NYWIFT Blog

Meet the New NYWIFT Member: Erin Kelly

By Farah Qureshi

Welcome to NYWIFT, Erin Kelly!

Erin is an entertainment insurance professional with a background in film and television production. A graduate of Loyola Marymount University with a degree in Film Production, she began her career working on documentary and television projects, including the feature documentary Knuckleball and CBS’s Entertainment Tonight.

In 2016, Erin transitioned into entertainment insurance and now serves as Underwriting Manager for the Film/TV/DICE segment of the Entertainment Department at Intact Insurance Group. 

Last year, she presented a wonderful virtual program to NYWIFT members called  “Safety on Set.” 

Based in New York City, Erin remains deeply connected to the industry as a self-described “film school kid” at heart and an avid moviegoer.

In our interview, she shares insights on her journey from production to entertainment insurance, the risks facing today’s productions, and the lessons she’s learned along the way.

 

NYWIFT Member Erin Kelly

 

Welcome to NYWIFT! Could you give our readers a brief introduction to yourself?

My name is Erin Kelly and I work in the film insurance business. I specialize in insurance for feature films, television series, documentaries, commercials, and short digital content production.

I have been working in this industry for about 12 years, and prior to that, worked in the Film/TV industry as a production assistant and line producer. I am a graduate of Loyola Marymount University’s School of Film and Television and consider myself an insurance professional but a “film school kid” at heart.

 

What brought you to NYWIFT?

I have a strong desire to never lose sight of the specifics of the industry that we help to insure. I enjoyed several of NYWIFT’s events (which I attended as a corporate sponsor) and found them very informative about the current issues facing the industry (particularly women) at this present moment.

I wanted to become an official member so that I can offer my help to women in the industry and remain current on the latest industry specifics and trends.

 

Erin Kelly at the NYWIFT FinanceHER Institute with Christine Sadofsky

 

What initially drew you to film and television production, and how did that experience eventually lead you into the world of entertainment insurance?

I have been a lover of the cinema since the first time my mother took me to the theater to see the remastering of Gone with the Wind when I was around 8 years old. I have always loved the ability of Film/TV to bring stories (narrative and real) to the forefront and evoke discussions on important topics. I think films have an incredible power to uplift and inspire individuals, and I love being involved with this process.

 

As a corporate executive, what shifts or emerging challenges do you see shaping the future of production risk and insurance?

I spoke about the overall state of set safety in the November NYWIFT workshop, “Safety on Set” – I believe that independent productions have been challenged by increasingly tight schedules and difficulty with financing, which can lead to unsafe set environments.

There are productions that want to perform stunts or hazardous activities but do not have the budget or proper time window to safely complete these activities (by hiring the correct specialists, providing the right safety materials, rehearsing the stunts, etc.). This is where proper risk assessment and planning in pre-production becomes crucial to creating a safe environment for crew, cast, and all individuals working on set.

 

Erin Kelly interviewing a broker at an insurance conference

 

What lessons have stood out to you while growing into a leadership role in the insurance industry?

I have learned that it is very important to keep an eye on the technical changes in the industry and never assume that conditions will be the same from year to year. I think it’s paramount to read industry periodicals, attend events to be up-to-date on new technologies, and speak regularly with those working on sets.

As the industry changes at a rapid pace, we have to do our best to remain ahead of the curve or at least keep pace with the changes.

 

Connect with Erin Kelly on LinkedIn, and watch her Safety on Set webinar with NYWIFT to learn more about great planning tools and production insurance.

(All images courtesy of Erin Kelly)

PUBLISHED BY

Farah Qureshi

Farah Qureshi Farah Qureshi is an intern at NYWIFT with a background in public relations, event coordination, and journalism. She holds a Master’s degree in Media, Culture, and Communication from New York University, where she also served as Co-Director and Head of Programming at the Fusion Film Festival. She is passionate about advancing diversity and inclusivity in media and leveraging innovative storytelling to drive meaningful cultural and social impact across the industry.

View all posts by Farah Qureshi

Comments are closed

Related Posts

NYWIFT Board Member Sibyl Reymundo-Santiago on Kaya, Cultural Identity, and Its Tribeca Festival Premier

With more than three decades of experience spanning film, television, theater, and festival leadership across the United States and Asia, Sibyl Reymundo-Santiago has built a remarkable career championing diverse voices and meaningful storytelling. As President of Sitting Cat Productions, Executive Director and Head of Programming for the SOHO International Film Festival, and Board Member for NYWIFT, she has dedicated her career to creating opportunities for filmmakers and bringing impactful stories to audiences worldwide. This year, Reymundo-Santiago serves as Consulting Producer on Kaya (ᜃᜌ), a powerful film featured during the 25th anniversary of the Tribeca Festival. The story follows Nia, a half-Filipina young woman who secretly trains with queer outcast Malic in hopes of joining an elite Filipino Martial Arts team and proving she is “Filipino enough.” Through themes of identity, belonging, cultural connection, and self-acceptance, Kaya explores experiences that resonate far beyond its cultural roots.

READ MORE

Becky Morrison is Championing a Better Future for Film While Bringing “Stand Clear ‘ the Closing Doors” to Tribeca

As the entertainment industry continues to evolve, producers like Becky Morrison are helping lead the charge toward a more thoughtful, people-centered future in filmmaking. A producer, entrepreneur, and advocate for safer production environments, Becky brings both heart and vision to every project she touches — including Stand Clear ‘ the Closing Doors, the powerful short film making its World Premiere at the 25th anniversary of the Tribeca Festival. Set against the backdrop of New York City’s subway system, Stand Clear ‘ the Closing Doors transforms a seemingly ordinary interaction into a gripping reflection on space, respect, tension, and human behavior. The film captures the emotional complexity hidden within everyday moments, offering audiences a story that feels distinctly New York while speaking to universal experiences of dignity and connection.

READ MORE

NYWIFT Member Juleyka Lantigua Brings The Lorraine to Tribeca Festival’s 25th Anniversary Celebration

For filmmaker, writer, and producer Juleyka Lantigua, storytelling has always been rooted in truth, history, and the voices too often left out of the conversation. Now, the award-winning creative and proud member of New York Women in Film & Television is bringing one of those powerful stories to the forefront as an Executive Producer and Co-Writer of The Lorraine, which will have its World Premiere during the 25th anniversary of the Tribeca Festival. Through the lens of The Lorraine, Juleyka helps illuminate the legacy of the Lorraine Motel and the Bailey family, whose impact stretched far beyond the historic events forever tied to the Memphis landmark. The documentary explores Black excellence, resilience, entrepreneurship, music history, and the enduring fight for justice during one of America’s most turbulent eras.

READ MORE

Meet the New NYWIFT Member: Bonnie Gross

Welcome to NYWIFT, Bonnie Gross! Bonnie Gross is a multi-faceted filmmaker whose dynamic expertise has led to an acclaimed career in writing, producing, and post-production. She draws from personal experience and her natural aptitude for comedy writing to create narratives that are at once clever, boundary-pushing, and relatable. Her newest autobiographical film, Lady Parts – which has won numerous international awards – exemplifies her experience and talent. It is also a reflection of her mission to spread awareness for women living with vulvovaginal and pelvic pain, an experience that Bonnie personally lived through. Based in New York City, Bonnie co-owns the NYC boutique finishing house Brainwomb and has worked on numerous media projects, television shows and films.

READ MORE
JOIN OUR NEWSLETTER
css.php