Recently read: A great Wall Street Journal article on NYWIFT Board member Anne Hubbell’s and Amy Hobby’s new film production company, Tangerine Entertainment, that focuses on producing films directed by women. Read about it on the NYWIFT site.
Enjoy a Tangerini cocktail during Tangerine Entertainment’s “Tangerine Movie Nights”
Can’t stop thinking about: Sunday night’s episode of The Good Wife, directed by Brooke Kennedy, the show’s producer. It was an excellent episode showcasing strong female talent both in front of and behind the camera. Kennedy is a powerhouse — directing episodes last season of The Good Wife, as well as directing episodes of Third Watch, which she also produced.
Go check out: The new website FEMinc, a content discovery and recommendation service that helps you find strong, female characters from all walks of life.
Terry Lawler is the Executive Director of NYWIFT. Tune in every Tuesday for her picks of the week.
nywift
Related Posts
NYWIFT at Tribeca 2025: In Conversation with Carolyn Hepburn
Award-winning producer and NYWIFT member Carolyn Hepburn is making waves once again with the highly anticipated world premiere of Empire Skate at the 2025 Tribeca Festival. As part of the festival’s prestigious Spotlight Documentary section, the film captures the vibrant heart of New York City’s downtown skate culture — a world Hepburn remembers vividly and honors with deep authenticity. With a producing career that spans Emmy, Peabody, and Gotham award-winning projects, Hepburn continues to shape the documentary landscape with bold storytelling and emotional depth. In this exclusive NYWIFT interview, she reflects on her journey from Long Island to the global film stage, the power of community in filmmaking, and why Empire Skate feels like a personal love letter to the city that raised her.
READ MOREMeet the New NYWIFT Member: Anna Koukouli Born
Welcome to our new NYWIFT member, Anna Koukouli Born! Anna Koukouli Born is a bicoastal writer-director splitting her time between NY and LA. She explores women's stories, dysfunctional families, unbearable workplaces filled with Succession-like egos, social inequality, and climate-caused disasters set in the near future. Drawing from her Greek history and heritage, Anna loves allegorical cautionary tales about strong, tragic characters trying to overcome adversity. She’s also obsessed with women's rights and gender parity. Her humor is darker than yours. She bets on it. Anna studied Story Analysis and TV Development at UCLA Extension and holds a BA (Hons) Marketing and an MBA from the UK Universities of Lincoln and Liverpool, respectively. Anna talks about her journey into the film industry, her experiences working on various films, and how she overcomes challenges within these fields!
READ MORENYWIFT at Tribeca 2025: In Conversation with Mattie Akers
NYWIFT member and seasoned archival producer Mattie Akers is making a powerful mark at the 2025 Tribeca Festival, where the documentary For Venida, For Kalief will have its world premiere as part of the Documentary Competition lineup. Directed by Sisa Bueno, the film explores the enduring impact of Kalief Browder and his mother Venida Browder, whose lives were tragically shaped by systemic injustice. Told through poetry, activism, and powerful archival material, the film is a deeply moving reflection on loss, resilience, and legacy. With over two decades in the documentary field, Akers brings her passion for social issues, historical research, and storytelling to the forefront in this timely and emotional project.
READ MORENYWIFT at Tribeca 2025: In Conversation with Producer and Casting Director Lois Drabkin
New York Women in Film & Television (NYWIFT) is proud to spotlight member Lois Drabkin, a dynamic force in the world of independent cinema. As the Co-Producer and Casting Director of Ride or Die, premiering at the 2025 Tribeca Festival as part of the prestigious U.S. Narrative Competition, Drabkin continues to champion bold, character-driven storytelling. With a career spanning acclaimed features such as Nancy, Colewell, and Glass Chin, and casting credits on groundbreaking projects like HBO’s The Wire and Showtime’s Years of Living Dangerously, Lois shares insights into her creative process, the evolution of Ride or Die, and her enduring commitment to supporting women in film.
READ MORE
