This innovative first film of Vietnamese émigré, Trin T. Minh-Ha marked
the entrance of a major presence into independent filmmaking and
women's studies. It reflects on and critiques filming in rural Senegal
and questions practices of the "anthropological I/eye.”
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NYWIFT programs, screenings and events are supported, in part, by grants from New York City Department of Cultural Affairs in partnership with the City Council, and New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature.