NYWIFT Blog

Introducing the New WFPF Series From the Vault: Women’s Advocacy on Film

History is perfectly capable of repeating itself. Issues from the past that seem dated have a way of rearing their ugly heads once more to become present-day concerns. In an age when our collective memory can be short, and in the era of “disposable media,” the NYWIFT Women’s Film Preservation Fund (WFPF) and UnionDocs (UNDO) present FROM THE VAULT: WOMEN’S ADVOCACY ON FILM, a series of nine programs of preserved documentary films, screened monthly. The series considers the relationship of these films to contemporary nonfiction storytelling and makes a strong case for their preservation and continued study.

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Terry’s Picks: Reed Morano, Lena Waithe, Silent Revival

Reed Morano: Congrats to The Handmaid’s Tale director Reed Morano, the first woman to win for the Emmy for drama series directing in 22 years. Lena Waithe: Kudos to Lena Waithe, who is the first black woman to win an Emmy for best comedy writing for her spectacular Master of None episode, “Thanksgiving.” (Our own...

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The Women’s Film Preservation Fund 2016 Grants are awarded to five groundbreaking works from the 1920s and 1970s

The NYWIFT Women’s Film Preservation Fund's (WFPF’s) 2016 grants have now been awarded. The films include three shorts from the 1920’s by pioneering filmmaker Angela Murray Gibson and two important films from the 1970’s, SISTERS! by Barbara Hammer and Women’s Happy Time Commune by Sheila Paige. WFPF Steering Committee Co-Chair Ann Deborah Levy explains why these particular films are important to women's legacy, and how you can help.

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Ina Archer, Custodian and Creator of Distinct Cinema, Picks Five Essential Films Restored by the WFPF

Experimental filmmaker and media preservationist Ina Archer picks her top five films preserved by the NYWIFT Women's Film Preservation Fund (WFPF) - each an important installment in the history of women filmmakers.

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To Save & Project Features Preserved Works by Jane Aaron

Next month, the Museum of Modern Art’s 14th annual To Save and Project series will celebrate the art of Jane Aaron with screenings of two films preserved by NYWIFT’s Women’s Film Preservation Fund. WFPF co-chair Kirsten Larvick gives us a sneak preview of the program and discusses Aaron's prolific and groundbreaking career.

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Join the NYWIFT Women’s Film Preservation Fund at the New York Film Festival: Two Preservation Events

The NYWIFT Women's Film Preservation Fund has two exciting events at the 54th Annual New York Film Festival this week, both a panel and a screening. WFPF Co-Chair Ann Deborah Levy gives us the inside scoop.

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Women’s Film Preservation Fund Recent Preservations, VISIONS Series TV Dramas, Hit the Screen in September

NYWIFT and the Museum of the Moving Image (MOMI) will screen two TV movies from the PBS series Visions, which have been preserved by the Women's Film Preservation Fund (WFPF). WFPF co-chair Ann Deborah Levy tells us about the films - which touch on racism, immigration, and diversity in American culture - and the challenges and sweet success of finally bringing them to the big screen.

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Preserving the Cultural Legacy of Women in Film: A Conversation with Barbara Moss

In the pitch that would lead to the establishment of NYWIFT’s Women’s Film Preservation Fund (WFPF) in 1995, documentary filmmaker Barbara Moss wore white gloves and held up a 35 mm film canister. She opened it before the NYWIFT Board of Directors and pulled out a decrepit ribbon of film which then disintegrated before their eyes. “Ladies, this is what’s happening to our history,” she warned. Since then, the WFPF has preserved over 100 films. NYWIFT member Terisa Thurman talks to Moss about the fund's inception.

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An Invitation from the Women’s Film Preservation Fund – WE WANT YOU!

The NYWIFT Women's Film Preservation Fund (WFPF) is currently seeking volunteers for significant positions within its committee: Head of our Fundraising Subcommittee, additional Fundraising Subcommittee members, and post-production professionals, especially with film experience, to serve on our Preservation Subcommittee. These positions are essential to strengthening our ongoing work to SAVE WOMEN’S FILM LEGACY. The WFPF, since its inception in 1995, has saved over 100 women-made movies, from silent to contemporary eras, in all genres. The films are on all subjects and represent women makers of all colors and a wide range of ethnic backgrounds. WFPF is the only fund in the world that focuses solely on preserving women’s cinematic heritage.

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Women’s Film Preservation Fund: Protecting the Legacy for Over 20 Years

Founded 1995 by NYWIFT in conjunction with the Museum of Modern Art and spearheaded by the determination of NYWIFT member Barbara Moss, the Women’s Film Preservation Fund (WFPF) has preserved over 100 films by women. In fact, we are the only organization dedicated to preserving exclusively films made by women. Get to know the WFPF!

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Terry’s Picks: Celluloid Ceiling Report, Wendy Blackstone & Carte Blanche Film Series

Composer and NYWIFT member Wendy Blackstone recording a score. Photograph courtesy of Wendy Blackstone. I find myself: asking the same question. Where is the progress? Women directors worked on as many Hollywood films in 2014 as they did in 1998. Check out the new Celluloid Ceiling Report by Martha Lauzen. Congratulations to: NYWIFT member Wendy Blackstone,...

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Women’s Film Preservation Fund & Alice Guy-Blaché

Still from Alice Guy-Blaché’s Mixed Pets (1911). New York Women in Film & Television and Alice Guy-Blaché make a perfect pair. The organization’s Women’s Film Preservation Fund (WFPF) helped to preserve two of her shorts, Matrimony’s Speed Limit (1913) and A House Divided (1913), as part of its inaugural project. Mixed Pets (1911), Guy-Blaché’s earliest extant film from her studio Solax, was preserved through a WFPF grant...

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Terry’s Picks: Women’s Equality Day, Film Preservation & Goodbye to Linden

U.S. women demonstrating for the right to vote (1913), via Wikipedia. Wishing you all: a Happy Women’s Equality Day, celebrating the passage of the 19th Amendment recognizing women’s right to vote. Congratulations to: NYWIFT member Sandra Shulberg, whose Indie Collect just received a $200,000 grant from the Ford Foundation to catalogue and find archives for orphaned independent films. NYWIFT’s Women’s Film...

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NYWIFT Announces 2014 Women’s Film Preservation Fund Grantees

Alice Guy-Blaché (image: Wikipedia Commons). New York Women in Film & Television (NYWIFT) has announced the grantees of this year’s Women’s Film Preservation Fund (WFPF). Founded in 1995 by NYWIFT in conjunction with The Museum of Modern Art, the fund is the only program dedicated to preserving the cultural legacy of women in the industry....

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