- Address -
-
1121 Somera Road,
Los Angeles, CA, 90077, United States of America
- Phone
- Office: 310 922-3092
- Web Links
- http://www.lamonteproductions.com
Christine La Monte
Founder/Owner and PresidentLa Monte Productions
Academy of Motion Picture Arts and Sciences member, and former film marketing excutive at Disney, Universal and Orion, with three Italian feature documentaries in final post under La Monte Productions banner: VIVA VERDI!, AI WEIWEI’S TURANDOT and FIGLI DEL FIUME.
Full Bio
STATON RABIN
www.ScreenplayMuse.com
www.StatonRabin.com
Screenplay Analyst (Story Development) & Screenwriter
NY l0533
(9l4)478-8256
Staton@StatonRabin.com
Link to podcast interview by Big Apple Film Festival: https://tinyurl.com/y5eg4xjv
Script Analyst/Story Development
198l-2000: Freelance Story Analyst. Among my clients at various times during this period were: Warner Bros. Pictures, New Line Cinema, American Conservatory Theater, and the William Morris Agency, among other producers and agencies. I ve read, evaluated, and written reader s reports on thousands of screenplays and books.
2000-present: Screenplay contest judge (reader) for
Final Draft, Inc. s Big Break Screenwriting Contest, for whom I evaluate hundreds of scripts a year. I have a letter of reference from Final Draft/Big Break s Contest Director, Kala Guess. For many years, I also read and evaluated screenplays for Final Draft s script analysi
www.ScreenplayMuse.com
www.StatonRabin.com
Screenplay Analyst (Story Development) & Screenwriter
NY l0533
(9l4)478-8256
Staton@StatonRabin.com
Link to podcast interview by Big Apple Film Festival: https://tinyurl.com/y5eg4xjv
Script Analyst/Story Development
198l-2000: Freelance Story Analyst. Among my clients at various times during this period were: Warner Bros. Pictures, New Line Cinema, American Conservatory Theater, and the William Morris Agency, among other producers and agencies. I ve read, evaluated, and written reader s reports on thousands of screenplays and books.
2000-present: Screenplay contest judge (reader) for
Final Draft, Inc. s Big Break Screenwriting Contest, for whom I evaluate hundreds of scripts a year. I have a letter of reference from Final Draft/Big Break s Contest Director, Kala Guess. For many years, I also read and evaluated screenplays for Final Draft s script analysi
