Gas Food Lodging (1992) by Allison Anders is one of those films that has stayed with me over the years. It resonated at the time I saw it as well as years later when I decided to revisit it. Anders has directed a few gems, but this is my favorite. It’s gritty without being mean, hopeful without being saccharine, displaying a level of honesty not often seen in current films. Ione Skye‘s rich and textured performance as a girl who’s a romantic at heart gives the film its center.
You can see Gas Food Lodging on DVD from Netflix or streaming on Amazon, Vudu, and Xbox video.
nywift
Related Posts
Meet the New NYWIFT Member: Catherine Craig
Welcome to NYWIFT, Catherine Craig! Catherine Craig was George Lucas's Industrial Light and Magic's first animation FX camerawoman, later becoming a digital artist at ILM. A highly regarded film archivist, Craig designed the Coppola film archive and implemented Zoetrope's domestic and international film distribution. As an early female entrepreneur, Craig founded her own award-winning, union and guild-affiliated film company, specializing in high-end industrial and commercial productions. Her vast experience spans all aspects of filmmaking: she's worked as a director, producer, camera operator, concept artist, storyboard artist, special FX artist, sound recordist, and more. Her screenplay OddFX was accepted into the NYWIFT-affiliated The Writers Lab. The film follows a mother living in a women's shelter, battling a physically abusive husband and a broken support system, who enlists the help of a special FX film crew. Catherine discusses her groundbreaking work with ILM, her drive to tell her own stories, and her film currently in development, OddFX!
READ MOREMeet the New NYWIFT Member: Faith Trinker
Welcome to NYWIFT, Faith Trinker! Faith Trinker is a virtual production filmmaker and immersive storyteller. She recently graduated from NYU Tisch’s inaugural Virtual Production Master’s program, and has a background in 3D computer art and animation from Syracuse University. In her work, she blends digital worldbuilding with on-set filmmaking, and is passionate about evolving workflows, fast-paced environments, and collaborative creativity. Her credits include projects for ESPN and the 2025 MSC Cruises Super Bowl spot featuring Drew Barrymore and Orlando Bloom. Outside of work, she enjoys reading, drawing, cars, and her dog, Freddie. She’s eager to work with her new NYWIFT creative community. Faith discusses her path to virtual production, favorite projects, and goals for the future!
READ MORENYWIFT Member Spotlight: Kathryn O’Kane
Today, we’re shining a spotlight on former NYWIFT Board Member Kathryn O’Kane! Kathryn is the co-director and co-writer of the short comedic film Subtext, which has been accepted into the 2025 LA Shorts International Film Festival, screening July 26 at 7:45 p.m. LA Shorts is the longest-running short film festival in Los Angeles. The festival screens over 400 films and attracts 10,000 attendees each year, including Hollywood industry professionals and emerging undiscovered independent filmmakers. Subtext follows Eric, who is running late to his first date with Sara, and he just can’t stop texting. A feeling so many of us, unfortunately, are bound to relate to. Kathryn sat down with co-director, co-writer, and editor Christopher Raby to talk to us about their creative process.
READ MORENYWIFT at Tribeca 2025: In Conversation with Producer and Casting Director Lois Drabkin
New York Women in Film & Television (NYWIFT) is proud to spotlight member Lois Drabkin, a dynamic force in the world of independent cinema. As the Co-Producer and Casting Director of Ride or Die, premiering at the 2025 Tribeca Festival as part of the prestigious U.S. Narrative Competition, Drabkin continues to champion bold, character-driven storytelling. With a career spanning acclaimed features such as Nancy, Colewell, and Glass Chin, and casting credits on groundbreaking projects like HBO’s The Wire and Showtime’s Years of Living Dangerously, Lois shares insights into her creative process, the evolution of Ride or Die, and her enduring commitment to supporting women in film.
READ MORE
