusses her creative inspirations, artistic upbringing, and the multiple genres that motivate her work.
READ MOREMeet the New NYWIFT Member: Molly Rydzel
Welcome to NYWIFT, Molly Rydzel! Molly Rydzel (WGAE) is a screenwriter specializing in female-driven horror and dark satire. She was a staff writer and story editor on Alejandro Iñárritu’s The One Percent for Starz and head writer of the web series Assisted Living. Her horror play, Serial Lover, was developed with Ars Nova and Sanguine Theater Company. Molly teaches screenwriting at New York University and Pace University, specializing in horror, fantasy, and science fiction. She is developing a slate of mythic horror features and is committed to creating more opportunities for women in genre film through bold, commercially viable storytelling.
READ MOREMeet the New NYWIFT Member: Cameron Kit
Let’s give a warm NYWIFT welcome to Cameron Kit! Cameron is an award-winning feminist sci-fi director living in Brooklyn whose short film Chlorine was a big hit at multiple film festivals and won “Best Cinematography” at NYCA. Altogether, Cameron’s projects have been featured at 30+ film festivals across the U.S. and Japan. From 2013 until recently, Cameron was the CEO and Artistic Director at Whiteboard Geeks in Richmond, VA. As her website highlights, Cameron’s overarching goal is to “join in the development of an art that will contribute to a world in which women, people of color, and queer folks are respected as equal citizens on Planet Earth.” To learn more about Cameron, check out her interview as we discuss the triumphs and setbacks that come with leading an animation studio, her ongoing Sci-Fi podcast They Came from Outer Space, the unyielding longevity of radio, how to make the most of your NYWIFT membership, and the magic that becomes possible when pairing feminism with science fiction!
READ MORENYWIFT at Sundance: In Conversation with Nitasha Bhambree
The wildly inventive 2023 Sundance Film Festival feature film Landscape with Invisible Hand follows Adam, a teenage artist coming of age in the aftermath of an alien takeover. Based on the novel by M.T. Anderson, the genre-bending sci-fi dramatic comedy with a YA twist directed by Cory Finley will come out as a limited release August 18, 2023. NYWIFT member Nitasha Bhambree helped bring the fantastical story to life as the Stunt Coordinator for the film. Since graduating New York University with a focus in dramatic performance and film studies, Nitasha has been employed in the entertainment industry for over 20 years. She regularly stunt doubles lead actresses in various TV shows and films, and has performed stunts in big budget features such as Joker, The Dark Knight Rises, Spider-Man and A Wrinkle in Time, and has stunt coordinated features and TV series for Netflix, Disney, MGM, A24, NBCU, Hulu, HBO Max and Starz/Lionsgate, and Marvel. Nitasha spoke to us about working in the sci-fi genre, her favorite scenes, and her upcoming projects.
READ MORE‘Monster-Fighting Feminists’
The Day the Earth Stood Still (1951). Over at RogerEbert.com, Bob Calhoun discusses the liberated women of 1950s sci-fi cinema — classics like Them! (1954) and The Creature from the Black Lagoon (1954) — and why the woman scientist archetype waned in later decades: In her October 8, 2013 RogerEbert.com piece, “Visual Pleasure and Voodoo Demographics: a Reflection on...
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