NYWIFT Blog

By Tammy Reese

As the entertainment industry continues to evolve, producers like Becky Morrison are helping lead the charge toward a more thoughtful, people-centered future in filmmaking. A producer, entrepreneur, and advocate for safer production environments, Becky brings both heart and vision to every project she touches — including Stand Clear ‘ the Closing Doors, the powerful short film making its World Premiere at the 25th anniversary of the Tribeca Festival.

Set against the backdrop of New York City’s subway system, Stand Clear ‘ the Closing Doors transforms a seemingly ordinary interaction into a gripping reflection on space, respect, tension, and human behavior. The film captures the emotional complexity hidden within everyday moments, offering audiences a story that feels distinctly New York while speaking to universal experiences of dignity and connection.

For Becky, the project was more than just another production credit. As a native New Yorker and longtime admirer of writer, director, producer, and actor Stacey Sargeant’s creative voice, she saw an opportunity to help bring an important artistic vision to life. Through collaboration, community, and determination, the team navigated the unique challenge of filming inside active subway spaces while creating a film that is both intimate and socially resonant.

Beyond Stand Clear ‘ the Closing Doors, Becky continues to make an impact through her production company, The Light, and her ongoing advocacy work surrounding healthier and safer working conditions in the entertainment industry. With projects spanning major platforms including Netflix, Apple, Hulu, Disney, NBC, and A&E, her career reflects not only creative excellence, but a commitment to transforming the culture behind the scenes as well.

In this exclusive conversation with New York Women in Film & Television, Becky Morrison reflects on the excitement of premiering at Tribeca, collaborating with Stacey Sargeant, the importance of community in filmmaking, and why creating better production environments remains central to her mission.

(photo courtesy of Becky Morrison)

Congratulations on Stand Clear’s‘ Closing Doors’ being selected for the 25th anniversary of the Tribeca Festival. What was your reaction when you found out the film would have its World Premiere there?

Overjoyed! I am a native New Yorker, as were many of the people who worked on this very New York film. To have its premiere at Tribeca is incredible. I am so happy for Stacey and the entire team that poured so much into this project.

Stand Clear ‘ the Closing Doors takes an everyday NYC subway interaction and transforms it into something layered, tense, and thought-provoking. What initially drew you to this project as a producer?

Stacey took a common and upsetting experience and turned it into art. We are friends, and I admire her creative voice and talent. So when she came to me with the film, I was honored to support her in bringing forth her vision.

Still from Stand Clear ‘ the Closing Doors (courtesy of Tribeca)

What was the overall experience like producing this film from start to finish?

It was community coming together in the name of art. It had its logistical challenges because we were filming in the subway in the middle of the day (!), but everything went smoothly. Also, New Yorkers are so used to seeing crazy things in the subway that they didn’t even bat an eye. The experience was exhilarating.

You worked closely with Stacey Sargeant, who served as the writer, director, producer, and star of the film. What was it like collaborating with Stacey throughout the creative process?

Stacey immersed herself in every part of the process, from prep through post, and approached the work with an extraordinary level of care, clarity, and commitment. She had a clear vision from the very beginning and knew exactly what she wanted, both as a director and as an actor. And honestly, she delivered at a level far beyond many directors I’ve worked with who have been doing this for much longer.

What made the collaboration especially meaningful was the way she led the team. Stacey is deeply thoughtful, generous, and gracious. She made people feel valued and consistently showed appreciation for every person involved in bringing the project to life. That combination of creative clarity and emotional intelligence is rare, and it elevated the entire experience for everyone around her.

Still from Stand Clear ‘ the Closing Doors (courtesy of Tribeca)

Your work consistently reflects a passion for improving the production experience and advocating for safer, healthier working environments in the entertainment industry. Why is that mission so important to you?

There’s nothing better than being on a film set. It can connect us to a power greater than ourselves. But the culture behind the scenes isn’t always uplifting. I know there is a better way forward — one where we intentionally design production experiences that center people and unlock creativity at the highest level. My goal is to prove again and again that this is possible because the way we work really does affect the work we make.

What inspired you to become a member of New York Women in Film & Television, and what has the organization meant to you professionally and personally?

I am a deep believer in organizations that bring together community in mentorship and opportunity, and New York Women in Film & Television is a place where members support each other and the issues that are improving the industry as a whole. I joined in support of the mission and to make deeper connections within this industry.

Still from Stand Clear ‘ the Closing Doors (courtesy of Tribeca)

What advice would you give to aspiring producers who dream of creating a film that screens at a festival like Tribeca?

Just go for it. Don’t look at the barriers. That’s all that we really did — harnessed energy and talent. Have faith in your art, your work, and your people.

Looking back on your career so far, what has been one of the most rewarding moments for you as a producer?

As a producer, seeing people on set having a great experience and the ability to be themselves — and seeing in recent times that there is a growing movement for culture change. And knowing that the next generation of people working in the industry will have a better experience because of it.

See Stand Clear ‘ the Closing Doors at the 2026 Tribeca Festival, running June 3-14. 

And check out all the other NYWIFT member projects at the 2026 Tribeca Festival. 

Learn more about Becky Morrison’s work:

https://www.thelight.nyc

https://www.thebeckymorrison.com

https://www.linkedin.com/in/becky-morrison