ReFrame Stamp: The ReFrame organization has created the ReFrame Stamp in partnership with IMDBpro, a badge of honor for film and TV projects that hire women in at least half of eight key production positions – writer, director, producer, lead actor, co-lead, speaking parts, department heads and crew – with double points for women of color in key responsibilities. 12 of the top 100 films of 2017 made the mark.
Women Directors: Variety’s roundtable of women TV directors – including Jodie Foster, Tracee Ellis Ross and Lesli Linka Glatter – discuss some of the challenges they’ve faced.
Binge Watch: I am binge watching AMC’s Dietland this summer. Great performance by Joy Nash.
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Meet the New NYWIFT Member: Catherine Craig
Welcome to NYWIFT, Catherine Craig! Catherine Craig was George Lucas's Industrial Light and Magic's first animation FX camerawoman, later becoming a digital artist at ILM. A highly regarded film archivist, Craig designed the Coppola film archive and implemented Zoetrope's domestic and international film distribution. As an early female entrepreneur, Craig founded her own award-winning, union and guild-affiliated film company, specializing in high-end industrial and commercial productions. Her vast experience spans all aspects of filmmaking: she's worked as a director, producer, camera operator, concept artist, storyboard artist, special FX artist, sound recordist, and more. Her screenplay OddFX was accepted into the NYWIFT-affiliated The Writers Lab. The film follows a mother living in a women's shelter, battling a physically abusive husband and a broken support system, who enlists the help of a special FX film crew. Catherine discusses her groundbreaking work with ILM, her drive to tell her own stories, and her film currently in development, OddFX!
READ MOREMeet the New NYWIFT Member: Faith Trinker
Welcome to NYWIFT, Faith Trinker! Faith Trinker is a virtual production filmmaker and immersive storyteller. She recently graduated from NYU Tisch’s inaugural Virtual Production Master’s program, and has a background in 3D computer art and animation from Syracuse University. In her work, she blends digital worldbuilding with on-set filmmaking, and is passionate about evolving workflows, fast-paced environments, and collaborative creativity. Her credits include projects for ESPN and the 2025 MSC Cruises Super Bowl spot featuring Drew Barrymore and Orlando Bloom. Outside of work, she enjoys reading, drawing, cars, and her dog, Freddie. She’s eager to work with her new NYWIFT creative community. Faith discusses her path to virtual production, favorite projects, and goals for the future!
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Today, we’re shining a spotlight on former NYWIFT Board Member Kathryn O’Kane! Kathryn is the co-director and co-writer of the short comedic film Subtext, which has been accepted into the 2025 LA Shorts International Film Festival, screening July 26 at 7:45 p.m. LA Shorts is the longest-running short film festival in Los Angeles. The festival screens over 400 films and attracts 10,000 attendees each year, including Hollywood industry professionals and emerging undiscovered independent filmmakers. Subtext follows Eric, who is running late to his first date with Sara, and he just can’t stop texting. A feeling so many of us, unfortunately, are bound to relate to. Kathryn sat down with co-director, co-writer, and editor Christopher Raby to talk to us about their creative process.
READ MORENYWIFT Member Spotlight: Jane Weinstock’s ‘Three Birthdays’ Captures the Spirit of the 1970s
NYWIFT Member Jane Weinstock is a director and writer based in NYC. In 2023, NYWIFT proudly presented her with the NYWIFT Award for Excellence in Narrative Filmmaking at the Woodstock Film Festival for her most recent film, Three Birthdays. It also won the best feature director award at the LA Femme International Film Festival. The film – set in 1970 – follows a middle-class couple and their 17-year-old daughter creating a web of secrets and lies as they try to choose between their safe, domestic life and the lures of sexual and personal freedom. Weinstock spoke to us about the inspiration behind the film and how it resonates with modern audiences today.
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